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NGS, FANS, SILVER AND 
LLANEOUS ART OBJECTS 


TO BE SOLD BY AUCTION 
Y, THURSDAY, FRIDAY & SATURDAY AFTERNOONS 
: NOVEMBER 5, 6, 7 AND 8 
AT TWO-THIRTY O’CLOCK 


‘THE ANDERSON GALLERIES 
es, ARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
acy 1919 


R 


-LIBRAR 
NOEDLER 


556-8 Fifth Ave 


New York — 


Sale. No.1444 
Sele of paintings belonging to Francis P.Gervan, 


Alien Property Custodian, at the Anderson Galleries, Nov.5.8, 1919. 


on ee ees 


No. Artist Buyers: Price 
588 Ferrarese School Warwick House $ 380. 
589 School of Francis Clouet z O75. 
590 Gerard Terburg Ehrich Galleries 2;900. 
591 Albert Cuyp Chas.De Kay 300. 
592 Attributed to J.Patinier A.Stern ; 370. 
593 Q.Brekelenkam B.A.Staab Bos 


(All other Lot Nos. are furniture, rugs, tapestries, etc.) —) 


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ss AAISNAGLNOW Ad ‘“ATIW OL ‘AIX SINOT AP NIAID ATIVIONA 
‘ir NNULAT “HD AM NOOLUVO ‘AULSAMVL NITALOD 


SALE NUMBER 1444 
ON PUBLIC EXHIBITION FROM OCTOBER TWENTY-SEVENTH 


CATALOGUE OF 
AN IMPORTANT COLLECTION OF 


FURNITURE, RUGS, TAPESTRIES 
PAINTINGS, FANS, SILVER AND 


MISCELLANEOUS ART OBJECTS 
ANCIENT AND MODERN 


TO BE SOLD BY AUCTION 

WEDNESDAY, THURSDAY, FRIDAY & SATURDAY AFTERNOONS 
NOVEMBER 5, 6, 7 AND 8 
AT TWO-THIRTY O’CLOCK 


THE ANDERSON GALLERIES 


PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
1919 


f Ptue conte a7 
- Gee 
jhe To be sold by order of First Trust and Savin gs 

Bank, Chicago, Executor 


ye 


FRANCIS P. GARVAN 

bid: ALIEN PROPERTY CUSTODIAN 

AN IMPORTANT GOBELIN TAPESTRY 
AND SIX PAINTINGS 


_ AND OTHER PRIVATE OWNERS AND ESTATES 


4 
4 


‘CONDITIONS OF SALE 


1. All bids to be per lot as numbered in the Catalogue. — . 3 


as to the good faith of all Haine and his decisions shall - Gia 
also reserves the right to reject any fractional or nominal bid whi h- 
in his judgment may delay or injuriously affect the sale. ey C 

8. Buyers to a their names and oC and to Bo suc 


lots purchased to be immediately resold. xn 

4. Purchases to be taken away at the buyer’s expense ant risk im 
immediately after the conclusion of the sale, in default of which The - | 
Anderson Galleries, Incorporated, will not be responsible if the lot or 
lots be lost, stolen, damaged, or destroyed, and they will be at the 
sole risk of the purchaser, and subject to storage charges. 

5. No lot will be delivered during the sale. | 

6. All lots will be on public exhibition before the date of sale, fon } 
examination by intending purchasers, and The Anderson Galleries, In-— 
corporated, will not be responsible except as hereafter noted, for the 
correctness of the description, authenticity, genuineness, or for any a 
defect or fault in or concerning any lot, and makes no warranty what- a 
ever, but will sell each lot exactly as it is, WITHOUT RECOURSE. — 
But upon receiving before the date of sale, expert opinion in writing | 
that any lot is not as represented The Anderson Galleries, Incorpo-— q 
rated, will use every effort to furnish proof to the contrary, and in de-_. . 
' fault of such proof the lot will be sold subject to the declaration of 
the aforesaid expert, he being liable to the owner or owners thereof for — i 
damage or injury occasioned by such declaration. a 

7. All books are sold as catalogued, and are assumed to be in good — 
SECOND-HAND condition. If material defects are found, not mentioned 
in the catalogue, the lot may be returned. Notice of such defects must 
be given and the goods returned within ten days from the date of the — _ 
sale. Periodicals and all miscellaneous books arranged in parcels, are ~ q 
sold not subject to return. ‘a 

8. Autograph Letters, Documents, Manuscripts and Bindings are __ 
sold as they are, without recourse. The utmost care is taken to authen- 
ticate and correctly describe items of this character, but this Com- 
pany will not be responsible for errors, omissions, or defects of any 


kind. 


a e 


9. Terms Casx. If accounts are not paid at the conclusion of 

~ each sale, or, in the case of absent buyers, when bills are rendered, 
a - this Company reserves the right to recatalogue the goods for immediate 
_ sale without notice to the defaulting buyer, and all costs of such resale 

will be charged to the defaulter. This condition is without prejudice 

_ to the rights of the Company to enforce the sale contract and collect 

F the. amount due without such resale at its own option. 

10. Brips. We make no charge for executing orders and use all 

- bids competitively, buying at the lowest price permitted by other bids. 
| 11. The Anderson Galleries, Incorporated, will afford every 

facility for the employment of carriers and packers by the purchasers, 
( Pas will not be responsible for any damage arising from the acts of 
‘ such carriers and packers. 

Priced Copy of this Catalogue may be secured for fifty cents 
for each session of the sale. 
THE ANDERSON GALLERIES 
INCORPORATED 
Park AVENUE AND Firty-NINTH STREET, New York 

| ‘TELEPHONE PLAzA 9356 CATALOGUES ON REQUEST 

ie SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


ADDITIONAL CONDITIONS OF SALE 
The attention of bidders is called to the following special and 
additional conditions of sale, subject to which lots 588-594 in 
this catalogue are to be sold: 
Sale of said lots will be made in accordance with the provisions of 
the Act of Congress known as the Trading with the Enemy Act, as 
Amended; and the attention of bidders is called to the provisions of 
said Act, and to the penalties provided for violations thereof. The 
property advertised will be sold only to American citizens, or to cor- 
porations incorporated within and under the Laws of any State or 


Territory of the United States, or of any of its insular possessions; but 
the Alien Property Custodian shall have the right to exclude from 
bidding, at any such sale, and/or from purchasing or otherwise acquir- 
ing said property, any corporation which he shall, after investigation, 

_ determine to be controlled, managed or operated wholly or mainly by 
or for the account or benefit of a person or persons not citizens. Any 
person purchasing for an undisclosed principal, or for resale to a 
person not a citizen of the United States, will subject himself to the 
penalties of the said law. All bids made shall be subject to acceptance 
or rejection by the Alien Property Custodian at any time within fifteen 
days from the date of sale. 


tf 


Re 4 ud 
ORDER (OF SALE 


if je 


eee 


“WEDNESDAY AFTERNOON, NOVEMBER FIFTH 


PORCELAIN AND MISCELLANEOUS OBJECTS 

L a 

SPANISH MAIOLICA "i 

CURIOS, LIGHTING FIXTURES AND ORNAMENTS - 

PRINTS, ETCHING, ENGRAVINGS, MEZZOTINTS, PO 
TRAITS 

LIGHTING FIXTURES 

CURTAINS, CUSHIONS, UPHOLSTERY 

HOUSEHOLD FURNISHINGS 


THURSDAY AFTERNOON, NOVEMBER SIXTH ; 


PORCELAIN AND OBJECTS OF ART 
SILVER, PLATED WARE 

BRASS, LIGHTING. FIXTURES, FPIREPUCACKE FITTINGS — 
PAINTINGS, ETCHINGS, ENGRAVINGS AND PRINTS 
ORIENTAL AND DOMESTIC RUGS 

CUSHIONS EEC. 

FURNITURE 


FRIDAY AFTERNOON, NOVEMBER SEVENTH — 


PORCELAIN AND OBJECTS OF. ART 1a 
GLASS set tetas 
FANS ayes es I 
PRINTS, ENGRAVINGS, PHOTOGRAVURES, ETC. 
ORIENTAL RUGS . 
MISCELLANEOUS BRASS AND BRONZE FURNISHINGS, 
HOUSEHOLD FURNISHINGS 


SATURDAY AFTERNOON, NOVEMBER EIGHTH 


Beta ei ci: PORCELAINS,: GLASS: ANDAR OBJECT oman: 

FANS 

PAINTINGS AND 17TH CENTURY FLEMISH TAPESTRY — 

ORIENTAL RUGS 

ORNAMENTS IN BRONZE, PORCELAIN, MARBLE LAMBS, 
CLOCKS, STATUES, VASES, CANDELABRA 

CURTAINS 

FURNITURE 


| pete 
oo AFTERNOON, NOVEMBER 5, 1919 


AT TWO-THIRTY O'CLOCK 
Lots 1 to 179 


ORCE BLAIN AND MISCELLANEOUS OBJECTS OF ART 


ae Lots 1 to 35 

IND WOODEN BOX | GERMAN 18TH CENTURY 

-quered, with painting on the cover, “Jesus and the Adulteress.”’ 
iS ilia E. Green coll.) sities oa Diameter, 4 inches 
2 PAIR OF FAIENCE BUSTS | MODERN FRENCH 
Louis XII. and Anne de Bretagne. Mark “A. C.”  interlaid. 
ulia E; Green coll.) Height, 614 inches 
 TALAVERA BOWL . SPAIN, EARLY 19TH CENTURY 


— Bull ous | shape on low foot rim. Maiolica of the well-known Tala- 
oe vera type, with design of a hare in manganese purple in a land- 
- scape with green and yellow shrubs and trees. Cracked and re- 
| aired, (Julia E. Green coll.) 
| Height, 5 inches; diameter, 934 inches 


TALL STONEWARE BOTTLE —_saran, 18-197H cuNTURY 


own glaze of velvety tones. (Julia E. Green coll.) 
1 Height, 1614 inches 


es - BIZEN, JAPAN, 18-19TH CENTURY 
Bia, an the - of a hanging bag, tied with a cord. Brown glaze, 

et bronze shades. Slight chip. (Julia E. Green coll.) 

3 Height, 434 inches 


6 PAIR OF GLASS VASES ENGLISH, ABOUT 1850 
ie Pink opaque glass with gold ornamentation. Shape of early Vic- 
_ torian delicacy. Two painted medallions with the portraits of an 
Indian Rajah and his consort. (Julia E. Green coll.) 

| Height, 1814 inches 


10 


1] 


12 


13 


14 


Ornate doorway of the Alhambra, Spain. 


PLASTER MODEL 


treras. (Julia E. Green coll.) 


PAIR OF EWERS- 3 or RN Gpanved 


eee Neck broken, bottom restored, “(Julia es 


coll.) Age on 
PAIR OF GLASS VASES 


handles. Painted eetallion with the poner of a 
Rubens. (Julia E. Green coll.) 


hs WATER-COOLER JARS 


with two handles. (Julia E. Green Pita 


FOUR PIECES ENGLISH CHINA ce 
Two large oval Minton platters; one other large platter; one 0 
with scalloped edge. Floral designs. (Julia E. Green coll.) 
Size of the platters, 19x1514 inches; of the plate, 10 ya it ine ches 
NINE PIECES OF PORCELAIN AND POTTERY : 
CHINA AND JAPAN, MODER 

Cups and saucers, vases, eggshell wares, vase imitating Pekin la - 
quer, etc. (Julia E. Green coll.) 


THREE SMALL ART OBJECTS JAPAN, 19TH CENTURY _ 
(a) Small marbled pottery box. va Me 

(b) Cloisonné cover; swallow design. 

(c) Box with cover; pottery with cloisonné decoration. i 
(Julia E. Green coll.) Sizes not over 4 y% inches! : 


pl ae ae ara ips ‘ 
f 1 OF GROTESQUE CANDLESTICKS 


‘ FRENCH, ABOUT 1870 
‘i 
ettes of a negro and negress, in composition metal, each with 


or Ormolu base. (Julia E. Green coll.) 
‘ Height, 10 inches 


pds aged, and one caipeae vase, with floral design. (Julia E. 
Za Gr ren coll.) Height, 6 inches and 4 inches 
ea" TWO FRENCH PLATES MODERN — 

( ) Imitation of. Palissy jasper ware. Marie de Medici, surrounded 
o _ by grotesque masks. Cracked. | . 
—(b) Plate with scalloped edge. Chinese flower and phenix pattern 
ah in cobalt blue and manganese. With mark of M. Montaignon 
Nevers, the reviver of the old Nevers faience. 


fa. E. Green coll.) Diameter, 934 and 834 inches 
ELEVEN DIVERSE OBJECTS 


fee percolator, writing desk fittings, porcelain mortar, pottery 
re: ups, ete. (Julia E. Green coll.) 

19 FIVE HOUSEHOLD. UTENSILS 

cin Cocktail shaker, mustard pot of composition metal, copper cigar- 
- ette case, tin mug and goblet, the latter a souvenir of the Franco- 
Russian alliance. (Julia E. Green coll.) 


| THREE PIECES ENGLISH SILVER LUSTER  azovr 1830 
_ Teapot, creamer and sugar bowl. Rectangular fluted shapes 
Slight chips. (Julia E. Green coll.) 


} THREE MISCELLANEOUS PIECES OF PORCELAIN 
_ (a) Cup and saucer with decorations in gold. Chipped. 
; (b) Jar with hand painted floral sprays. 
(c) Box in the shape of an egg. 
(Reinette L. McCrea estate.) Height of jar, 6 inches 
LOT OF MISCELLANEOUS CURIOS AND CABINET 
PIECES . 


i? 1? Elephant, dogs, carved bear, wooden shoes, etc. (Reinette L. 
fh, McCrea estate.) 


24 


25 


26 


27 


28 


29 


30 


31 


(a) Two small cups and saucers with gun metal mounting 


‘Boxes, ash tray, china figures, etc. (Reiette L. McCrea mhe) 


NINE MISCELLANEOUS OBJECTS 


M cCrea estate. ‘i : 
SIX PIECES OF PORCELAIN 


(b) ave oo with J apanese motifs. | . 


(Reinette L. McCrea estate.) 


SIX MISCELLANEOUS CURIOS | | 
Ivory photograph case and box, curious pendant, watch cha 1 
Persian box, etc. (Reinette L. McCrea estate.) kn 


FIVE MISCELLANEOUS CHINA ORNAMENTS ~ 
Heart-shaped box, dog figures, cat and sear etc. One 
(Reinette L. McCrea estate.) aie 


EIGHT MISCELLANEOUS CHINA ORNAMENTS 


Height, not exceeding 8 inc. 


Consisting of Dickens plaque, tea coasters, ash trays, ete. ( fee 
L. McCrea estate.) ang 


FOUR CARVED IVORY CAR PIECES 
(a) Japanese child. 

(b) Monkey with grotesque mask . 

(c) Man with monkey and dog. 

(d) Philosopher. | Socal , 
(Reinette L. McCrea estate.) Height, not exceeding 1 vw inches 


FIVE CARVED IVORY CABINET PIECES OF EUROPEAN | 
WORKMANSHIP 

Pair of elephants, poodle, bird cage and bust. (Reinette L. McCrea i 

estate.) ee 


FIVE CARVED IVORY CABINET PIECES | 
Group of workmen: carpenter, basket maker, farmer, etc. (Reinette 
L. McCrea estate.) Height, not exceeding 2% inches — 


84 


85 


36 
37 


38 


39 


THREE CARVED IVORY NETSUKES 


(a) Two jesters. 

(b) Grotesque figure with porcupine. 

(ec) Mother with children 

(Reinette L. McCrea estate.) Height, not exceeding 134 inches 

TWO JAPANESE FIGURES 

(a) Handsomely carved ivory on low ivory base. Woman bearing 
rose, flax and fan. 

(b) Porcelain with ivory tints. Woman and daughter. Chipped. 

(Reinette L. McCrea estate.) Height of ivory figure, 614 inches 

Height of porcelain figure, 444 inches 


CARVED IVORY FIGURE ON SMALL TEAKWOOD STAND 


Figure of wanderer with staff and water gourd. Handsomely 
carved. (Reinette L. McCrea estate.) Height, 7 inches 
THERMOSTAT AND HOLOSTERIC BAROMETER 


(a) Mounted on wrought iron wall plaque. Made by the Powers 


Duplex Regulator Company. 


 (b) Regulation size. Mark—PHBN. 


(Reinette L. McCrea estate.) Diameter, 12 inches and 614 inches 


GLASS © 
Lots 86 to 46 


ELEVEN PIECES OF GLASS 
Round tray of beveled mirror glass, 6 oyster cocktail cups, 3 finger 
bowls, ete. (Julia E. Green coll.) Diameter of the tray, 14 inches 
EIGHTEEN WHISKY, BRANDY AND SHERRY GLASSES 
Diverse shapes, blown and moulded. (Julia E. Green coll.) 

Height, not over 414 inches 
SET OF FOURTEEN WINE GLASSES 
Stems of crystal glass. The goblets of red glass, decorated with 
gold rims and enamel painted floral decoration. (Julia E. Green 
coll.) Height, 5 inches 
FOUR RHINE WINE GLASSES 
So-called “Roemer” type. Green glass. (Julia E. Green coll.) 

Height, 534 inches 


A 


42 


43 
4A 
45 


46 


deeply cut decoration. Stoppers with round facetted t 


SET OF THIRTEEN WINE GLASSES 
The stems of white, the goblets of red glass. 
(Julia E. Green coll.) ; 


i pene 
_ Height, 4 


SET OF TEN CHAMPAGNE CUPS © | je 
Crystal glass with engraved decoration. (Julia E. Green « 


SET OF LIQUOR BOTTLES AMERICAN, | 


In modern oak wood case. Three square bottles; crysta 


three sterling silver epitaphs, suspended on chains, bear 
names of the lamented “brandy,” “whisky” and “rye.” (Ju 
Green coll.) Height, 10/2 


FIFTEEN CHAMPAGNE CUPS 
Crystal glass with engraved decoration of four differen patt 
(Julia E. Green coll.) Height, about 4 incl 


SET OF THREE BRANDY GLASSES } 
Cut crystal glass. Colonial shape. (Julia E. Green coll.) 


ELEVEN SHERRY GLASSES 
Crystal glass; three different engraved patterns. (Julia E. eae 
coll.) Height, 4 A not 


TWO GLASS DECANTERS AMERICAN, ABOUT 1850 
Pear-shaped bodies on flat, spreading foot. Tall necks shaped neal ee 
cutting. Glass stoppers. One with spout and handle. (Julia E. — 4 
Green coll.) Height, 13 and 13% inches — 

SPANISH MAIOLICA 


Lots 47 to 56 


Everybody knows the colorful naiveté of the Meaican 
maiolica, of which the Metropolitan Museum possesses a 
splendid collection. The following Spanish specimens show 
how the same technique, which in primitive times was 
transplanted from Spain to Mexico, evolved on similar lines 
in the mother country of Spain. 


6 


48 


49 


—~50 


following the 


aa Teruete 
» ee 


LARGE MAIOLICA PLATTER MODERN SPANISH 


Conventionalized lion in centre; ornate border. Imitation of the 
earlier “puente del Arzobispo” wares. (Julia E. Green coll.) 


Diameter, 18 inches 


TWO MAIOLICA PLATTERS MODERN ITALIAN 
Renaissance pattern. Flower vase and classic acanthus scroll work. 
(Julia E. Green coll.) | Diameter, 14 inches 


MAIOLICA PLATTER PORTUGAL, LATE 18TH CENTURY 
Probably of the Royal Manufacture do Rato near Lisbon, which 
during the reign of Pedro III. made wares with fish, etc., in relief, 
“rustic” wares of Bernard Palissy. Oval shape, with 
voluted, rococo border. The centre with fish in relief painted in 
realistic colors. Interesting specimen. (Julia E. Green coll.) 


Length, 12x834 inches 
TALAVERA PLATTER 


Maiolica decoration of boldly drawn, conventionalized trees and 
shrubs. Green and yellow enamels predominant. Slightly cracked. 


SPAIN, EARLY 19TH CENTURY 


Pe (Julia E. Green coll.) Diameter, 1414 inches 
TWO MAIOLICA PLATTERS SPAIN, 1830-1850 


51 


52 


53 


(a) Valencia ware. Two polychrome floral borders, signed by the 
maker “A.S.”’ Cracked and mended. 
(b) Green and purple-brown all-over checker pattern. Cracked. 


(Julia E. Green coll.) Diameter, 1114 and 13% inches 
TWO MAIOLICA PLATTERS SPAIN, EARLY 19TH CENTURY 


Cobalt-blue decoration on white tin enamel. 

(a) Floral rosace in the centre with encircling inscription: “Soy de 
Benita Reguena. Afio de 1801.” (“I belong to B.R., year 
1801.”) Cracked. 

(b) Flat platter. Floral spray in the centre 


(Julia E. Green coll.) Diameter, 13 and 13% inches 
MAIOLICA DISH SPAIN, EARLY 19TH CENTURY 


Powerful design of flowers and leaves, reserved on manganese purple- 
brown background. Fine specimen of peasant’s art at its best. 
Cracked and repaired. (Julia E. Green coll.) 

Diameter, 1334 inches 


“I 


54 


55 


57 
58 
59 
60 


61 


“TWO MAIOLICA PLATES ae 


DEEP TALAVERA DISH “SPAIN, EARLY 19 
Maiolica of the well-known Talavera type. A shepherd 
centre, surrounded by animals under trees. Green andi yell 
Eee Cracked. (Julia E. Green coll.) 
Diameter, 11 


Decoration of cobalt-blue and red, outlined with manganes e bre 

on white tin glaze. 

(a) Bird and floral scroll work. Chipped. 

(b) Flower design. Cracked. (Julia E. Green coll. bite 
Diameter, 834 and 10 i 

TWO MAIOLICA CONSOLES MODERN vara 

Consoles supported by voluted scrolls with satyr masks. patte 

blue and yellow on white tin enamel. he iE. Cue bec 


MISCELLANEOUS CURIOS, LIGHTING ECTn Ee mens 
AND ORNAMENTS 
Lots 57 to 78 


TWO PISTOLS a. 
Wooden handles, inlaid with silver wire. One of the pistols with oa 


double muzzle. (Julia E. Green coll.) Length, 534 inches — a 
PISTOL 18TH CENTURY | 
Double-muzzled flint lock, the hanna of carved wood. 

(Julia E. Green coll.) Length, 1634 inches 
PAIR OF PISTOLS | 18TH CENTURY 


Flint locks, wooden handles. (Julia E. Green coll.) 

| Length, 1614 inches © 
TWO REVOLVERS ABOUT 1860 
“Six shooters” with wooden and hard rubber handles. (Julia E. 
Green coll.) Length, 15 and 12% inches 
TWO COLT REVOLVERS : 


Both “six shooters” with the mark of the Colt Firearms Co., Hart- 
ford, Conn. (Julia E. Green coll.) ' Length, 14 and 6 inches 


8 


64 


65 


— 66 


67 


— 68 


69 


70 


TWO IRON SPURS 
Probably Mexican, fitted with iron chains, (Julia E. Green coll.) 
TWO LACQUERED PAPIER MACHE TRAYS . 

: ENGLISH, ABOUT 1850 
Oval shapes. Black lacquer background with border of elaborate 
floral scroll work in gold and mother-of-pearl. In the centre, 


‘romantic castles in mother-of-pearl with early Victorian spectators 


in the foreground. Sold as is. (Julia E. Green coll.) 

Oval sizes: 19x2414 inches and 24x30 inches 
LACQUER CABINET JAPAN, MODERN 
Black lacquer. Decoration of fans, flowers and rooster in gold. 
Inside fitted with four drawers. (Julia E. Green coll.) 
: . Height, 1034 inches; width, 9 inches 
PAINTED LACQUER BOX PERSIA, 17-18TH CENTURY 
Irregular shape, fitted for hanging scales. Design of flower scrolls 
and birds on gold ground. Medallions with portraits of young 


women. (Julia E. Green coll.) Length, 1134 inches 
MANTEL CLOCK 


Modern Colonial type. Mahogany case, with floral incrustations. 
Straight lines with columns in the corners. Rounded top with brass 
finials. The dial silvered. Sold as is. (Julia E. Green coll.) | 
Height, 1434 inches 
OLD BRASS WATER KETTLE 
Bulbous shape; spout, handle and cover. (Julia E. Green coll.) 
Height, 121% inches 
WALL CANDLE HOLDER MODERN FRENCH 
Louis XVI. style. Gilt wood, in the shape of a suspended ribbon 
with laurel leaves. The candle holder in the shape of a cornucopia 
and acanthus cup. (Julia E. Green coll.) Height, 2014 inches 
CARD STAND AND STATUETTE 
The card stand of brass in ‘Renaissance’ pattern; the statuette of a 
girl taming a bird. Composition metal. Damaged. (Julia E. 


Green coll.) Height, 714 and 14 inches 
THREE BRONZE VASES JAPAN, MODERN 


(a) Koro with cover. On tripod base; dragon ornaments. 
(b) and (c) Vases with lily decoration. (Julia E. Green coll.) 
Height, 534 inches 


vA 


72 


13 


74 


75 


76 


fei 


78 


BRONZE ORNAMENT 
In the shape of a Japanese drum shel ot on a vedtaeaie 8 

copper and gilt bronze, with elaborate chiseled and perforated dec 
ration showing a flying phenix and the pawlonia flower. ee cs 


(Julia E. Green coll.) . Hee 1034 inck 


HAMMERED COPPER JARDINIERE ae i 

Bulbous body with wide spreading mouth. Three Pres fe 

Brass handles. (Julia E. Green coll.) : 
Fietat 1034 inches; width, 14 M4 i in 


TWO LAMPS 
(a) Colonial, about 1800. Hammered Hes frame; share front. wi ‘ 
engraved ornaments. | " 
(b) Copy of Roman oil lamp. J ulia E. Green coll.) 

Height, 534 and 3% inches 


BRONZE GROUP OF THREE TURTLES JAPAN, MODERN 
Realistic execution. Japanese seal mark on the bottom. (Julia E. 
Green coll.) Height, 334 inches; length, 8 inches — 
LARGE FAIENCE PLATTER MODERN FRENCH — 
Portrait of Marie Antoinette. Elaborate faience painting on gold 
dust background. Cracked. (Retnette L. McCrea estate.) 
‘Diameter, 18 inches 


LARGE FAIENCE BUST : | GERMAN 
Girl with nest of young birds. Dress, bonnet and base with painted — 3 
floral decorations in the Meissen manner. Set on low, spreading — a 
base. With mark. (Reinette L. McCrea estate.) a 
Height, 21 i inches _ q 


DOME FOR ELECTRIC OR GAS LIGHT 
Large shape with deeply voluted edge. Leaded to form four panels, 
with conventional designs in predominating shades of greens tan and 
rose. (Reinette L. McCrea estate.) 

Diameter, 24 inches; height, 12 inches 


ADJUSTABLE REFLECTOSCOPE. 
Ornate base. Sold as is. (Julia E. Green coll.) 
Height of shaft, 3814 inches; total height, 53 inches 


-” 


10 


19 


80° 


81 


83 


84 


85 


86 


PRINTS, ETCHINGS, ENGRAVINGS, MEZZOTINTS 
AND PORTRAITS 


Lots 79 to 107 


BARTOLOZZI (F.) 


“Haymakers Going Out” and “Cottagers Returned.” Stipples after 
Wheatley. Pair framed. (Julia E. Green coll.) 


BARTOLOZZI (F.) 


“Mary, Sophia and Amelia,’ after Copley; “The Resurrection of a 
Pious Family,” stipple in colors after Peters. Two pieces, framed. 


(Julia E. Green coll.) 
DE LAUNAY (N.) | 
“Angélique et Médor,”’ after J. Raux; “Marche de Siléne,” after 


Rubens. Line engravings. Two pieces, framed . (Julia E. Green 


coll.) 


_ ETCHINGS 


Pair of “Landscapes,” by Castiglione; “Landscape,” by Hollar; 
and others. Together 6 pieces, framed. (Julia E. Green coll.) 


ETCHINGS 


“Old Man Shading His Eyes,’ by Rembrandt, first state; ‘“Mar- 
riage of Jason and Medea,’ Rembrandt, fourth state; “Judas Offer- 
ing the Palm to Christ,” by LeBas after Van Dyck; and others, 
Together 9 pieces, various sizes, all framed. (Julia E. Green coll.) 


FRAMED PRINTS 

“Children of Charles I.,’ by Strang; “The Musical Family,” by 
Bolswert; “Lady Wallscourt,’ by Phillips; and others. Together 
7 pieces, all framed. (Julia E. Green coll.) 


FRENCH, EIGHTEENTH CENTURY 

“Le Negligé,” by Le Bas; “Le Billet Dou,” by DeLaunay; “Le 
Concert de Famille,” by Wille; “La Complaisance Maternelle,” by 
DeLaunay. Together 4 pieces, framed . (Julia E. Green coll.) 


GRIFFIN (WALTER) 

“Longpré, France.” Original pastel landscape, signed, framed. 
With presentation inscription by the artist on the back . (Julia E. 
Green coll.) 


1] 


87 


88 


89 


90 


91 


92 


93 


94 


95 


KAUFMANN (ANGELICA) See 
“Maria of Moulines.” Engraved in stipple and print 
W. W. Ryland. Fine impression, with full margin. 
(Julia E. Green coll.) Ken 
MACBETH (ROBERT W.) id 
“Winter Landscape.” Etching after the painting Le ce 
Remarque proof on Japan paper, signed by both artists. 
frame. (Julia E. Green coll.) es 
MEZZOTINTS 


“The Bapestane Wife,” by bathe: “The ven Wom 
Sarrab; “The Visit from the Poor Relations,” by Reynold 
gether 5 pieces, framed. (Julia E. Green coll.) 


ORIGINAL betes Wea hee 


cesco Mola; “Head of an Old Man,” in red crayon; “Head ¢ 0 
Woman,’ in red crayon. Three pieces, framed. (Julia E. Gr 
coll. ) 3 A ae 
ORIGINAL DRAWING | * 
“The Adoration of the Magi.” A carefully executed and finished | 
drawing in the French 18th Century manner. In black crayon and : 
blue tinted paper. Unsigned. Framed. (Julia E. Green 0D) a 
ORIGINAL DRAWING i 
“The Vision of St. Anthony.” Finished pencil devin In ‘oval . 
frame. Fine. Said to be by Guido Rene, from the Paoli collection. | 
(Julia E. Green coll.) og 
ORIGINAL DRAWING ) i os Dil 
“Mother and Nursing Child.” Finely executed in red and black 
crayon. Signed, but illegible. Framed. Very fine. In the style 5 
of Rubens. (Julia E. Green coll.) = 
PHOTOGRAPHS AND REPRODUCTIONS : 

Various subjects, some in colors. Together 11 pieces, various sizes, a 
all framed (Julia E. Green coll.) ‘ a 
PORTRAITS ns, 
“Voltaire,” engraved by Walker; “Paulus Du Pont,’ by DeJode; % 
“William Melmouth,’ by Schiavonette; and others. Together 6 ~ 
pieces, all framed, small. (Julia E. Green coll.) fj 


12 


99 


PORTRAITS. LOMBART (P.) 
_ “Elizabeth Castlehaven,” “Rachel Middlesex,” “Margarita de Car- 


lile,” and “Anna de Morton.” All engraved after Van Dyck. To- 
gether 4 pieces, framed. (Julia E. Green coll.) 


PORTRAITS 
“Sir John Suckling,” by Vertue; “M. N. Rauner,” by Vogel; “Lucas 


Vorstermans,’ by Vostermans; “Frobenius,” by Vischer; and others. 


Together 6 pieces, framed. (Julia E. Green coll.) 

PORTRAITS 

Women—“Maria Luissa de Tassis,’ by Vermeulen; “Duchess of 
Monmouth and Sons,” by Smith; “Mrs. Yarborough,” by Smith; 


“Countess of Salisbury,’ by Smith; and others. Together 8 pieces, 


all framed. (Julia E. Green coll.) 

PORTRAITS | 

“Oliver Cromwell,’ by Faber; “Charles Montague,” by Smith; 
“Lord Ashley,” by Thompson; and 2 others. Together 5 pieces, 


_ all mezzotints, framed. (Julia E. Green coll.) 
100 


401 


102 


103 


104 


PORTRAITS 

“Joannes Wenceslaus,’ by Smith; ‘““Don Phelipe V.,” by Drevet; 
“Johannis Wilkins,” by Blooteling; and others. Together 5 pieces, 
framed. (Julia E. Green coll.) 

PORTRAITS 

“D. Remigius du Laury,” by Edelinck; ‘William Letty,’ by Smith; 
“Simon Episcopius,’ by Matham; and others. Together 5 pieces, 
framed. (Julia E. Green coll.) 

PORTRAITS 

“George, Prince of Denmark,” by Houbraken; “The Rev. Dr. Col- 
lier,” by Jno. Young; “Johann Andreas Leutner,” by Vogel; “Theo. 
Volcamer,” by Vogel; and one other. Together 5 pieces, framed. 
(Julia E. Green coll.) 


PORTRAITS 

“Joseph Parrocel,” engraved by J. G. Will; “Joannes Le Blas,’ 
engraved by Dreuet; “Marin,” engraved by Masson. Together 3 
pieces, framed. Fine. (Julia E. Green coll.) 

PORTRAIT 


“Guillaume De Brisacier,” engraved by Anton Masson, after Auen- 
ionensis. Framed. Fine. (Julia E. Green coll.) 


> 


13 


105 


106 


107 


108 


109 


110 


112 


(a) “Arab, Seated,” by Elizabeth Mn a ‘iat 


TADEMA (abs ALMA) ~ eo Oe 


“The Shrine of Venus.” Ligon after the 
frame. (Julia E. Green coll.) | 
TURNER (J. M. W.) Kee | 
A series of six mezzotint landscapes, nee in sat 
pictures by Turner. All framed. (Julia E. Green coll. 


TWO WATER COLORS 


(b) “Hetty,” by J. Symington, New England gin] i in 
tume, standing in a field. Both framed. (Julia E. 


LIGHTING FIXTURES 

Lots 108 to 122 he 

PAIR OF CANDELABRA CHINA, J 
In the shape of cranes (symbols of longevity) holdin; 
beaks branches of two lotus flowers, each fitted as candl 
The cranes decorated in delicate cloisonné enamel. 3ras 
as is. (Julia E. Green coll.) : wie 
PAIR OF GILDED WOOD CONSOLES 


Italian Renaissance style. Decorated with aed ~ amorini 
Moulded and curved top. (Julia EH. Green “_— 


PAIR OF GILDED WALL LUSTRES Bann 
Louis XV. style. Gilded brass. Five curved acanthus leaf ‘ 
supporting five moulded bobéches. The back plates in the s 
of an asymmetrically composed! rococo cartouche. Fitted for 
tricity. Sold as is. (J ulia E. Green coll.) Height, rai ‘incl 
PAIR OF GILDED WALL LUSTRES | ve 
Louis XV. style; gilded composition metal. Four curved acan 
leaf stems, supporting four moulded bobeches, and decorated wit 
eight heavy crystal pendants, consisting of a star and an oak | 
shaped drop. Back plates spindle-shaped with floral scroll wo 
Fitted for electricity. Sold asis. (Julia E. Green coll. an 
: Height, 15 2 ine 
PAIR OF GILDED WALL LUSTRES proms: 
Same as above. Sold as is. (Julia E. Green coll.) tas 


14 


a7 


119 


116 


Bronze in the shape of two chrysanthemum twigs with flowers. 
Fitted for two electric lights. (Julia E. Green coll.) 
Length, 11 inches 
TEMPLE LANTERN, FITTED FOR ELECTRICITY 
JAPAN, 19TH CENTURY 
Square brass standing eae with perforated and engraved floral 


scroll work, arranged as a chandelier fitted for two electric lights. 
(Julia E. Green coll.) Height, about 75 inches; width, 21 inches 


TWO LANTERNS, BOTH WITH BRACKETS AND CHAINS 


OF WROUGHT IRON (EUROPEAN STYLE) 
MODERN JAPANESE 
Globular shapes. 
(a) Composition metal, with artificial green patina. Perforated 


pattern. 
(b) Brass, perforated with peony scroll work. 
(Julia E. Green coll.) | Diameter, 11 and 1034 inches 
CHURCH LANTERN SPAIN, 17-18TH CENTURY 


Hexagonal shape with domed top and conical base. Gilt frame of 
sheet iron and iron brackets, suspended on a chain of wrought 
iron. Fitted for electricity. (Julia E. Green coll.) 
Height, 26 inches 
LIGHTING FIXTURES 
(a) and (b) Wrought iron brackets. 
(c) System of concentric metal rings. 
(d)) Part of gilt composition metal chandelier, fitted for five elec- 
tric lights. (Julia E. Green coll.) 
Diameter, not over 17 inches 


WROUGHT IRON BRACKET WITH ONE LIGHT 

Spiral bracket with acanthus leaf decoration, and suspended lan- 
tern. (Julia E. Green coll.) Height, 23 inches 
RUSTIC LANTERN, SUSPENDED ON CHAIN 

Square shape with sloping roof. Sheet iron frame painted black, 
and decorated with a perforated design. Wrought iron brackets 
below. Rough glass windows. Can easily be fitted for electricity. 
(Julia E. Green coll.) Height, 26 inches 


15 


121 


122 


123 


124 


125 


126 


Four arms ce proned a central roy numerous 
and drops. Fitted for gas light; can easily be fitted f 
Sold as is. (Reinette L. McCrea estate.) 


Height, about ry feet | 


LARGE HANGING CHANDELIER, CRYSTAL GLA 
Twelve arms, fitted in two groups of six around a centr 
Numerous crystal prisms and drops. F itted for gas lig 

easily be fitted for electricity. Sold as is. — . 
(Reinette L. McCrea estate.) Height, abonet 6 feet 7 


LARGE HANGING CHANDELIER, CRYSTAL G A 
Companion piece to the preceding. Sold as is. id 
McCrea estate.) 


CURTAINS, CUSHIONS AND UPHOLSTERY 
Lots 123 to 140 


THREE SQUARE CUSHIONS ne be 
Green silk damask, filled with feathers. (Reinette L. McC a 


estate.) 


THREE SQUARE CUSHIONS Bek 
Green silk damask. Two of them with strips of aay Trish lac 
Filled with down. (Reinette L. McCrea estate.) anes 


EMBROIDERED CUSHION Sviaieg 
Oblong shape, embroidered with huge baroque flowers. Golde 
trimmings. Green background. Stuffed with feathers. (Juli 
E. Green coll.) ed 44 x 16 inches 


SET OF THREE CURTAINS coh 

Plain copper-red velvet, modern, with a frieze of floral appliqué 

embroidery on the bottom and on one side. The smallest of the 

curtains double-faced and with two tassels. Sold as is. (Julia EH. 

Green coll.) 2 y 
8 feet 8 inches x 4 feet; 8 feet x 4 feet; 7 eS 9 inches x 4 feet 


16 


ae 
a 


a 


129 


130 


132 


133 


134 


‘TWO PAIRS OF CURTAINS 
Plain copper-red velvet, same set as the preceding. Sold as is. 
(Julia E. Green coll.) 8 feet 9 inches x 4 feet 


PAIR OF DOUBLE-FACED VELVET CURTAINS 
Plain green velvet, bordered with gold braid and twisted cord. The 
other side of plain pale green velvet. (Julia E. Green coll.) 


9 feet 7 inches x 4 feet 


PAIR OF DOUBLE-FACED CURTAINS 


_ Plain green velvet (same as the front of the preceding number). 


On the reverse, gray brocatelle. (Julia E. Green coll.) 
7 feet x 4 feet 


PAIR OF CURTAINS AND VALANCE 


_ Plain red velvet, modern, bordered with triple gold galoon. 


(Julia E. Green coll.) 11 feet x 3 feet 5 inches 


SET OF CURTAINS 


Four pairs of curtains and four valances. Green damask, half 


silk. A fifth pair of smaller size. (Julia E. Green coll.) 


10 feet 6 inches x 4 feet; one pair 10 feet 6 inches x 20 inches 


DRAPERY 7 
Plain red velvet, modern, bordered with thick red twisted cord in 
the same color. (Julia E. Green coll.) 

8 feet 6 inches x 4 feet 


VALANCE 
Plain green velvet, modern, but toned down by age. Bordered on 
three sides with gold braid and fringes. (Julia E. Green coll.) 

2 feet 10 inches x 7 feet 5 inches 


VALANCE ITALIAN, 18TH CENTURY 
Silk brocade, with decorations of curved stems and naturalistic 
roses in brocading of various colors on a white damask background. 
Golden galoons and fringes. Damaged and soiled. (Julia E, 
Green coll.) 64 x 221% inches 


17 


135 


136 


137 


138 


139 


140 


Front of Italian silver brocade with yellow background. . 


LADY’S BAG 


fringe. (Julia E. Green coll.) | 
CHASUBLE Bake 18TH on rv 


tern on both sides. Lining of coarse linen. (Julia E. Green 


PROCESSIONAL BANNER era, Von caw 


rea with golden galoon. (Julia E. Green coll.) Kean 
The picture (oval), 19 x 13 inches; the banner, os 42% ine: 


COVERLET WITH LOOPED DECORATION 

SPAIN, ABOUT 17 0 
Coarse linen decorated with silken loops. The same technique stil | 
frequent in Spain and in Canada. Prevailing colors, red and green a 
Rug pattern with floral border, influenced by the patterns a . 
Turkish rugs. In the centre star motives and central carnation B 
medallion with the inscription: “Soi de Don | Antonio — 
Vabaro, Bicario en Beires. Afio de 1700.” (“I am property oO 
Don Antonio Vabaro, Vicar in Beires, the year 1700.’) Dam 
aged. (Julia E. Green coll.) 88 x 68 inche 
LARGE KILIM WEAVE | gl 
Tapestry weave of the Near East. Pattern of geometrical inter- _ 
lacings and of red stars on blue background. Prevailing colors, — 


red, blue and white. (Julia E. Green coll.) q 
Length, 13 feet 6 inches; width, 5 feet 2 inches. aa 


18 


Besos FURNISHINGS | 
Lots 141 to 179 


/ 


fish, sinffed and mounted on mahogany board. (Julia E. 
} Length 43 incheg 


MIRR OR CASE AND CARVED PANEL 


wed a i 
pe irror case, ‘ane in lacquer. Persian feasts. Persia, 18th 


4 z on ivory. Badly damaged. (Julia E E. Green bok ) 
1134 x ae inches and 1634 x 13% inches 


fi e hree sounding tubes of steel eae on a shield- -shaped mahog- 
i ‘aad bracket. With hammer. (Julia E. Green coll.) 
Deh gat ok SB Length of the tubes, 59 inches 


Ear DUTCH, 17TH CENTURY 
Fra ame fit pine aan stained ebony-black. Profile with elaborate 
oy mouldings and wave chanfreins. Fitted with a modern beveled 
neg ‘mirror glass. (Julia E. Green coll.) 


Size: outside, 23 YY x 21 inches; inside, 12 x 9 inches 


t ; _ Column-shaped, ebonized wood; revolving top. (Julia E. Green 
Pepin cout.) 
sh! Height, 41 inches; diameter of the top (octagonal), 14 inches 


FIREWOOD BOX MODERN 
_ Fumed oak with inset panels of hammered copper. (Julia E. Green 
coll.) Height, 21 inches 


KNIFE SHARPENER 
- Manufactured by G. Kent, London. (Julia E. Green coll.) 
! Height, 2114 inches 


19 


149 


151 


152 


155 


156 


STAIN ED GLASS WINDOW | 


Central medallion with charming bed) pattern, surrounded 
motives. (Reinette L. McCrea estate. ) 


TWO STAINED GLASS WINDOWS 5 

(a) A little beggar maid, trying on a mask in front ans : 
window. One panel missing. . 

(b) Overdoor panel with floral motives. 

(Reinette L. McCrea estate.) 

3 feet 3 inches x 2 feet 8 inches and 1 foot 8 inches x 2 feet 8 inche 


PAIR OF STAINED GLASS WINDOWS , 
Two young women, the one gathering flowers, the other feedin 
pigeons. (Reinette L. McCrea estate.) ea Na 
5 feet 2 inches x 2 feet 7% inches 


STAINED GLASS WINDOW 
Young woman spinning with distaff and spindle. (Reinette | 
McCrea estate.) 4 feet 4 inches x 2 feet 2 inche ous 


BATHROOM FURNITURE, WHITE ENAMEL 
Chair, stool and scales manufactured by Howe. (William L. ‘Rich 
coll. ) 

OFFICE SET, MISSION STYLE ca 
Stained oak. Consisting of large typewriter desk, desk arm “chair er 
and waste-paper basket (William L. Rich coll.) , 


SMITH PREMIER TYPEWRITER 
Model No. 10. Sold as is . (William L. Rich coll.) 


LIVING ROOM SET, MISSION STYLE 

Stained oak, consisting of large centre table, chair, book rack, book __ 
stand, leather-covered davenport (leather damaged) and easy arm q 
chair. (William L. Rich coll.) ‘a 


BEDROOM.FURNITURE, MISSION STYLE od 
Stained oak, consisting of double bed, large highboy with elaborate — 
shelving, chiffoniere with mirror, small table, night table, chair, E 
alarm clock, bedspread of green woolen twill and pillow roll. 
(William L. Rich Coll.) | 

The bedspread, 7 feet 214 inches x 7 feet 2 inches 


20 


159 


— 160 


163 


164 


OS 


SET OF BEDROOM CURTAINS, ETC. 
Pair of curtains; centre curtain with valance. Green woolen twill, 
Galoon with tassels. (William L. Rich coll.) 
The curtains 6 feet 7 inches x 3 feet 11 inches 
Width of valance, 11 feet 4 inches 
WARDROBE, MISSION STYLE . 
Fumed oak, straight lines, standing on bracket feet. (Julia E. 
Green coll.) 
Height, 73 inches; width, 3614 inches; depth, 1514 inches 
TWO ASHSTANDS 
(a) Copper and walnut. 


-(b) Painted papier maché with grotesque dancing figures. 


(William L. Rich collection.) Height, 29 and 49 inches 
SMALL MAPLEWOOD CENTRE TABLE | 


AMERICAN, ABOUT 1860 


_ Curved and ornate legs, connected by a bottom shelf. Quatrefoil 
shaped top. (Julia E. Green coll.) Top, 24 inches square 


LADY’S TOILET TABLE 
Louis XV. style. Mahogany with ormolu decorations. Top of 
shaped outline, surmounted by a swinging mirror. Drawer; cab- 


_ Yiole legs. (Julia E. Green coll.) 


Height with mirror, 57 inches; width, 40 inches; depth, 19 inches 


CHIFFONIERE 
Walnut and mahogany, with six shelves. The top shelf with ornate 
decorations. (Julia E. Green coll.) 

Height, 59 inches; width, 3934 inches; depth, 23 inches 


WINDSOR ARM CHAIR EARLY AMERICAN 
Mahogany. Curved back with six spindles and curved top rail. 
The top rail grooved. Curved and voluted arm rests, supported 
by columns in turned wood. Turned legs, side rails and crossbar. 
(Julia E. Green coll.) 


WINDSOR ARM CHAIR EARLY AMERICAN 
Mahogany. Curved back with six spindles and curved top rail. 
Curved and voluted arm rests on turned supports. Turned legs. 
side rails and crossbar. (Julia E. Green coll.) 


21 


166 


167 


168 


169 


170 


171 


172 


PAIR OF FOOT STOOLS v 
Louis XVI. style. Frame in gilt wood, covered with es | 
(Julia E. Green coll.) te Height, 6 . 


DRAWING ROOM CENTRE TABLE | . 
Italian 18th century style. Gilt wood, the top covered ithe gree . ; 
brocade. Top with curved outline and carved moulding. oe : 
and cabriole legs with elaborate carving. (Julia E. Green coll. vue | 

Size of the top, 36 x 24 inches. ai 
FOUR DRAWING ROOM SIDE CHAIRS _ : a 
Style of the Italian 18th Century. Frames of gilt wood. Curved 
back with elaborate carving; carved cabriole legs; seat upholstered ie 
with Italian brocade. (Julia E. Green coll.) 


SMALL BENCH + 
Modern French Louis XVI. style, standing on four ornate ak in 
the shape of fluted columns. Woodwork gilt; carved moulding 
Cross rail. Covered with green silk damask. (Julia E. Green coll. 

Length, 37 inche 
PAIR OF SETTEES bat 
Style of Italian rococo. Gently curved back and arm rests, with 
carving of floral motives. Cabriole legs. The apron curved, with 
floral carving. Gilt wooden frame of fine proportions. Covered — 
with green silk damask. (Julia E. Green coll.) Me Se a 
Height, 31 inches; width, 49 inches a 
PAIR OF ARM CHAIRS : aed 
Style of Italian rococo. Gently curved back and arm rests, with “a 
carving of floral motives. Cabriole legs. The apron curved, with 4 
floral carving. Gilt wooden frame of fine proportions. Covered 


with green silk damask. Same set as the preceding. ee = 
Green coll.) 


CURIO CABINET ITALIAN, MODERN 
Carved and gilded wood, standing on four voluted brackets with lion 
claw feet. The body rectangular shape with narrowed front. Front — ht 
and side panels in glass, framed by four pillars with elaborate carv- __ 
ing and baroque volutes. The top domed, surmounted by a God- 
dess of Fame, blowing the trumpet. Lined with green damask. 
(Julia E. Green coll.) Height, 82 in.; width, 25 in.; depth, 17 in. 


22 


; 174 


iS. 


2116 


177 


178 


LARGE MANTEL MIRROR FRENCH 


Irregular rectangular shape, with deeply voluted gilt frame deco- 
rated in the Renaissance manner. Surmounted by an oil painting 
of a maiden and three amorini. (Julia E. Green coll.) 


70 x 55 inches 


MAHOGANY DROP-LEAF TABLE 

EARLY AMERICAN, ABOUT 1800 
Rectangular top with two curved drop-leaves. Four square, slightly 
tapering legs with inlay of thin yellow lines; drawer. (Julia E. 
Green coll.) Size of the top, 3214 x 21 inches 


MAHOGANY CARD TABLE — coLoniat, mippLe 18TH CENTURY 
Chippendale style. Folding top, plain apron with drawer. On 
four cabriole legs with claw and ball feet, one of which can be 
turned outward to support the unfolded leaf (Julia E. Green coll.) 


- Height, 2714 inches; top, 33 inches square (opened) 


MAHOGANY SIDEBOARD AMERICAN, ABOUT 1840 
Rectangular shape with straight lines, standing on bracket feet 
with acanthus and lion claw motives. A back board behind the top 
shelf. The corners in the shape of fluted! pillars. On top two small 
drawers, a large one below, and at the bottom a large compart- 
ment with two wide paneled doors. (Julia E. Green coll.) 
Height, 5614 inches; width, 49 inches; depth, 22 inches 


MAHOGANY COMMODE AMERICAN, ABOUT 1850 
Top half mahogany, the front white marble. Curved front. On 
top swinging mirror set into a carved mahogany frame, standing 
on a mahogany base with two drawers. The corners of the com- 
mode ornamented with half pillars of turned wood. Four drawers 
with brass handles. (Julia E. Green coll.) 

Height with mirror, 85 inches; width, 43 inches; depth, 20 inches 


ROUND MAHOGANY TABLE AMERICAN, ABOUT 1840 


Round top, formed by a centre piece and two detachable leaves. 
Turned stem. Square base with outline curved inward, standing 
on four ball feet. (Julia E. Green coll.) 


Height, 30% inches; diameter of the top, 46 inches 


23 


179 MAHOGANY SIDEBOARD EARLY AMERICAN, ABouT 1800 
Hepplewhite type, standing on six straight, slightly tapering legs. 
Decorated with fine lines following the outlines of the top drawers 
and frame. Gently curved front. Three drawers on top. Double 
door in the centre, flanked by smaller doors on both sides. Brass 
handles and shields, the lower ones of later period. Fine speci- 

men in good condition. (Julia E. Green coll.) 
Height, 4214 inches; width, 60 inches; depth, 23 inches 


oS ee 


24 


180 


182 


183 


184 


SECOND SESSION 


THURSDAY AFTERNOON, NOVEMBER 6, 1919 
AT TWO-THIRTY O°CLOCK 
Lots 180 to 859 


PORCELAIN AND OBJECTS OF ART 
Lots 180 to 231 


THREE INDIAN BASKETS 
(a) Two small grass baskets, one with cover. Both of the flexible, 
closely woven type. 
(b) One large round basket, with cover and curved handle. Deco- 
rated in red, blue and green. (Reinette L. McCrea estate.) 
| Height, not exceeding 814 inches 
SIX PIECES OF ROYAL BERLIN PORCELAIN 
(a) Three porcelain statuettes of amorini with flowers. 
(b) Statuette of Ganymede and the eagle. 
(c) Ornament in the shape of a fox head. 
(d) Cup and saucer. (Reinette L. McCrea estate.) 
Height, not exceeding 5 inches 
FIVE MISCELLANEOUS PIECES OF PORCELAIN 
(a) Austrian souvenir glass. 
(b) Porcelain basket with ormolu handle and bandings. 
(c) Pair of dishes. Mark ‘“Clairon.” 
(d) Pitcher with morning glory decorations. (Reinette L. McCrea 
estate.) Height of basket, 9 inches; of pitcher, 414 inches 
FIVE MISCELLANEOUS PIECES OF ENGLISH CHINA 
Pair of porcelain ornaments of lambs at rest, two drinking cups 
with coat-of-arms decorations, china match box with painted fig- 
ures and small figure of an Irish maiden playing a harp. (Reinette 
L. McCrea estate.) Height, not exceeding 334 inches 
TWO LACQUER BOXES RUSSIA, ABOUT 1880 
Turned wooden boxes, the outside lacquered in black, the inside in 
red. The covers bear pictures, one of a party of peasants singing 
to the balalaika, the other of a moonlight boating party. 
(Reinette L. McCrea estate.) Diameter, 434 and 414 inches 


25 


186 


187 


188 


189 


190 


191 


SIX CURIOS” : ‘ 
Carved ivory box, crystal ball, pottery rie of reclining 
(Reinette L. McCrea estate.) 


THREE BIBELOTS 
(a) Small guitar of tortoise shell and mother-of-pearl 


(b) Oblong wooden card case of German workmanship with m 
aeval hunting scenes and floral scrolls re in gold 
colors. s : ae 

(c) Ivory paper knife with carved floral destant and small feat & 
medallion set in the handle. (Reinette L. McCrea estate.) 

Length, not exceeding 734 inch 


THREE MINIATURE VASES AND A BASKET OF DAVE) 
PORT PORCELAIN. 
(Reinette L. McCrea estate.) | Height, not exceeding, 314 inches 


FOUR PIECES OF ENGLISH PORCELAIN aye 
(a) Two Royal Worcester vases. Different styles; both with at 
decorations in gold. 
(b) Pair of Royal Doulton ash trays. Rectangular shape with | 
mediaeval decoration. (Reinette L. McCrea estate.) — ms ‘4 
Height of vases, 514 and 434 inches; length of trays, 5 inches oO 


FOUR PIECES OF PORCELAIN | 

(a) Cup and miniature flower pot, both with Dresden mark. Bi 

(b) Cauldon cream pitcher and cup and saucer, different styles, ag 
both with floral decorations. (Reinette L. McCrea estate.) is 


TWO SMALL PICTURES 7 ied 
(a) Duchess of Devonshire. Signed “Andres.” On red velvet 7 
mat and with gilt frame. yy 
(b) The Duke of Buckingham. ‘Tinted print in gilt frame. 
(Reinette L. McCrea estate.) Height, 744 and 7 inches 


TWO PAINTED PORCELAIN PLAQUES WITH GILT 
FRAMES as 
(a) Lady in garden. Signed “L. Coudert.” Frame Jiao x 
(b) Boy and girl in Colonial costumes. Signed ‘“Daniellot.. 
Frame slightly damaged. (Rezmette L. McCrea estate.) , 

1314 x 10% inches and 14 x 14 inches 


2f 


ie 193 
M4 4 
‘i 

ae ‘ 
BS 
194 
ae 

oo at ee | 
x 
Eo 5195. 
aa 

Br ,? 

Be: 106 


¥ ay 192 


197 


199 


200 


FOUR MISCELLANEOUS PIECES OF FRENCH CHINA 


~~ Calender holder, plate and two painted chairs (one damaged). 


(Reinette L. McCrea estate.) 
THREE PIECES OF DRESDEN PORCELAIN 


(a) Jar of ornate shape with decorations in color. 

(b) Round box with floral decorations. 

(c) Ornament in the shape of a bird. (Reinette L. McCrea estate.) 
Height, 9 inches, 6 inches and 2! inches 


EIGHT PIECES OF WOOD, BRONZE AND OTHER METAL 
WORK 


_ Ash trays, vases, etc. (William L. Rich coll.) 
TWENTY-FOUR PIECES OF GLASS AND POTTERY 


Mugs, vases, candlesticks, etc. (William L. Rich coll.) 
FOUR GROTESQUE ANIMAL FIGURES 


Maiolica. 

(a) and (b) Two pitchers in the tabs of dogs. 

(b) and (c) Cats, one in shape of a pitcher. (William L. Rich 
coll.) Height, about 10 inches each 


SEVEN LAMP SHADES 
Favrille glass in brass mounting, with artificial patina. One shade 


slightly damaged. (William L. Rich coll.) 
Height, 51% inches 


GLASS VASE BOHEMIAN, ABOUT 1850 


Round base; tall body; wide chalice. Ruby glass, partly coated 
with opaque white. Decorated with gold. (William L. Rich coll.) 
Height, 10 inches 


TOBY JUG ; MODERN ENGLISH 
Maiolica, with combination of painted and colored glaze. (William 
L. Rich coll.) Height, 9 inches 


THREE MAIOLICA MUGS 
(a) Clergyman, modern English 
(b) Monkey, modern English. 
(c) Grotesque lion. (William L. Rich coll.) 
Height, between 9 and 12 inches 


27 


201 


202 


203 


204 


205 


206 


207 


208 


‘Polychrome maiolica with ee representations in Ren s- 


JARDINIERE L 
sance style. Slightly chipped. (William L. Rich coll.) Ae 
| Height, 814 inches; diameter, 9% i 
TWO BRASS VASES 
(a) Basket shape. 
(b) Conical shape with spreading mouth. (William L. Rich Bi 
Height, 9 and 13 inche 
LEATHER BOX WITH VARIOUS GAMES 
In the shape of two volumes, containing chess, checkers, dice and 
dominoes. Checker board on the outside, backgammon in the in- 
side. Sold as is. (William L. Rich coll.) 
TWO SMALL BOXES a 
One oval box of mother-of-pearl and silver with a hinged top, i 
carved in sea-shell design. The other box rectangular-shaped and — <a 
lacquered in black. The hinged cover with a painting of a woman | 4 
gazing out to sea. (Reinette L. McCrea estate.) a 
Length, 3 and 3% inches 
PORCELAIN STEIN VIENNA 
Decorated with platina in typical Viennese coloring, with elaborate 4 
relief work in gold. Three paintings in the neo-classic manner 
on the cover and the front of the stein. (Reinette L. McCrea a 


estate.) Height, 634 inches | q 
TWO TEAPOTS ROYAL WORCESTER 


White porcelain with water-lily decorations in gold, in high relief. ‘ 
One teapot cracked and mended. (Retmette L. McCrea estate.) : 
Height, 634 inches 
TWO PORCELAIN FIGURES OF COWS 
(a) Cream pitcher in the shape of a cow. 
(b) Ornamental group—‘‘A Cow and Her Calf.” (Reinette L. 
McCrea estate.) Height, 674 and 4 inches 
PAIR OF ORNAMENTS AND A FERN DISH ~— ceRMaNy 
(a) “Harlequin and Columbine.” Mark similar to Meissen. 
(b) Square shape, decorated with wreaths of roses. Mark similar 
to Meissen. (Reinette L. McCrea estate.) 
Height, 434 and 234 inches ~ 


28 


210 


212 


214 


215 


216 


eye 


PORCELAIN ORNAMENT MARK SIMILAR TO MEISSEN 


Infant in cradle. Elaborate gold decorations. Damaged. 
(Reinette L. McCrea estate.) Height, 414 inches 


FLINT-LOCK PISTOL 
Single-barrelled body, mounted on wooden handle with inlaid metal 
design. (Reinette L. McCrea estate.) Length, 734 inches 


JAPANESE LACQUER BOX 
Rounded quadrilateral shape, the outside lacquered in black and 


_ white cracked ice pattern and the inside in brownish gold. The 


cover decorated with three cranes, the Japanese symbol of lon- 
gevity. (Reinette L. McCrea estate.) 11 x 9 inches 
PORCELAIN JAR WITH COVER 


Bulbous-shaped body on low foot rim. Decorated with elaborate 
flower and leaf pattern in gold on a background of yellow. 


(Reinette L. McCrea estate.) Height, 1114 inches 
POTTERY JUG MODERN ITALIAN 


- Globular shape with curved handle and short, cylindrical neck. 
Green lead glaze. (Reinette L. McCrea estate.) 


Height, 934 inches 
STONEWARE STEIN GERMANY, 18TH CENTURY 
Gray salt glaze decorated with bands of incised floral decorations 
reserved on a background of cobalt blue and manganese brown. 
Cover of pewter engraved with the initials “HHM.” Sturdy 
example of the peasant’s art. (Retnette L. McCrea estate.) 

Height, 9% inches 
GLAZED POTTERY VASE | THUN, SWITZERLAND 
Globular shape with short neck and curved handle. All-over floral 
design in vivid colors on dark brown backgrounl. Charming speci- 
men of peasant’s art. (Ieinette L. McCrea estate.) 

Height, 534 inches 
POTTERY CANDLESTICKS AMERICAN 
Cylindrical candlestick on wide, spreading base. Mottled glaze 
in predominating shades of green and brown. Quadrilateral, 
curved bobéche.  (Reinette L. McCrea estate.) 

Height, 1234 inches 


218 


219 


220 


221 


222 


— 


CREAM PITCHER, VASE AND SUGAR ROWL __zneut at 
Two small jugs, one of pottery with elaborate floral designs in 4 
Chinese style, the other of porcelain with white floral pattern on 
red and gold background. One globular shaped sugar bowl oem 
brown glazed pattery decorated with realistic holly design. ; ‘ 
(Reinette L. McCrea estate.) Height, not exceeding 5% inch 
SALT, PEPPER AND CREAM CONTAINERS ay 
ENGLAND, 19TH CENTURY 
Grotesque “Toby” figures, decorated in colors and set upon a base i 
of blue china. (Reinette L. McCrea estate.) Height, 534 inches _ 
POTTERY VASE AND STONEWARE PITCHER FS 
ENGLAND, 19TH CENTURY _ 
(a) Vase, loving cup shape with three handles. Red and green 
floral pattern on yellow background. Inscription. ; a 
(b) Pitcher with handle. Coffee brown and buff glaze. Clematis a 
pattern. (Reinette L. McCrea estate.) “a 
Height of both, 8 inches : a 
PORCELAIN CANDELABRUM WITH THREE BRANCHES 
GERMAN 
On wide, spreading base, supporting a large figure of a child at 7 7 
play. Branches and base with relief floral decorations. Damaged. a 
(Reinette L. McCrea estate.) Height 2014 inches 5 Z 
ONE CUP AND SAUCER AND TWO SMALL CUPS 
DRESDEN 
(a) Miniature size, with gold-bordered panels bearing in alter- 
nate sequence figure and floral spray decorations in typical 
Dresden coloring. 
(b) Two miniature cups of the same pattern, but with different — 3 
coloring. Both with elaborate figure and flower decorations. 
(Reinette L. McCrea estate.) Height, 134 and 1 inch 
SMALL TEAPOT AND CUP AND SAUCER DRESDEN 
(a) Cylindrical shape, the body in cobalt-blue and gold with two 
decorations of sea scenes. | 
(b) Cup and saucer with panels of alternate figure and flower 
decorations in typical Dresden coloring. (Reinette L. McCrea 
estate.) Height, 434 and 214 inches 


30 


223 


224 


225 


226 


227 


| 228 


229 


PLATE AND CUP AND SAUCER VIENNA 

(a) Red-brown glaze with floral decorations in gilt and a Gains- 
borough portrait in the centre of the plate. Bears Vienna 
mark. . 

(b) Cobalt-blue and gold with a classical decoration, signed 
“Hauser” on the cup. Bears Vienna mark. (Reinette L. 
McCrea estate.) 

Diameter of plate, 7 inches; height of cup and saucer, 234 inches 


THREE CUPS AND SAUCERS AND A PORCELAIN BOX 
(a) Bear following marks—Stoke-upon-Trent, Rosenthal, and 
Tiffany. 


’ (b) Box with floral sprays. Tiffany mark. (Reinette L. McCrea 


estate.) Height of box, 2% inches 


TWO CUPS AND SAUCERS AND AN INK WELL 


CAPO DI MONTE, ITALY 
With relief decorations in typical Capo di Monte style. All with 
mark, The ink well cracked and mended. (Reinette L. McCrea 
estate.) 


TWO CUPS AND SAUCERS AND A TABATIERE 
SIMILAR TO MEISSEN 
(a) Cups of the same shape but with different colorings. 


(b) Oval shape with a painting in the manner of Watteau on the 
cover. (Reinette L. McCrea estate.) 


SIX CUPS AND SAUCERS OF VARIOUS PATTERNS 
(Reinetie L. McCrea estate.) 


FOUR OVINGTON CUPS AND SAUCERS 


Various styles, one with saucer in tray shape. (Reinette L. 
McCrea estate.) 


CUP AND SAUCER AND PITCHER OF COPELAND CHINA 
(a) Large size with rose spray decorations. 

(b) Large globular body with rose spray and gold decorations. 
(Reinette L. McCrea estate.) Height, 1014 inches 


31 


230 


232 


233 


234 


235 


TWO CUPS AND SAUCERS AND TWO COFFEE POTS 


| MEISSEN a 
(a) White porcelain with realistically painted floral sprays. One 


saucer chipped. 


(b) Small size. Decorated in same style as above. (Reinette L. 


McCrea estate.) Height of coffee pots, 734 and 434 inches x 
CUP AND SAUCER AND DOOR KNOB SET MEISSEN _ 


(a) With forget-me-not decoration in high relief. 


(b) Various shapes in royal blue and gold. (Reinette L. McCrea | 


estate.) 


SILVER, PLATED WARE, ETC. 
Lots 282 to 278 
SERVING DISH FOR FISH 


Elongated oval shape. Composition metal, silvered; manufac- 


tured by the Meriden Co. Scalloped border. With cover. (Julia 
E. Green coll.) Length, 25% inches | 


SERVING DISH OF SHEFFIELD PLATE 


Large oval dish with removable inner platter, bearing initials, 


“FWE.” Edge and ends of platter with chased decorations. 
(Reinette L. McCrea estate.) Length, 13 inches 


TEA BALL SPOON AND SCENT BOTTLE | | 
Silver imitation. The scent bottle with flower and fleur-de-lys 


openwork pattern over glass, the spoon with hinged cover and | 


chased handle. (Reinette L. McCrea estate.) 
Length, 2 and 6 inches 


THREE HAMMERED BRASS SPOONS 

(a) Two of German workmanship, with elaborately decorated 
bowls and handles. One marked “Wurtemberg.” 

(b) Flemish style, with large bowl and short handle. The bowl 
with flower and crane decoration, the handle with heart and 
rooster. (Retnette L. McCrea estate.) 

Length, not exceeding 834 inches 


32 


237 


TWO SILVER SPOONS FLEMISH STYLE 
Hammered silver. Large bowls with peasant figure decorations; 
short handles with heart and rooster decorations at the ends. 
Both with leopard’s head hall mark. (Reinette L. McCrea estate.), 

Length, 5 inches 


FIVE SILVER SPOONS GERMAN 

(a) Three spoons, the ends with relief decoration of a woman in 
18th Century costume. Hall mark. 

(b) Two spoons. Small size, one with elaborately decorated bowl 
(Pyramid of Cestius in Rome). Handles with relief decoration. 


_ (Reinette L. McCrea estate.) Length, not exceeding 51% inches 


238 


239 


240 


THREE SPOONS OF VARIOUS WORKMANSHIP 

(a) Florentine. The bowl formed of a scudo of Cosmo III., Grand 
Duke of Florence, struck in Livorno in 1703. The end of 
handle with bust of Pallas Athene. 


_(b) Probably Polish. Elaborate carved handle with figure, the 


bowl] with coat of arms. 

(c) English. Small size, the bowl with curious figure carving. 
Sterling silver date letter—1871. (Reinette L. McCrea 
estate.) Length, not exceeding 61% inches 


TWO SILVER SPOONS AND A LOBSTER FORK 

(a) Spoon of hammered silver, the bowl decorated with the figure 
of a knight, the handle with a dragon pattern. Hall mark. 

(b) Spoon with heavy relief decoration, 17th Century style, with 
coat of arms of the United Kingdom. Probably English. 
Hall mark. 


(ce) Undecorated silver lobster fork. Hall marks. (Reinette L. 


McCrea estate.) Length, not exceeding 8 inches 


SET OF FIVE SILVER CHAIRS AND A TABLE DUTCH 
Cabinet pieces. Chairs, Italian Renaissance style, with chasing 


and blue plush seats; one an arm chair. Top of table with chased 


figure decorations, and the side with floral chasing. Hall marks. 
(Reinette L. McCrea estate.) 


33 


241 


242 


243 


244 


245 


246 


va Da OL ee a) a ee ee Fe ok at NG RS, ee! oe a 
a Shed ho) yD RS ‘ak wee A Tes 
Ea Ne ety ee Pec aha: WE Th) cea eee ied 
So hy Cd Mean EC Nie Wee ta At 
J te “AAG secs 


GILDED SILVER CLOCK  pRENcH 

Miniature size; Louis XV. style. With elaborate chanticler and 
floral wreath pattern, the front in epenwork design over mother- 
of-pearl. The dial with gold hands and black figures. Marked — 
800/000 fine. (Reinette L. McCrea estate.) Height, 4 inches _ 


TWO SMALL SILVER BOXES PROBABLY ENGLISH 
(a) Coffer shape, the cover with panelled decorations of a woman a 
gathering wood and a man carrying flowers. The bottom with 
similar decorations of a man and woman carrying flowers. Hall — i 
mark. | | ae 

(b) Irregular rectangular shape, with raised medallions in different — a 
shapes. The cover with chased bird decorations. Hall mark. | : q 
(Reinette L. McCrea estate.) . Height, ly and 2 inches - 
SILVER BONBON SPOON AND SILVER TEA-STRAINER 
(a) Large bowl with elaborate openwork decoration in Renais- __ 
sance pattern. The handle with coat-of-arms and bird deco- a 
ration. Oe 

(b) Perforated bowl with scroll work border and central figure in _ 
relief. Leaf and flower handle. (Reinette L. McCrea estate.) | 
Length, 8 and 7 inches — 

TWO SOUVENIR COINS 
One a Bryan coin, containing silver to the value of.one gold dollar. 
The other of composition metal, commemorating the Centennial 
Exposition at Cincinnati, 1888. (Reinette L. McCrea estate.) 


SILVER BONBON DISH FLEMISH 
Round shape, the bottom with decoration of children and goat, the 
sides with scroll work chasing and four medallions with scenes 
from peasant life. Hall mark. (Reinette L. McCrea estate.) 

Diameter, 6 inches 


ROUND SILVER BOX _ GERMAN 
The cover with relief bust, surrounded by wreath. The sides with 
elaborate chasing in conventionalized design. Inside of box gilded. 
Sterling mark, (Reinette L. McCrea estate.) | 

Diameter, 3 inches 


34 


240 


251 


252 


253 


TOPAZ AND SILVER BROOCH 

Oval shape with large gold topaz in raised, openwork setting. The 
silver with elaborate chasings in leaf pattern. (Reinette L. McCrea 
estate.) 


SILVER BONBON DISH AND MINIATURE SILVER MUG 


(a) Top and base with elaborate flower and scroll decorations. 
Stem in grotesque fish shape. Hall mark. 


(b) With chased figure and scroll work decorations. Hall mark. 
(Reinette L. McCrea estate.) Height, 344 and 1% inches 


SILVER GOBLET AND GILDED SILVER BOX 


(a) Plain, with wreath decoration at the base. Bottom slightly 


bent. Hall mark. 
(b) Round shape with hinged cover, the top with enameled daisy 
sprays. Gilding partly worn. Sterling mark. (fReinette L. 
McCrea estate.) 
Height of goblet, 344 inches; diameter of box, 214 inches 


SILVER SPOON AND SILVER FORK 


(a) Hammered silver with flower and bird decorations. 
(b) Handle with iris decoration. Engraved, “Nettie.” 


(Reinette L. McCrea estate.) Length, 6 and 6% inches 
SILVER INCENSE BURNER MODERN FRENCH 


Tripod shape, set upon triangular, rounded base, with monogram 

“RMMC”. ‘Tripod with elaborate Renaissance pattern of floral 

festoons and laurel leaves. Hall mark. (Reinette L. McCrea 

estate.) Height, 5 inches 

THREE MINIATURE SILVER GOBLETS 

Different styles. ‘Two with chased decorations, one plain, with the 

bottom made of a Polish coin. (2 Zlote, 1831.) (Reinette L. 

McCrea estate.) Height, not exceeding 334 inches 

TWO SILVER CARD CASES 

(a) With relief decoration of cathedral and elaborate floral 
chasing. Name plate engraved “Reinette.” 

(b) With voluted edge and elaborate scroll work chasing. En- 
graved ‘Henriette Villeré.”” Hall mark. (Reinette L. McCrea 
estate.) Length of both cases, 3 inches 


35 


254 


255 


256 


257 


258 


259 


260 


261 


SIX SILVER GOBLETS AND A SILVER BONBON DISH 
(a) Miniature size. Decorated with hand-wrought panels in an 


a 
a 


ple design, 


(b) Sides decorated in openwork pattern, with alternating = 
tesque masks and portrait medallions. Curved handle with © 
similar decoration. Hall marks. (Reinette L. McCrea estate.) 
Height of goblets, 134 inches; diameter of dish, 4% inches 7 a 


JAPANESE TOBACCO PIPE 


Small size. Silver, with flower and figure carving. (Reinetie e 4 
McCrea estate.) Length, 814 inches 


SILVER-HANDLED SPOON 


Elaborate handle with ship decoration. The bowl of imitation - 
silver. (Reinette L. McCrea estate.) Length, 71% inches “es 


SET OF TEN COFFEE SPOONS 


The handles with carved figures of an amorino at both ends. Hall q 4 


marks. (Reinette L. McCrea estate.) Length, 334 inches 


TWO SILVER CANDLE SNUFFERS 
The smaller in the shape of a stork, the larger with chased floral 
decorations. (Reinette L. McCrea estate.) 


THREE SILVER SOUVENIR SPOONS 
Columbian Exposition; Colorado (sterling mark), and Cuba. 


(Reinette L. McCrea estate.) Length, not exceeding 734 inches 


THREE SILVER CABINET PIECES 

(a) Silver basket with rabbit at the side. French sterling. 

(b) Miniature candlestick. English. 

(c) Silver wheelbarrow with purplish-blue glass inner ions Ger- 
man sterling. (Reinette L. McCrea estate.) 

TWO SILVER SPOONS 

(a) Ladle with perforated bowl. Handle with simple chased deco- 
rations and initials “I I’. Bowl engraved with the same in- 
itials. Swedish hall mark. 

(b) Spoon with folding handle. Bowl with floral chasing and 


inscription, “Memento mori.” Handle with chased decora- 


tions and inscription, “Anno 1626.”  (Reinette L. McCrea 
estate.) Length, 734 and 5% inches 


vo ee ae ee 


” 


‘ 268 


264 


265 


266 


267 


FOUR SILVER SPOONS OF VARIOUS STYLES 

(a) Large size with porcelain handle decorated with bird and but- 
terfly pattern in the Meissen style. Hall mark. 

(b) Small julep spoon with long, hollow handle. Sterling mark. 

(c) Two salt spoons with bird handles. (Reinette L. McCrea 
estate. Length not exceeding 8 inches 


EIGHT SILVER SPOONS AND A SMALL SILVER BOX 


(a) Five small spoons, the bowls formed of Austrian coins. (Leo- 
pold, about 1700.) 


(b) Three enameled spoons, one French, the other two with sterling 
mark. 


_(c) Small silver box of English workmanship, the cover with blue 


enameling (fleur-de-lys). Hall mark. (Reinetie L. McCrea 


estate.) Length not exceeding 51% inches 
TWO SILVER SPOONS GERMAN 


(a) Handle with relief decoration of Adam and Eve after the fall. 
Bowl with chased fruit pattern. 


(b) Smaller size. Handle with elaborate carvings of grotesque 


heads. (Reinette L. McCrea estate.) 
Length, 6 inches and 5 inches 


TWO SILVER SPOONS 

(a) Bonbon spoon. Large bowl with peasant figure decoration in 
repoussé work. End of handle with relief figure and medal- 
lion. Hall mark. 

(b) Tea strainer spoon. End of handle with coat-of-arms and 
relief figure decoration. Hall mark. (Reinette L. McCrea 
estate.) Length, 41% inches and 5 inches 


TWO HAMMERED SILVER SPOONS 

(a) Heart-shaped bowl, with shaped, overlapping handle. Hall 
mark 925/1000. 

(b) Small, round bowl with long, twisted handle. (Retnette L. 
McCrea estate.) Length, 7 and 9 inches 

TWO SILVER BOXES AND SILVER SCENT BOTTLE TOP 

The boxes small, irregular shapes, one with floral, the other with 

figure decorations. ‘The boxes with hall marks. (Reinette L. 

McCrea estate.) Height not exceeding 1% inches 


268 


269 


270 


271 


272 


273 


274 


FOUR SILVER CABINET PIECES 
(a) Pair of chairs. 

(b) Small sofa with floral chasing. 

(c) Small chair, the back with figure chasing. All with hall marks. 
(Reinette L. McCrea estate.) Height, not exceeding 3% inches 


TWO SILVER CABINET PIECES pure a 


(a) Miniature vase with floral chasing. Sterling mark. 


(b) Amorina driving chariot. 930/000 mark. (Reinetie L. 
McCrea estate.) Height of vase, 434 inches 


SILVER MIRROR AND BRUSH 
Both with deeply curved edges and chased flower and leaf decora- 


tions. Mirror with beveled glass. Sterling. (Reinette L. McCrea — 4 


estate. ) 


LARGE SILVER FLOWER BOWL ON TEAKWOOD STAND 


JAPANESE 


Bowl with elaborate iris decorations in high relief. Fitted with 
detachable mesh work flower holder. Stand on five legs and deco- 
rated with iris carving. Stand damaged. (Retnette L. McCrea 
estate.) 

Height of bowl and stand, 13 inches; diameter of bowl, 12 heheus 


PERFORATED SILVER FERN DISH 
Round shape. Fitted with inner glass dish of purplish blue. 
Body of outer dish with wreath and perforated pattern, the edge 
with elaborate floral chasing. Marked “660/1000 fine. Silver on 
copper.” (Reinette L. McCrea estate.) 

Height, 5 inches; diameter, 19% inches 
LARGE SILVER DISH 
Rounded shape with deeply curved, petal-like sins decorated with 
floral repoussé work. The inside of the dish of gilt. Marked 
950/1000 fine. (Reinette L. McCrea estate.) Length, 16%4 inches 
SILVER PITCHER 
Globular body on low base with wide, spreading neck and curved 
handle. Decorated with conventionalized floral design, and lined 
with gilt. Marked 9500/1000 fine. (Reinette L. McCrea estate.) 

Height, 814 inches 


38 


height of stand, 634 inches 


ci. 
ul we 
ce” » 
5 i" [ 
275 
es 

7 
‘ 
ie 


279 


- 280 


SILVER DISH 

Boat-shaped dish with elaborate floral repoussé work on the sides. 
The monogram “RMMC” engraved in the centre. Marked 925/1000 
fine. (Reinette L. McCrea estate.) Length, 1434 inches 


STERLING SILVER BOWL 

Low bowl, slightly incurved toward base with beaded decoration 
around the edge. Engraved on the outer rim, ‘“Reinette.” 
(Reinette L. McCrea estate.) Diameter, 934 inches 


STERLING SILVER CAKE TRAY 

Circular tray on low, spreading base with the inside plated in 
gold. The outer edge decorated with a narrow floral border. Mono- 
gram “TL” on the under surface and in the centre of the bowl. 
(Reinette L. McCrea estate.) Diameter, 814 inches 


STERLING SILVER TEA KETTLE WITH ALCOHOL LAMP 
‘Large kettle suspended on detachable base with grooved supports. 


The base fitted with alcohol lamp. Decorated with relief pattern 
of water lilies and dragon flies. Upper edge with inscription “RML 
1885.” (Reinette L. McCrea estate.) Height, 13 inches 


BRASS, LIGHTING FIXTURES, 
FIREPLACE FITTINGS, ETC. 
Lots 279 to 286 


TWO BRASS JARDINIERES 
(a) With godrooned body and three ball and claw legs. 
(b) With hammered coat-of-arms and lion mask handles. 
Height, 10 inches 


TWO PIECES OF ORIENTAL BRASS 
(a) Jardiniére, hammered, with frieze of birds and Divs. 
(b) Hanging lamp, globular shape; perforated work with cloud 
and phenix pattern. Suspended on chain. 
Height, 11 inches; diameter, 12 inches 


39 


| 


- ~~. \ ¢ \ ‘ Me eet) ot 
ste Te rae Nt, I Paha 
, Fae DP a Saat 
ters ~t = > 13 aor 
{ . 


281 


282 


283 


284 


285 


286 


| 23 CHURCH PAINTING 
| a ¢ ar Soe 3 coe ‘Angel with Trumpet.” In Gothic gilt frame, carved. (Reinette 


288 


PAINTINGS, ETCHINGS, ENGRAVINGS AND PRINTS 


ae te Sg bt aa 

ofS ed % re rY va eee 

fa ee we SR a darn ‘ 
“ty 1 i 


HANGIN G CHANDELIER 


Of gilded and carved wood in Italian baroque ine suspen ed 
three chains. , With metal fittings; made for one electric 
With Favrille glass shade. t 


SANCTUARY LAMP ITALIAN, 18TH CEN 
Copper, silvered over. Suspended on three chains, which ar 
tached to angel heads. Charming specimen of old peasant art. 


BRASS AND COPPER JAR UIs. 
Globular body of hammered brass, with handle, neck and centra s 


RyRy i. 
x 


rim in hammered copper. Charming piece. Sane 16 inche 


BRASS FIREPLACE SET 


Consisting of a brass fender with perforated ee ; and of tw 
andirons with egg-shaped finials. 
Width of fender, 3 feet 10 inches ; height of anciroga: 2 fect 2 inche 


FIREPLACE SCREEN a 
Brass mounting, the centre, beveled glass. (Glass broken, the BY 
cracks “camouflaged ” with gold paint.) (Julia E. Green coll.) 

Height, 4214 inches; width, 29 inches “a ‘ 


HEAVY GOLD FRAME ae 
French Louis XIV. style, plaster composition, the gilding toned Ee) 
down to a fine patina. (Julia E. Green coll.) 4 

Interior size: height, 36 inches; width, 28 inches 4 ‘a 


Lots 287 to 306 


L. McCrea estate.) 


COLORED PRINTS. 

“Hesitation,” after Ward; ‘Thoughts on Matrimony,” after Smith; 
“Private Amusement,’ after Ramberg; and others. Together 
6 pieces, all framed. Reproductions. (Reinette L. McCrea estate.) 


40 


MMe oe el Ne 
; Me Digan hod , 


sue ety 5) > 


(hae ee 
ry ei ye 
-- 

“f 


289 FRAMED ETCHINGS 

By. “Hester Prynne,” by Slocum, after Boughton; “Lady with Muff,” 
ifs ‘ila by Tasinski; “Behind the Screen,” by A. Tavier. Together 3 pieces. — 
__—- (Reinette L. McCrea estate.) 

290 FRAMED ETCHING 


_ “The Harvest Moon,” by R. W. Macbeth, after the painting by G. 
_ Mason. In heavy oak frame, with gilt rim. (Reinette L. McCrea 
estate.) 

1 FRAMED ETCHING 

“French Peasant Boy and Girl,” after the painting by Jules Breton. 


_ Signed by both artists. In heavy oak frame. (Reinette L. McCrea 
estate.) 


FRAMED ETCHING 


_ “Landscape,” by M. Channel, after V. Cole. Proof on Japan paper. 
Signed by both artists. Oak frame. (Reinette L. McCrea estate.) 


ron ede z 
3 FRAMED ETCHING : , 
fox “Darby and Joan,” etched by W. H. Boucher, after Dendy W. 
Sadler. Open letter proof. In gilt frame. (Reinette L. McCrea 
; estate. ) | 


FRAMED ETCHING 


| “Portrait of a Woman with Fur Collar and Hat,’ by Paul Helleu. 
ie _ Signed. In black frame. (Reinette L. McCrea estate.) 


} 295 FRAMED PICTURE : 
“Combat dans une Eglise,’ photogravure after the painting by 
Neuville. In oak frame. (Reinette L. McCrea estate.) 


FRAMED PICTURES 

French portraits. “Napoleon,” “Colbert and Turenne,”’ “Joseph 
Bonaparte,’ “Marie Louise,’ “Pauline Bonaparte,’ and others. 
Together 13 pieces, all framed. (Reinette L. McCrea estate.) 


2907 FRAMED PICTURES 


if Miscellaneous. “Sunday,” after Leighton; “Japanese Landscape” ; 
ee “Wooing,” after Munnenburg; and others. Together 10 pieces, all 
ui framed. Reproductions. (Reinette L. McCrea estate.) 

ei 

i Al 


a= 


a al 
= 


he Saree 


= ee 


298 


299 


300 


301 


302 


304 


FRAMED PICTURES | is 

Literary Portraits. “Scott,” ‘Dickens,’ “Hannah Moore,” 
D. Howells,’ and others. Together 8 pieces. All fr 
(Reinette L. McCrea estate.) | 


oes t * 


a y 


FRAMED PICTURES 
“Napoleon Empereur,” by Audouin, after Vauthier; “Barones 
Stael,” engraved by Laugier, after Gerard; “La Fornarina,” e : 
graved by Cunego, after Raphael; portrait of “Napoleon,” aft 2 
David, and another. Together 5 pieces. (Reinette L. ‘McCr ‘ 


estate.) 


FRAMED PICTURES } He 
French Portraits. “Louis XVI.,” “Marie Antoinette,” Madam i 
Roland” and “Madame Elizabeth,” in one frame; seven members 
of the Bonaparte family, in two frames. Together 3 pieces, al 
engraved. (Reinette L. McCrea estate.) a 


FRAMED PICTURES : a 
“Sketch on Staten Island,” Ist state, signed by Mielatz; “Diana,’ 
carbon print, after Louis Perry; “Portrait of a Woman,” after Col- _ 
lin; and others. Together 9 pieces, miscellaneous. (Reinette L 

McCrea estate.) . 


FRAMED PICTURES | : 
Water colors and drawings. “Portrait of a Peasant Girl,’ by R. 
Maggi; “Mephistopheles,” unsigned; “Tulips,” by Reinette; and 
others. Together 10 pieces. (Reinette L. McCrea estate.) 


PAINTINGS : 
“The Skye Terrier,’ by L. C. Earle, canvas; “On the Banks of the _ 
Seine,” by E. B. Rowland, canvas. Both framed. (Reinette um 
McCrea estate.) 


FRAMED. ETCHING 
“La Rixe—The Quarrel,’ by Bracquemond, after Meissonier. Ar- q 
tist’s proof before the letter with the pencil-written signatures of 
both artists. (Reinette L. McCrea estate.) 


42 


iin or 


——— 
ee 
re f 


309 


310 


ae p> 
he 805 
We _ “The Guard House,” by Jules Jacquet, after Meissonier, 1874. 


+h) 
a 
' 


FRAMED ETCHING 


(The painting now in the Chauchard collection, Louvre, Paris.) 
Artist’s proof with the pencil-written signatures of both artists. 
Remarque proof with the sketch of a dragoon. Margin damaged. 
(Reinette L. McCrea estate.) 


KELLER (JOSEPH) 
“Disputa,’ line engraving after the fresco by Raphael, in the Vati- 
can. Large folio, framed. 


ORIENTAL AND DOMESTIC RUGS 
. Lots 3807 to 826 
MOUSSOUL RUG CAUCASIAN 


_ Triple border: flower stems on white, red and blue background. 
- Centre field: vari-colored lozenges of different types covering the 
red background. Small human and animal figures. (Jessica L. 


McMullen coll.) 3 feet 5 inches x 5 feet 8 inches 


KAZAK RUG : CAUCASIAN 
Main border of a repeated motif, degenerated from Cufic inscrip- 
tions. In the centre field on an intense red background, three 
“Tarantula” motifs, evolutions of earlier flower patterns. Vivid 
colors. (Jessica L. McMullen coll.) 

3 feet 5 inches x 6 feet 2 inches 


SHIRVAN RUG CAUCASIAN 
Border of conventionalized leaves and flowers with serrated out- 
line. All-over pattern of medallions with hooked outline in the 
centre. _ 8 feet 8 inches x 4 feet 


MOUSSOUL RUNNER CAUCASIAN 


_ Border of three stripes with conventionalized floral design. Centre 


field with rows of Persian palmettos (pear design) of charmingly 
varied colors on brownish-black background. (Jessica L. McMullen 
coll.) 3 feet 1 inch x 12 feet 8 inches 


43 


311 


312 


313 


314 


315 


816 


317 


. KHORASSAN RUG PERSIA 


HEREKE RUG ASIA MI™NuR 


po aah Pee VOINE TS NORRIE ET a ar eRe 
oe ee rsa A + 


vote 


x 


Border and centre field with repeated pattern of Persian palmet- iy 
7 


toes; fine knotting. Colors prevailing: bright red and white, with 
touches of green and black. (Jessica L. McMullen coll.) iy ‘oa 
3 feet 7 inches x 5 feet 3 inches 
CAMEL’S HAIR RUG PERSIA 
A background of natural colored camel’s hair. Corner motifs and “a 
central medallion with floral pattern in red and indigo-blue. Dam- 
aged. (Jessica L. McMullen coll.) 4 feet 1 inch x 6 feet 2 inches 
KUBA RUG | CAUCASIAN | 4 
Antique piece. Small border of repeated octagonal stars on white _ 
ground. Centre field with two large conventionalized peony motifs, 4 
an evolution of the large flowers of the earlier Armenian rugs. a 
Delicate harmony in pastel shades of the light purple background a 
and the light blue and white of the flowers. (Jessica L. McMullen _ 
coll.) 4. feet 4 inches x 5 feet 4 inches _ q 


BELOOCHISTAN MAT 

Border of conventionalized flowers, the centre field covered with 
an all-over pattern of lozenges with cross motifs inside. (Jessica 
L. McMullen coll.) 3 feet x 4 feet 9 inches 


Border of a row of rosace flowers, on light buff ground. In the 
centre field strange repeated compositions in which figural com- 
positions may be recognized. Blue and red on light buff ground. 
{Jessica L. McMullen coll.) 4 feet 5 inches x 6 feet 7 inches | 
BELOOCHISTAN MAT 

Border of conventionalized flowers, centre field with an all-over 
pattern of Persian palmettoes. Prevailing colors, black and dull 
red. (Jessica L. McMullen coll.) 2 feet 8 inches x 4 feet 3 inches. 


CARAJAH RUNNER EASTERN TURKEY 
Elaborate border, consisting of small floral borders on red ground 
inside and outside of the main border, which shows vari-colored 
rosace flowers alternating with green leaves on an indigo-blue back- 
ground. ‘The centre field shows the Mina Khani pattern (vari- 
colored rosaces with white trellis work) on indigo-blue background. 
(Jessica L. McMullen coll.) 3 feet 8 inches x 16 feet 1 inch 


44 


od nf Border of vari-colored geometrical motifs on a white background. 
Centre field with three lozenge motifs with crosses inside and 
ai fav hooked outline on dull purple ground. (Jessica L. McMullen coll.) 


: Ae 2 feet 5 inches x 4 feet 1 inch 
19 BOKHARA RUG (So-called Royal Bokhara) TURKESTAN 


iD _ Border with purple and blue serrated zig-zag stems, enclosing con- 
Bei ventionalized flowers. The centre field with an all-over pattern of 
i red, white and blue lozenges with hook outlines on purple-brown 
i background. Antique specimen, repaired. (Jessica L. McMullen 
- i , 5 feet 2 inches x 8 feet 3 inches 


Hi Bigslow Arlington rug. Brown of different shades. Border of 
acanthus scrolls and small lozenges. The field with an all-over pat- 
tern of small lozenges with small flower motifs. (William L. Rich 

tptiate 7 we lo feet 31 inches x 10 feet 514) inches 


baci Arlington rug. Gray of different shades. Laurel wreath 
border. The field gray with small all-over pattern of dots and 
_---rosaces. (William L. Rich coll.) 17 ft. 9 in. x 11 ft. 10%4 in. 
_ 822° LARGE DOMESTIC RUG 

Bigelow Arlington rug. Gray,of different shades. Border in Per- 
sian style with small medallions. The field with an all-over pat- 
tern of diagonal lines and dots. (William L. Rich coll.) 

| 18 feet 714 inches x 11 feet 11 inches 


LARGE DOMESTIC RUG . 
Bigelow Lancaster rug. Elaborate border with medallions and 
rosaces in Persian style. The field of the rug covered with a very 
small all-over pattern of rosace flowers and leaves. Green and buff 
on dark brown background. (William L. Rich coll.) 

7 21 feet 4 inches x 14 feet 7 inches 


_ $24 DOMESTIC RUG 

‘2 Lancaster Bigelow. Green of two shades. Border and centre with 
i small floral all-over pattern. Sold as is. (William L. Rich coll.) 
14 19 feet 5 inches x 13 feet 2 inches 
‘ 


(2 eS SS Uk 


325 


326 


327 


328 


329 


330 


331 


332 


LARGE DOMESTIC RUG B 
Elaborate border, consisting of a main border and seven iakll bate 
ders. Ferreghan type. The field of the rug with small. alle er 
pattern of interlaced flower stems in various colors on blac gre i ‘ 
Pattern of Ferreghan type. (William L. Rich coll.) | 


27 feet x 14 feet 3. in 


CUSHIONS, ETC. 
Lots 826 to 331 

TWO SQUARE CUSHIONS . 
One leather, one burlap. Filled with feathers. (William L. Ri 
coll.) 3 ae 
THREE ROUND CUSHIONS Oe as bi gle a 
Blue, gray and green silk. Two filled with feathers: (William PEs ae 
Rich coll.) Ns Gay 
TWO CUSHIONS ey 
Oriental style, square and rectangular. Filled with feathers. . 
(William L. Rich coll.) | } 
THREE SQUARE CUSHIONS 
Oriental style. Filled with feathers. (William L. Rich coll.) 
THREE RECTANGULAR CUSHIONS oo 
For window seats. Red velvet with tufted upholstery. (William ae 
L. Rich coll.) ,, 
Sizes: 5 feet x 19 inches; the two others, 3 feet 6 inches x 19 inches 7 
FIVE SILK SHADES 4 
Light tan silk, with festooned drapery and elaborate tassels. (Wil- a 
liam L. Rich coll.) » e 

Width, 1 foot 10 inches; length, about 5 feet 10 inches 5 


oS 


od 


FURNITURE 
Lots 882 to 859 


TWO-FOLD SCREEN 
Gilt wood. In the upper panels two water colors of flowers. 
(Reinette L. McCrea estate.) . 7 
Height, 47 inches; width, per panel, 16 site ., 


46 


a = = - ; 
B 


333 sp FOLD SCREEN 

‘, _ Frame of gilt wood. The lower part covered with brocade; in the 
upper panels three modern reproductions of color prints after Mor- 
: _ land and Reynolds. (Reinette L. McCrea estate. ) 

Height, 62 inches; width per panel, 20 inches 


334 PAPER BASKETS, ETC. 
. Four baskets of tooled leather and wicker work, and wooden jar- 


diniére. (William L. Rich coll.) 


385 MIRROR SHELF 

; Baroque hanging shelf. Ornate gilding. Two beveled mirrors 
and six porcelain plaques, painted with various compositions of 
_ young women and amorini, are set into the back panel. Three 
shelves. (Reinette L. McCrea estate.) 
heii : Height, 45 inches; width, 25 inches 


PAIR OF ONYX PEDESTALS 

_ Square bases and tops. Column-shaped, slightly tapering shafts 
of onyx. Mouldings of the base and capitals in ormolu. Sold 
as is. (Reinette L. McCrea estate.) Height, 4 feet 


STOOL FOR HUNTING LODGE 
Round seat, standing on the four feet of a bull moose. (William L. 
Rich coll.) 


38 CHAISE LONGUE 
Tufted upholstery. Covered with pink silk damask. (William L. 
Rich coll.) 


ARM CHAIR 


wa Tufted upholstery. Covered with the same pink silk damask as 
ls above. (William L. Rich coll.) 

} 340 PAIR OF GILT WOOD ARM CHAIRS MODERN ITALIAN 

Frames of gilt wood, Renaissance style. Straight back. Gilt acan- 


thus leaf finials, curved and voluted arm rests, shaped apron, bal- 
uster-shaped legs, side and cross rails. Seat and back covered with 
brocade, decorated with elaborate floral medallions in Louis XVI. 
style on steel blue background. 


AT 


— ~ ee 4 - 
. i = in, a 
> " igoa eee al -* 


342 


343 


344 


345 


346 


347 


348 


349 


350 


- UPHOLSTERED ARM CHAIR 


ru) hae , 
em) 1 Tus . 

f tz ae ke iv ATA 

(te Beker We ie Baek 1) af y) se a0 
ha ee * 


Easy chair with slip pillow. Covered with plain green v SE 
Velvet worn. (William L. Rich coll.) a 


UPHOLSTERED ARM CHAIR | 


Easy chair. Curved back and arm rests. Covered with plain | ae 
velvet. Velvet worn. (William L. Rich coll. ) 


MAHOGANY SERVING TABLE 
Mirror bottom, curved legs 


MAHOGANY DINING TABLE EARLY AMERICAN 
Drop-leaf, octagonal pillar. _ Size extended, 58 x 41 inche 


MAHOGANY ARM CHAIR ee 
Library chair with curved back and arm rest. Upholstered witl 


tufted green leather, in good condition. Cabriole legs with claw 
and ball feet. (William L. Rich coll.) | | 


MAHOGANY ARM CHAIR its 
Library chair. Straight front legs. Curved arm rest and back. — 
Upholstered with black leather in good condition. (William L. Rich — 

coll.) a 


MAHOGANY ARM CHAIR | “a 
Library chair. Straight front legs with curved arm rests. Straight — a 
back. Upholstered with black leather in good condition. (William 
L. Rich coll.) Ss 


ce a! 


TWO BOOK RACKS 
Brass, with etched decorations (William L. Rich coll.) 


MAHOGANY ARM CHAIR STYLE OF DUTCH 18TH CENTURY 
High, shaped back with curved top and violin-shaped splat. Shaped _ 
seat of plain green velvet. Curved arm rests. Cabriole legs with 
ball andi claw feet. Mahogany with inlay in Dutch style. (William — ag 
L. Rich coll.) | 


MAHOGANY ARM CHAIR STYLE OF DUTCH 18TH CENTURY 
Companion piece to the preceding. One leg repaired. (William L. 
Rich coll.) 


4.8 


ea 
$51 LEATHER COUCH ; 

ovr) . x 
en Imitation mahogany frame. Upholstered with tufted dark green, 
» f ae leather. The leather in good condition. (William L. Rich col- 
lection.) 
re ig 
$52 ‘TWIN BEDS 
Modern Sheraton style. Straight lines; mahogany inlaid with thin, 
light yellow lines. Spring box, mattresses, bedspreads and pillow 
rolls of golden yellow silk damask of Louis XVI. pattern. (William 
L, Rich coll.) 


2 
PPS 


353 CHIFFONIERE 

ie _ Modern Sheraton style. Straight lines, mahogany inlaid with thin, 
yellow lines. On top, three small drawers; below, three large 
drawers. Wooden knobs. Surmounted by a swinging mirror. Same 
set as the preceding. (William L. Rich coll.) 

4 Height with mirror, 68 inches; width, 48 inches; depth, 23 inches 


_ DRESSING TABLE 
Modern Sheraton style. Straight lines; mahogany inlaid with thin, 
yellow lines. Three small drawers. Wooden knobs. Surmounted 
by a triptych mirror. Same set as the preceding. (William L. Rich 
coll.) ; 
Height with mirror, 55 inches; width, 39 inches; depth, 20 inches 


SMALL RECTANGULAR TABLE 

Modern Sheraton style. Straight lines; mahogany inlaid with thin, 
yellow lines. One drawer. Wooden knobs. Same set as the pre- 
ceding. (William L. Rich coll.) — 26 x 20 inches 


a Ne ee 
. , wes “ 


rcanapgigaS 
aA aks 
SF 


SMALL SQUARE TABLE 
Modern Sheraton style. Mahogany inlaid with thin, yellow lines. 
Lower shelf. Two drawers. Same set as the preceding. (William 
L. Rich coll.) Top, 17 inches square 


~ 357 SET OF BEDROOM CURTAINS, ETC. 

Pair of curtains and valance. Golden yellow silk damask, Louis 
XVI. pattern. Silk galoon with tassels. (William L. Rich coll.) 

6 feet 2 inches x 4 feet per curtain; width of valance, 6 feet 2 inches 


| \s 
re 
b Qe 
| a 
ia 
| 7 
) te 
i 
j 
f Ry 
ih em 
fo 


12 
ba 


49 


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i 
i 

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y 


es gael es 
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iy 
f 


358 


Mei 
me by 


359 


oS See went 4 ~~ a) op 
= ee 7 
5 ae Mes ‘S 


CABINET-TOP, DROP-LEAF SCRUTOIR 
Copy of early American model. Sheraton lines, but cur 
arch top. Mahogany inlaid with thin, yellow lines. 


The interior behind the slanting drop-leaf with reson 1 | 
drawers. eae L. nee coll. we a 


DINING ROOM SET 

Fumed oak, consisting of: cs faek ee 

(a) Two arm chairs and eight side chairs. The seats and 
covered with brown leather. — Simple lines pecs p 
tions. : . 


(b) Large oe with sbralgus panels; pees drawers, the 


Three lower compartments. Height, 39 nehewe vane . 

(c) China closet, the front in glass. Mirror back, with four gla Ss . 
shelves. Height, 5 feet 4 inches; width, 3 feet, 6 ine 

(d) Large oval dining room table, no extensions, set on heavy bas 
with four large columns. Excellent workmanship. | 
Diameter, 6 feet 6 inches ; ; 


AY 


THIRD SESSION 
FRIDAY AFTERNOON, NOVEMBER 7, 1919 


AT TWO-THIRTY O’CLOCK 
Lots 860 to 529 
PORCELAIN AND OBJECTS OF ART 
: Lots 860 to 394 
0 THREE CURIOS 
(a) Wooden model of Chinese palanquin bearers. | 
— (b) Carved mother-of-pearl ash tray. Japanese workmanship 
| _ (c) Piece of the cable cut by Dewey in Manilla Bay. (Reinette L. 
ij ia is _ McCrea estate.) 
y 361 TWO STATUETTES AND A PAPER WEIGHT 
a (a) “Mephistopheles Reading.” Gilded composition metal. 
(b) “Saucy Butler.” Same material as above. 
_(e) Cupid as artist. Gold plated brass figure, set on marble square. 
4 (Reinette L. McCrea estate.) Height, not exceeding, 814 inches 
- 362 FOUR PIECES OF COALPORT PORCELAIN 
| (a) Scent bottle with jewel-like decorations, in turquoise blue. 
(b) Two miniature cups and saucers. Different styles. 
(c) Jar with hand painted floral decorations. (Reinette L. McCrea 
estate.) Height, not exceeding 434 inches 
4 363 FOUR PORCELAIN ORNAMENTS GERMANY 
(a) Bust of child, decorated in color. With Dresden mark. 
(b) Table and two chairs of different sizes, all with elaborate floral 
a. decorations. Large chair with mark similar to Meissen. 
if . (Reinette L. McCrea estate.) Height, not exceeding, 514 inches 
Bs 864 FIVE PIECES OF MINTON CHINA 
Teapot, candlestick, two boxes and a flower basket, all with pansy, 
, forget-me-not and rose pattern. Boxes cracked and repaired. Spout 
a of teapot damaged. (Reinette L. McCrea estate.) 
s Height, not exceeding, 6 inches 
a 365 FOUR PIECES OF MINTON PORCELAIN 
q (a) Large box with scalloped edge and floral decoration. 
: (b) Slipper. 
(c) Perfume jar and small box, both with hand-painted forget-me- 
not decorations. (Reinette L. McCrea estate.) 
@ Height of large box, 5% inches; height of jar, 43/ inches 


, “ 


- ei ee Ga ee aatee ae 
ss tha ; ee 
— 4 a Leena 
¥ Pon a 


a 


5 | on 
ae 
TA 


51 


367 


868 


369 


370 


371 


373 


A ay 
fi 


Different eee (Reinette L. McCrea pe 
Height of jars, 8 and 7 inches; of flower basket, 434 
THREE PIECES OF COALPORT PORCELAIN 
(a) Large cup and saucer with floral pattern. 
(b) Miniature teapot with spiral decorations. 
(c) Box formed and colored like a shell. (Reinette L. McCrea | 


re 
£ 


estate.) Height, not exceeding, 5 inche 


FIVE PORCELAIN ORNAMENTS 
Slipper, flower pot with realistic plant, sofa, small jar cal min 
ture vase. (Reinette L. McCrea estate.) 


Height, not exceeding, 534 inches 
FOUR ORNAMENTS OF ROYAL WORCESTER CHINA 


In the shape of grotesque heads, variously colored. (Reinette fie 
McCrea estate.) | 


x 


FIVE PIECES OF SPODE CHINA ? q 
Two cups and saucers and three plates of the same shape and pat- __ 
tern, two decorated in brown, and one in blue. (Reinette L. 
McCrea estate.) | 


TWO PAIRS OF PORCELAIN ORNAMENTS MEISSEN 
(a) “ Amorini in Playful Attitudes.” 

(b) Companion statuettes—“Boy and Girl F satan the: Fowls, 93am 
(Reinette L. McCrea estate.) Height, not exceeding 434 inches — aq 


TWO PORCELAIN FIGURES a 
“Flower Girl’ and “Dancing Girl.” Modeled and decorated in the 
Meissen manner. (Reinette L. McCrea estate.) a 

Height of both figures, 3 7 inches 


PAIR OF PORCELAIN AMORINI | 
One with flowers, the other with grapes. No marks. (feinette L. 
McCrea estate.) Height, 5 inches 


52 


¥ poncetats INKSTAND WITH FIGURES MEISSEN 
peerets shaped, voluted base with three depressions for writing 
materials. Surmounted at the back by a large, detachable statu- 
, Z ette of a Chinese Mandarin and umbrella bearer, the Mandarin 
ee bearing a cup for pens. Decorated in gold and varied colors. 
ss (Reinette L. McCrea estate.) Height, 11 inches 
375 TWO PORCELAIN ORNAMENTS 


MEISSEN 

(a) “Dancing Girl.” Realistic detail work and lace ornamenta- 
tion. 

(b) “Lady Playing the Spinet.” Same type as above. (Reinette 

L. McCrea estate.) Height, 314 and 414 inches 


76 THREE VASES AND A FLOWER BASKET 
(a) Of different sizes and designs. 
(b) Small size, with floral decorations. (Reinette L. McCrea 


estate.) ws" Height, not exceeding, 614 inches 
PORCELAIN BOX AND PAIR OF SALT AND PEPPER 
CONTAINERS MEISSEN 


_ (a) Unusual shape, with peoratibas 7 in gold. 

j (b) Fanciful figures, showing Chinese influence. One figure dam- 
aged. += (Reinette L. McCrea estate.) 

Length of box, 4 inches; height of figures, 334 inches 
THREE PIECES OF JAPANESE PORCELAIN 
Scent bottle, small dish and plate. Different types of ware. 
(Reinette L. McCrea estate.) 

TWO PORCELAIN ORNAMENTS ~ royaL copENHAGEN WARE 
Dog figures, realistically modeled. (Reinette L. McCrea estate.) 
Height, 5 and 5% inches 

THREE PORCELAIN SPOONS AND A CUP AND SAUCER 

MEISSEN 
(a) Glazed in different colors with decorations on the bowls. 
(b) Robin’s egg blue, with quaint painted decorations in the man- 
ner of Watteau. (Reinette L. McCrea estate.) 
oa Height of cup and saucer, 334 inches 
- 381 FOUR JAPANESE CUPS AND SAUCERS. | 

7 Different styles. Two with marks. One damaged. (Reinette L. 
- McCrea estate.) 
> 382 PORCELAIN CUP AND SAUCER VIENNA 
a Elaborate decorations in typical Viennese coloring. With Vienna 
mark, (Reinette L. McCrea estate.) 


Von 
ioe 
a. 
ce 
ia 
fo} 

ia 


PA 
4 53 


383 


384 


385 


386 


387 


388 


389 


390 


391 


TWO CUPS AND SAUCERS ROYAL CROWN. ‘D: 
Small size. Both with elaborate decorations in different pat 
(Reinette L. McCrea estate.) 


FOUR CUPS AND SAUCERS me 
Different sizes and markings. (Reinette L. McCrea estate. x oo 


fh 
VASE AND CUP AND SAUCER ROYAL WORCESTER A 
(a) Flattened globular body with primrose pattern in gold. ei 
(b) Hard porcelain with Japanese pattern in gold. (Reinette L 
McCrea estate.) : ; 


CUP WITH COVER AND SAUCER VIENN 
Richly decorated in typical Viennese coloring. with. gold relief: @ 
work. A painting in the classical manner on the cup. Bears the “ 
Vienna mark. (Reinette L. McCrea estate.) Height, 5% inches a 


PORCELAIN CUP AND SAUCER SEVRES- 
Turquoise blue and gold with jewel-like enameling. Cup with por- 
traits of “Marie Antoinette,’ “Louis Seize,’ and “Mme. Eliza- 
beth,” the saucer with the royal coat-of-arms. (Reinette L. a. 


McCrea estate.) Height, 434 inches a 
SATIN-LINED JEWEL BOX a 


Flower shape, surmounted by amorino with roses. Marked “Ster-— | 
ling silver deposit.” (Reinette L. McCrea estate.) 
. Height, 5 inches 
PORCELAIN STATUETTE MODERN FRENCH 
Draped figure, bearing rose garlands. Base of statuette in the — 
shape of a rose-garlanded bench. (Reinette L. McCrea estate.) 
. Height, 15 inches — 


FLOWER VASE EARLY VICTORIAN 
Urn-shaped body with pheasant handles. Gilt composition metal, __ 
with tall, fluted glass vase. Height, 21 inches 


THREE POTTERY JARDINIERES | 
(a) and (b) Semi-globular shape, purple glaze. Modern Japanese 
stoneware in modern basket work mounting. 
(c) Modern Italian terra cotta in antique style. 
Diameter, about 13 inches 


54 


a 


392 PAIR OF PAINTED PORCELAIN PLAQUES 
“Cavalier and His Lady,” the costumes painted in vivid colors. 
Both framed in red plush. Signed Clair. (Reinette L. McCrea 
estate.) } 2614 x 17 inches 
DOUBLE SHELF WITH MIRRORS 
Pale green painted wood with deeply scalloped edges. The shelves 
supported by porcelain pilasters, with relief decorations of flowers 
_and fruit in the Meissen style. Mirror at the back of each shelf. 
One mirror detached. (Reinette L. McCrea estate.) 

20 x 26 inches 
PAIR OF DECORATIVE VASES ITALIAN, 19TH CENTURY 
In the style of the Italian Renaissance. Ovoid body on wide, 
spreading foot. Neck with spout and elaborate handle surmounted 
by an amorine. The body of the vase decorated with a proces- 
cession of amorini, impersonating a cortége of Bacchus. Bor- 
dered above and below by a frieze of grape and leaf design. Brown 
_and yellow bronze. (Julia E. Green coll.) Height, 32 inches 


GLASS 
Lots 3985 to 416 


TWELVE CUT GLASS CHAMPAGNE GLASSES 
On low stem with square base. Decorated with fruit and leaf pat- 
tern in excellent cutting. (Reinette L. McCrea estate.) 
Height, 5 inches 
TWELVE CUT GLASS DESSERT DISHES 
Shell-like shape. Same pattern as above. (Reinette L. McCrea 
estate.) 
TWELVE CUT GLASS WATER GOBLETS 
Same style and cutting as above. pene L. McCrea estate.) 
Height, 634 inches 
TWELVE CUT GLASS SHERRY GLASSES 
Same style and cutting as above. (Reinette L. McCrea estate.) 
Height, 5% inches 
ELEVEN CUT GLASS DESSERT DISHES 
Same pattern as above. Large size. (Reinette L. McCrea estate.) 
TWELVE CUT GLASS WINE GLASSES 
Same style and cutting as above. (Reinette L. McCrea estate.) 
Height, 534 inches 


55 


402 


403 


404 


405 


406 


407 


=i a Sai m r 
¢ ig i Ra Bley ok: 
} ee WA ant } 
Sei ny fa wt s fu, _ y 
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oun 
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TWO GLASS GOBLETS AND A TUMBLER. pre 
One goblet plain, with the inscription, “Cora.” The other 
and glass of the modern “Roemer” type, with enameled < 
arms and inscriptions. (Reinette L. McCrea estate.) ? 


GREEN CAMEO VASE 
Bulbous body with long, cylindrical neck. Cameo 7 
white of palm leaf design. (Reinette L. McCrea estate.) . 

ak as inches _ 
GROTESQUE VASE 


Lizard-shaped body of green glass with the head tachie the 
mouth of the vase. Handle and feet of white glass. (Reinette L. 
McCrea estate.) _ Length, 814 inches | 
TWO GOBLETS OF BOHEMIAN CUT GLASS i 
(a) White glass, coated with ruby red. Octagonal shape with : 
characteristic ornate design of flowers, scrolls, etc., produced 
by cutting of the red coating. ; 4 
(b) White glass, coated with cobalt blue, with panels and inecaes a 
shaped pieces made by the same technique. (Reinette L. 
McCrea estate.) Height, 444 and 3% inches i 
THREE PIECES OF CUT GLASS | 
(a) Quadrilateral vase, flower pattern. a 
(b) Globular sugar bowl with cover. Dera: cut flower and leaf - 
pattern. | i 
(c) Flat dish with iris pattern. (Reinette L. McCrea estate.) 
Sizes 6, 4 and 734 inches 4 

CUT GLASS PUNCH BOWL 
Inverted dome-shaped body with cylindrical stem and low, spread- 
ing base. Elaborate cutting in wreath and ribbon pattern. i 
Reinette L. McCrea estate.) coe, Meet 1474 inches’ 4 | 


VASE OF FAVRILLE GLASS | 

Body in the shape of an elongated flower, rising from a low, 
slightly curved base. The inside with characteristic, iridescent 
coloring, the outside with green, calyx-like markings. (Reinette 


L. McCrea estate.) Height, 934 inches © j 


56 


408 GLASS BASKET 


Ph: _ Low basket with curved edge and plain ha 
Ta 


ENGLISH, ABOUT 1870 


ndle. Realistic pansy 

_ design enameled in predominating shades of red, blue and gold. 

_ Bordered by a gold band. (Reinette L. McCrea estate.) 

or a. 2 Y Height, 9% inches 

409 GLASS FERN DISH AND MIRROR 

‘Fern dish formed of five globular bowls joined together. Green 

decorated in gold. On oblong glass tray, with beveled edge. 

| Ve (Reinette L. McCrea estate.) Length, 12 and 1434 inches 

L 410° GLASS VASE AND GOBLET MODERN ENGLISH 

(a) Cylindrical, three-handled vase of green glass elaborately 

decorated with gilt floral design in low relief. Cracked and 

‘repaired. L 

(b) Deep goblet, on low, spreading base. White glass, with 
decoration similar to the above in gold. (Reinette L. McCrea 
estate.) . Height, 634 and 614% inches 

-TWO BUD VASES AND A PERFUME BOTTLE 

One small vase of Favrille glass, the other a long-stemmed vase 

_ without ornamentation. The perfume bottle of cut glass with 

floral decorations and an enameled silver stopper. (Reinette L. 

McCrea estate.) = Height, not exceeding 10 inches 


TWO CUT GLASS VASES ENGLISH, ABOUT 1870 
Vases similar in shape and height, but with different cuttings. 
Body elongated pear-shape with long neck and low, spreading 
base. (Reinette L. McCrea estate.) Height, 1134 inches 


PAIR OF CRYSTAL GLASS DECANTERS 

ENGLAND, MIDDLE 19TH CENTURY 
ta Globular bodies on spreading base with cylindrical necks and 
- glass stoppers. All-over decoration in deep and excellent cut- 
i. ting and an elaborate bird and flower pattern. Stopper damaged. 
a (Reinette L. McCrea estate.) Height, 13 inches 


414 MURANO GLASS VASE AND GOBLET VENEZIA, ITALY 


Te ae We Do aie nae Aa bak oe oo 


(a) Small vase with globular body and long, spreading neck. 
Gold and blue spiral pattern. 

‘g. (b) Goblet of pale green glass, with imbeded gold dust and twisted 

i and rosetted stem. (Reinette L. McCrea estate.) 

{ Height, 5 and 634 inches 


57 


415 


416 


417 


418 


419 


eae 


THREE PIECES OF TIFFANY GLASS 


Bonbon dish, small plate and miniature vase with the characteria Hele 2 


iridescent coloring of Favrille glass. The bonbon dish on low 
stem with a flower-shaped body. (Reinette L. McCrea estate.) 


FANS 
Lots 416 to 447 
THREE PAINTED CHIFFON FANS 


(a) Brown with bird and blossom decoration in realistic coloring. — q 


Frame of light brown wood with carved end. 


(b) Black, with violet sprays and bouquets. Wooden ea 


painted black and carved. 


(c) Black with corn flower decoration in white. Wooden frame | 


painted black. (Reinette L. McCrea estate.) 
TWO PAINTED SILK FANS 


o 


rah 


Height, not exceeding 334 oe 


ime 
7] 


(a) Black chiffon with corn flower decorations in color and two “a 
bands of cream colored lace. Frame of black painted wood, — 4 


carved and gilded. 
(c) Pink silk with forget-me-not and bird decoration in pink and 
gold. Pink celluloid frame. (Reznette L. McCrea estate.) 
Length when folded, 13%4 and 13% inches 


TWO CHIFFON FANS 


(a) Tan, with snail and milk weed decoration in realistic color- 4 


ing. Brown wood frame with gilding. Sold as is. 


(b) White, on ivory frame, with small painted sprays and elabo- ie : 


rate design in silver sequins. Sold as is. (Reinette L. 


McCrea estate.) Length, when folded, 1414 and 8 inches — 


TWO CHINESE FANS IN LACQUER BOXES 

(a) Elaborate scene with many figures, the costumes of appliquéd 
silk, the heads of tinted ivory.. Frame of carved ivory, the 
ends with intricate figure relief carvings. Reverse side deco- 
rated in the same manner with a different design. Sold as is. 


(b) Thin silk fiber, with figure and flower decorations. Black 


lacquer frame with gold decorations. Considerably damaged. 
Sold as is. (Reinette L. McCrea estate.) 
Length of boxes, 13 and 1134 inches 


58 


a 


ad if THREE FANS CHINA AND JAPAN 

(a) Heavy paper mounted on elaborately carved pearl frame. 

a oa and Ss arate scenes, the figures in appliqué 

BS oi, y everse side with similar decoration. Sold 
as is. 

(b) Black silk, with central Chinese decoration in painted and 

_ appliqué technique. Ebony frame. Sold as is. 

(c) Japanese fan in wooden box. Gilt paper, one side with 
cherry tree decorations in color, the other with cranes. On 
brown wooden frame. (Reinette L. McCrea estate.) 

Length, when folded, not exceeding 12 inches 

TWO BLACK LACE FANS 

(a) Fine Chantilly lace mounted on white satin. Frame of amber 
colored tortoise shell. 

(b) Sequin-studded yellow silk with appliqué of heavy Chantilly 
lace. Ebony frame decorated with sequins. Sold as is. 

- (Reinette L. McCrea estate.) 

Length, when folded, 1134 and 13% inches 

422 THREE PAINTED SILK FANS 

(a) White, with floral clusters in silver and white. Wooden 
frame painted white and silver. 


<¥ 


wan 


Lael a aN PRT NTA RE ee Ma 
< " 7 a Poe SS ~ ~ 
~ ae an ;: 


(b) Black, with bands of violets painted in natural colors. Frame 
of black painted wood with similar decorations. Sold as is. 


(c) White, with large size pansies in realistic coloring. Wooden 

ia frame, carved and gilded. (Reinette L. McCrea estate.) 

a Length, when folded, not exceeding 14 inches | 

| 423 THREE PAINTED SATIN FANS 

(a) White, with lilac, rose and dragon-fly decoration in realistic : 
coloring. Wooden frame simulating tortoise shell, the end 
with relief floral spray. 

(b) Burnt orange with painted daisy sprays, the pattern ex- 
tending in part over the ivory frame. 

(c) Black satin with realistically painted carrier pigeons. Frame 
of black painted wood. (Reinette L. McCrea estate.) 

Length, when folded, not exceeding 13% inches 


59 


ig iad ae RS a 
ee NES 
at “g ' 


424 


425 


426 


427 


OIRO OY Mercy ah fe ) 
- SL Nd 


THREE CHIFFON FANS” | a 
(a) Shaded gray on black wooden sais the carved leaves 
tending as decoration over the chiffon. In the centre a 
painted decoration of a girl with baskets of grapes. Bor- 
dered by sequin floral sprays. Sold as is. ty ee 
(b) White chiffon trimmed with lace and sequins. Carved ivor 4 
frame. Sold as is. } 


Brown de frame with carving on one end. Signed “Ronot : 

Tutin.” (Reinette L. McCrea estate.) ‘ie 

Length, when folded, not exceeding, 13 354 inches 

THREE PAINTED CHIFFON FANS | he 

(a) Black, on wooden frame, with swallow and puff-ball decora- a 

tion in gray and white. Sa 

(b) Lavender, with floral clusters in lavender, white and silver. a 

Frame of lavender painted wood. ‘a 

(c) Gray, with silvered wooden frame, the carved ends extending 

as decorations over the chiffon. With lace border and flower 
and bird decorations. (Reinette L. McCrea estate.) 

Length, when folded not exceeding, 14 inches 


TWO CHINESE FANS | 
(a) Frame of carved sandalwood. White satin with heavy em- 
broidery of peony flowers and butterflies in vivid colors. i. 

(b) Frame of bamboo with delicate carving of prunus blossoms. — q 
White silk with very fine painted decoration of flying butter- a 
flies and silk moths. (Reinette L. McCrea estate.) 4 

Size, unfolded, not over 25 inches 

THREE FANS 

(a) Lavender ribbon strips mounted on lavender ede frame. The 
end with ribbon rosette and lavender ostrich feather tip. 
Sold as is. 

(b) Dark red satin with painted rose sprays in red. On red 
leather frame, Sold as is. 

(c) White chiffon with girl, butterfly and flower decoration phinceal 
in pastel shades and outlined with sequins. On carved and 
tinted ivory frame. (Reinette L. McCrea estate.) 

Length, when folded, not exceeding 1334 inches 


60 


429 


«480 
431 
432 


433 


(a) Brown wood with painted violet decoration. 

(b) Printed novelty fan, each leaf with Swiss peasant girl and the 
coat-of-arms of the corresponding canton. Brown wooden frame. 

(c) Silk, with gilded wood frame, decorated with openwork 
carving. 

(d) Natural color, with border and ends of printed red calico. 
Initials “RML” in red. (Reinette L. McCrea estate.) 

Length, when folded, not exceeding 10 inches 

TWO PRINTED SPANISH FANS 

(a) Scenes from the bull fight. Wooden frame. 

(b) The dancing lesson. Wooden frame. (Reinette L. McCrea 
estate.) 

FOUR FANS 

Various styles and colors, with lace, floral and sequin decora- 

tions. All with wooden frames, two of them of sandalwood. 


_ (Reinette L. McCrea estate.) 


Length, when folded, not exceeding 81% inches 


“THREE PAPER FANS 


Two souvenir fans, one German painted; one French printed. 

The third with scenes from “Paul et Virginie,’ by Bernardin de 

Saint Pierre, French, about 1840. (Lithograph). (Reinette L. 

McCrea estate.) Length, when folded, not exceeding, 1034 inches 

TWO FEATHER FANS (NON-FOLDING TYPE) 

(a) Pink pigeon’s feathers decorated with breasts in the same 
shade. On long, carved ivory handle. 

(b) Shaded yellow ostrich feathers with aigrettes. On amber 
handle with yellow satin bow. (Reinette L. McCrea estate.) 

THREE FEATHER FANS 

(a) Greenish-black breast feather on painted black wooden frame. 
Sold as is. 

(b) Pale gray breast feathers, with painted lilac sprays in realis- 
tic coloring. Mounted on turkey feathers. Black wooden frame. 

(c) Chinese feather fan. White quill feathers with peacock 
feather tips. With vividly painted figure and floral decora- 
tions. Carved ivory frame. Sold as is. (Reinette L. McCrea 
estate.) Length, when folded, not exceeding 13 inches 


61 


434: 


435 


436 


A437 


438 


439 


440 


TWO FANS WITH PERFORATED CARVING  cutNesE 
(a) Ivory carved in irregular perforated pattern. i nae a 
(b) Tortoise shell with openwork carving. Small size. Sold as is. _ 
(Reinette L. McCrea estate.) a 
CARVED AND PAINTED FAN MODERN FRENCH _ 
Decoration of a pair of lovers lead to an enchanted spot by 
amorini. On paper simulating kid. Signed ‘Marie Grivaz.” 
Frame of mother-of-pearl with fine flower and bird carving. q 
(Reinette L. McCrea estate.) Length, when folded, 1234 inches _ 
PAINTED SILK FAN | MODERN FRENCH 
Heavy black silk with realistically painted rose sprays. Signed . 
“B. Lambquin.” Mounted on handsome mother-of-pearl frame. q 
Sold as is. (Reinette L. McCrea estate.) ne e 
Length, when folded, 12 inches q 
PAINTED SILK FAN FRENCH _ 
Heavy cream-colored silk, with decoration representing blind 
“Folly,” with cap and bells, lead by blind-folded amorino. Signed 
“Susan.” Handsome mother-of-pearl frame with gold name plate 
on one end with initial “L.” (Retmette L. McCrea estate.) 
Length, when folded, 11 inches 
PAINTED FAN MODERN FRENCH 
Woodland scene decoration with maiden listening to the serenade 
of an amorino. On heavy paper with kid finish. Mounted on 
handsome mother-of-pearl frame. Painting signed “E. M. 
Formigé.” (Reinette L. McCrea estate.) 
Length, when folded, 12 inches 
PAINTED SILK FAN MODERN FRENCH 
Cream--colored silk with scene representing a Breton peasant 
redeeming the “droit du seigneur” by a considerable cash payment. 
The blushing bride stands in the background. Signed by the 
artist, “Albert.”” On handsome mother-of-pearl frame. Sold as 
is. (Reinette L. McCrea estate.) 
Length, when folded, 1234 inches 
HAND PAINTED FAN FRENCH 
Heavy paper mounted on mother-of-pearl frame. Decorated with 
a painting of maiden and amorini with doves. Signed “L. Four- 
nier.”’ Sold as is. (Reinette L. McCrea estate.) 


62 


4 lc 
Ach 
445 
446 


AAT 


448 


PAINTED SILK FAN FRENCH 
Painted decoration in the manner of Watteau, with elaborate 
border, embroidered in gold and silver thread and sequins. Frame 
of mother-of-pearl, carved and gilded in love knot and bird pat- 
tern. Reverse side with’ medallion and wreath decoration. In 
satin box. (Heinette L. McCrea estate.) 

Length, when folded, 12 inches 
PAINTED FAN WITH LACE APPLIQUE FRENCH 
Heavy white silk with three love episodes painted in pasted shades. 
Framed and bordered with real lace. Handsome mother-of-pearl 


frame. Sold as is. (Reinette L. McCrea estate.) 


Length, when folded, 1134 inches — 


OSTRICH FEATHER FAN 


Shaded, light blue feathers with mother-of-pearl frame. Sold as 
is. (Reinette L. McCrea estate.) | : 


OSTRICH FEATHER FAN 


Large size. White feather with mother-of-pearl frame. Sold as 
is. (Reinette L. McCrea estate.) 


GENUINE LACE FAN 
Fine Honiton lace mounted on mother-of-pearl frame. Sold as is. 
(Reinette L. McCrea estate.) Length, when folded, 1034 inches 
CELLULOID FAN : 
Undecorated, amber-colored leaves, strung on heavy ribbon. With 
amber-colored cord and tassels. (Reinette L. McCrea estate.) 
Length, when folded, 914 inches 
TWO FANS WITH PERFORATED CARVING $s1am, MopERN 
Non-folding type, one round, the other irregular rectangular shape. 
Very thin, flexible skin pierced in filigree design, with butterfly 
pattern in the centre. Both with handle and border of carved 


rhinoceros horn. (Reinette L. McCrea estate.) 


Length, 101% and 11 inches 


PRINTS, ENGRAVINGS, PHOTOGRAVURES, ETC. 
Lots 448 to 469 


NINE MISCELLANEOUS COLOR PRINTS 
“Bathing Scene,’ by Chabas; “The Odalisque,’ ‘“‘Kewpies Bath- 
ing,” etc. Gold frames. (William L. Rich coll.) 


63 


449 


450 


451 


452 


453 


45 4 


455 


456 


457 


458 


rl % PAT «Vine oe 
: OS egheea 


THREE PATRIOTIC COLOR PRINTS 2 
“American Flag’; ‘Columbia Calls” ; “Battleship in Full Speed.” oe 
Mahogany frames. (William L. Rich coll.) a 
FIVE MISCELLANEOUS SPORTING PRINTS ag 
“Cowboys,” “Bulldogs,” and “Hunting Scenes.” Mahogany — 
frames. (William L. Rich coll.) 
PAIR OF PHOTOGRAVURES Fah 4 
“The Dove Cot” and “Haymaking.” Both after Ernest Stanton. 
Gold frames. (William L. Rich coll.) 

LARGE STEEL ENGRAVING é 
“Group of Horses and Mules,’ after Landseer. Gold frame. 
(William L. Rich coll.) 


PAIR OF PHOTOGRAVURES 


“Path by the Brook’ and “The Fishing Stream.” Both after 1 | 


Ernest Stanton. Gold frames, slightly damaged. (William L. 
Rich coll.) 


LARGE STEEL ENGRAVING 
“Deer in Woburn Park,’ by C. C. Lewis, after Landseer. Ma- 
hogany frame. (William L. Rich coll.) 


TWO COLOR PRINTS 


-“The Favorite Party of Louis XV. at Choisy” and “Watteau’s 


Studio.” Both after de Paredes. Gold frames. (William L. Rich 
coll.) : 

SET OF THREE COLOR PRINTS 

“The New Favorite,’ “Sacrifice to Venus,’ “When Rome was Mis- 
tress of the World.” All three after E. Oberhauser. Gold frames, 
slightly damaged. (William L. Rich coll.) 

COLOR PRINT 

“The Maiden’s Dream.” After F. Vinea, Florence. Gold frame. 
(William L. Rich coll.) | 

PAIR OF STEEL ENGRAVINGS 

“The Mountain Torrent,” by Pratt, after Landseer; “ Browsing,’ 


by Zobel, after Landseer. Mahogany frames. (William S. Rich 
coll.) 


64 


P 7 } “st 
459 THREE STEEL ENGRAVINGS 


“Stag Hunting Scenes,” after Landseer. Mahogany frames. (Wil- 


liam L. Rich coll.) 


TWO WATER COLORS 


oy _ “Nubian Woman,” by H. Price. Wooden frame. “Dutch Wind- 


465 


— _ — 
. a fa a all — a Sn a 
é J 


= 466 


467 


469 


PED ibe a a SRT ——" 
7 * 
é 


. =; 
Dah e 


mill,” by Leo Hunter. Gold frame. (William L. Rich coll.) 


MEZZOTINT 

“The Dauphin,’ by Samuel Cousins. Mezzotint after Greuze. 
Fine impression, framed. 

FRENCH CARBON PRINT 

“The Song of the Lark,” after the painting by Jules Breton. 
Large folio, in mahogany frame. 

FRENCH CARBON PRINT 


“Portrait of a Man,” after the painting by Rembrandt. Large 
folio, framed. 


FRENCH CARBON PRINT 


“Saint John and the Infant Jesus.” Very large folio, in mahog- 
any frame. | 


HUNTING PRINTS 


“A Check,’ and “Death and the Doctors.” A pair, colored. 
Framed. 


OIL PAINTING 
“Woodland Scene with Figure,’ Walter L. Palmer. On canvas, 
signed and dated. Framed. Size: 2514 x 15 inches 


FOUR PORTRAITS 

“Rembrandt’s Wife,’ carbon print; “Baby Stuart,” after Van 
Dyck; “Queen Wilhelmina,” by Paul Berthon; “A Dutch Mer- 
chant,” by Holbein. Framed 


REPRODUCTIONS 


“Aurora,” by Burns-Jones; “Delphica,” by Michael Angelo; ‘The 
Child Handel,” by Dicksee. Three pieces, framed. 


WATER COLOR 
“Coast Scene,” by A. T. Bricher. Signed. In oak frame. 


65 


4'70 


471 


472 


473 


A'7 4: 


AT5 


ORIENTAL RUGS 


Lots 470 to 486 
DAGHESTAN RUG 


Main border of serrated zig-zag leaves on white ground with small 4 


outer and inner borders of roses. Centre field with all-over pat- 
tern of a flowering shrub in various colors on gold-brown back- 


ground. Antique, but slightly damaged. (Jessica L. McMullen - 
coll.) 3 feet 6 inches x 9 feet 2 inches _ 
MOUSSOUL RUG CAUCASIAN 
Border with conventionalized flower motifs in red on brown back- _ 
ground. Centre field with repeated flower motifs on dull red back- 
ground. (Jessica L. McMullen coll.) eS Pes 

| 3 feet 5 inches x 6 feet 7 inches 
KURDISTAN RUG ) 
Triple border of curved. stems on white, yellow and white back- 
ground. Centre field in plain red of soft shadings. (Jessica L. 
McMullen coll.) 8 feet x 7 feet 5 inches _ 
MOUSSOUL RUG PERSIA 
Elaborate border with curved stems and large, conventionalized 
flowers in purple and red on white ground. In the centre all-over 
pattern of stars and octagons filled with small flower pattern on 
dark green ground. 9 feet 9 inches x 4 feet 9 inches ~~ 
BEJAR MAT . PERSIA 
Main border with zig-zags of serrated leaves alternating with con- 
ventionalized flowers on a black background. Centre field with 
side and central medallions with hyacinth and rosace flowers on 
deep mulberry red background, contrasting with strong apple-green 
and yellow in the medallions. (Jessica L. McMullen coll.) 

3 feet 9 inches x 5 feet 2 inches 


CAMEL’S HAIR RUNNER PERSIA 
Conventionalized floral borders, the centre field with three hexa- 
gonal medallions with vari-colored floral decorations, Background 
in natural camel’s hair color. (Jessica L. McMullen coll.) 


3 feet 5 inches x 9 feet 3 inches - 


66 


CAUCASIAN | 


awe 


470 lance GOROVAN RUG PERSIA 
x Wide border with serrated riz-zag leaves encircling vari-colored 
_rosace flowers, on deep red background. The centre field with 
four light blue corner pieces and a deep indigo blue central medal- 
Tion with a light blue shield superimposed. The background of 
st pe the centre field deep red, like the border; the entire field deco- 
_ rated with a fine pattern of conventionalized leaves, stems and 

flowers. Six shields with the name of the maker. (Jessica L. 
Seales McMullen coll.) 9 feet 2 inches x 13 feet 4 inches 


{ SHIRVAN RUG CAUCASIAN 
Two dark red borders with rose motifs framed by three small 
borders in black and light blue. Centre field with all-over pattern 
«) of repeated red, blue, green and brown flowers on pale yellow 
background. prea L. McMullen coll.) 
. . | 3 feet 5 inches x 5 feet 1 inch 
-BELOOCHISTAN RUG 
_ Sombre combination of dark blue, dull red, brown, purple and 
black. Border of conventionalized flowers; centre field with re- 
peated motifs of lozenge medallions with small, radiating spirals, 
showing hints of a Chinese influence. (Jessica L. McMullen coll.) 
5 feet 9 inches x 9 feet 3 inches 


SHIRVAN MAT CAUCASIAN 
Geometrical border, centre field with star medallions and conven- 
tionalized animals in crude colors. (Jessica L. McMullen coll.) 

2 feet 11 inches x 5 feet 1 inch 


a PO ee ane Pent eRe re | 
i ean Ba —' malt th) ob alae a pe alk as 
id - eon . : 


ce aig a einstein Wi eT LY tt NTE DE 
i ee 


a 
a > 


ae ieee 


= aS Oe es er ne Cane 


SHIRVAN MAT CAUCASIAN 
Border decorated with a row of vari-colored squares, the centre 
field showing on indigo blue background a large, deep red centre 
medallion with attached leaf and flower motifs. The centre field 


‘ornamented with various cross-shaped octagonal and other motifs. 


4 A (Jessica L. McMullen coll.) 3 feet x 4 feet 2 inches 
_ 481 KERMANSHAH RUG PERSIA 
q Small rug with elaborate border and ornate floral medallion in the 
; centre. Fair condition. 6 feet 6 inches x 4 feet 3 inches 


67 


482 


483 


484 


485 


486 


CAUCASIAN RUG 


Typical Caucasian border of conventionalized floral pattern in a i 


white and blue, with touches of red. The centre field with a pat- 


tern of large conventionalized Caucasian peony flowers and stems 
intermingled with small rosaces, swastikas, animal figures, etc. 
Energetic harmony of reds and blues. (Jessica L. McMullen coll.) 


3 feet 8 inches x 9 feet 5 inches 
BELOOCHISTAN MAT | 


Triple border. Centre field with diagonal stripes with “S” shaped q 


hooks starting from the right and left of a central row of geo- 
metrical designs. Purple background with sombre colors. | 
(Jessica L. McMullen coll.) 


ROYAL BOKHARA RUG TURKESTAN 


Main border of a blue and purple zig-zag stripe with purple 


rosaces on a white background. Centre field: purple background 


with three rows of ten medallions each. The characteristic octa- — 


gonal Bokhara medallion in red, white and indigo blue. Antique 
specimen, but badly moth-eaten. (Jessica L. McMullen coll.) 

5 feet 9 inches x 8 feet 9 inches 
AFGHANISTAN RUG 
Geometrical border, in the centre field three rows of six octagonal 
medallions, with conventionalized flower pattern. Color harmony: 
deep red and brown with touches of indigo blue, black and green. 
(Jessica L. McMullen coll.) 6 feet 4 inches x 8 feet 9 inches 


WHITE POLAR BEAR RUG 
With modeled head. (William L. Rich coll.) 
Unusually large size, about 8 feet 10 inches x 7 feet 


MISCELLANEOUS BRASS AND BRONZE FURNISHINGS 


487 


LAMPS, ANDIRONS, ETC. 


Lots 487 to 491 
DESK LAMP 


Brass stand, green glass shade. Broad rectangular base with ink 
stands for black and red ink. (William L. Rich coll.) 


Height, 16 inches 


68 


3 feet x 4 feet 11 inches 


a 
488 TABLE LAMP 
. Pottery vase, imitating an antique bronze. The shade stained glass 
___-with flower pattern. Three lights, electricity. (William L. Rich 
coll.) Height, 28 inches 
MANTEL CLOCK SET FRENCH, AaBout 1860 
Consisting of a clock and two statuettes in composition metal on 
black marble bases. The statues in dark patina with gilding. On 
the clock Cleopatra on her throne, a warrior and a female slave 
are the companion pieces. Broad bases with relief decoration. 

Height, 19% inches 
MANTEL CLOCK SET 
Consisting of a clock flanked by two urns on pedestals. Black and 
yellow marble combined with fittings of dark bronze. 

Height, 1514 inches 
BRONZE GROUP 
“The Education of Achilles.” The youth Achilles riding on the 
_ back of a centaur. Not signed. Brown bronze. (Julia E. Green 
coll.) Height, 2614 inches 
FIREPLACE SET 
Wrought iron, consisting of fender and andirons. (William L. Rich 
coll.) Width of the fender, 40 inches 
FIREPLACE SET 
Brass, consisting of fender, andirons, shovel, tongues, poker and 
stand. (William L. Rich coll.) Width of the fender, 79 inches 
MARBLE BUST MODERN ITALIAN 
A copy of the well-known statue of the “Diana of Ephesus,” in, 
white marble. Base of slightly yellowish marble. 

Height, 31 inches 


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MARBLE STAND 
Octagonal base, column shaped body, slightly fluted, round top. 
Greenish marble with black mottling and white veins. 

Height, 43 inches 


491c MARBLE BUST MODERN ITALIAN 
y Bust of “Augustus,” copy of the well-known Roman statue, the 
head in white marble, the armor in light yellowish marble with 

gray and black veins. Base of dark greenish marble. 
Height, 3114 inches 


69 


492 


493 


4.94: 


495 


496 


497 


498 


499 


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HOUSEHOLD FURNISHINGS 
Lots 492 to 529 | 


MAHOGANY PEDESTAL 
In the shape of a Tuscan column. Fluted body, square base and 
revolving top. (William L. Rich coll.) 


| gad: 45 inches; the top, 12% Lideee q 
SIDE CHAIR a 


Modern French Louis XV. style, the back in the shape of an oval 4 
medallion. White lacquer and gold, upholstered with green silk 


velvet in Louis XVI. style. The top damaged. (Reinette L. 
McCrea estate.) 
SIDE CHAIR eee 
Modern Louis XVI. style. White lacquer and gold, the back in the 
shape of an upright oval medallion. Upholstered with ee and 
white silk damask. (Reinette L. McCrea estate.) 

SIDE CHAIR 7 . q 
Modern Louis XVI. style. Straight lines. The back set in witha 
porcelain plaque with amorini, playing musical instruments. Cov- 34 
ered with green cut velvet. (Reinette L. McCrea estate.) 

SIDE CHAIR 

Modern Louis XVI. Gilt wood, covered with green cut velvet. 
(Reinette L. McCrea estate.) 


TWO DRAWING ROOM ARMCHAIRS 

Modern Empire style. White lacquer and gold; with tufted uphol- 
stery in green damask. Straight back with laurel wreath; uphol- 
stered arm rests supported by fluted pilasters; round, fluted, taper- 
ing legs. (Reinette L. McCrea estate.) 

TWO DRAWING ROOM SIDE CHAIRS 

Modern French Empire style. White lacquer and gold, with 
tufted upholstery in green damask. Straight back with laurel 
wreath on top rail; curved front; tapering, fluted legs. Same set 
as the preceding. (Reinette L. McCrea estate.) 

DRAWING ROOM ARM CHAIR 

Modern Louis XVI. style. White lacquer and gold, with tufted 
upholstery in green damask. Straight back with simple moulding 
in gold; shaped front and slender fluted legs. (Reinette L. McCrea 
estate.) 


70 


a 
§ os: 


_ % 


: 500 “FAUTEUIL CONFIDENT” OR LOVER’S CHAIR 
oe Bs: Double arm charm, the seats turned in opposite direction. Modern 
French Empire style. White lacquer and gold, with tufted uphol- 
___ stery in green and white silk damask. Straight lines. The top rail 
of the back with gilded Empire laurel wreath; the arm rests uphol- 
- stered and supported by two small columns. Short, tapering legs. 
(Reinette L. McCrea estate.) 
DRAWING ROOM SETTEE > 
Modern French Empire style. White lacquer and gold, with tufted 
upholstery in green and white damask. Straight back with laurel 
wreath on the top rail; upholstered arm rests supported by col- 
umns; short tapering and fluted legs. (Reinette L. McCrea estate.) 


‘DRAWING ROOM SETTEE pee oe uc 
- Modern French Empire style. White lacquer and gold, with tufted 
upholstery in green and white brocade. Straight back surmounted 
by a carved laurel wreath; upholstered arm rests supported by 
_ small columns; short tapering legs. Same frame as No. 501. 
ae (Reinette L. McCrea estate.) Length, 66 inches 
508 CENTRE TABLE 
* Modern Louis XV. scrolls and gilt wood. The top rectangular 
a with curved outline, and Vernis Martin decoration—copy of the 
“Embarquement pour Cythére,” by Watteau. (Reinette L. McCrea 
estate.) 7 The top, 38 x 24 inches 
504 CURIO CABINET 
Modern Louis XVI. style. Upper case of mahogany in semi- 
circular shape, with panels of flower garlands painted in Vernis 
Martin. Bronze mouldings on the top; glass front. This case 
stands on a semi-circular table of mahogany with Vernis Martin 
decoration, bronze mouldings and slender, tapering, fluted legs. 
(Reinette L. McCrea estate.) Height of table and case, 56 inches; 
width, 32 inches. | 
505 BOOKCASE 
Modern Louis XVI. style, of very good workmanship. Copy of 
an old model with fine proportions. Straight simple lines with 
marqueterie of mahogany and rosewood. Double door front with 
glass and marqueterie panels in the lower part. Mouldings and 
ornaments in ormolu. Four shelves inside. (Reinette L. McCrea 
estate.) Height, 65 inches; width, 35 inches; depth, 16 inches 


+ 
* 


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506 


507 


508 


509 


510 


512 


513 


514 


THREE-FOLD SCREEN 


Mahogany frame with floral inlay in modern Hepplewhite style. a 


Covered with silk damask in iris pattern. Sold as is. (William L. 


Rich coll.) Height, 74 inches; width per panel, 24 inches 


SET OF DINING ROOM CHIMES 
Brass on mahogany stand. (William L. Rich coll.) 


SMALL MAHOGANY TABLE Height, 30 inches 


Modern Hepplewhite style. Round top; four square, tapering 
legs with floral inlay connected by a shelf. (William L. Rich coll.) 
Height, 29 inches; diameter, 2414 inches 
MAHOGANY SIDEBOARD 
Modern Hepplewhite style. Body in three parts, with six square 
tapering legs. Six drawers. Mahogany inlaid with floral scroll 
work in late 18th Century English style. (William L. Rich coll.) 
Height, 43 inches; length, 70 inches; depth, 24 inches 
MAHOGANY CHINA CLOSET 
Modern Hepplewhite style; mahogany with inlay of floral scroll 
work, Front divided in three parts. Glass front and sides (glass 
on one side missing). Three glass shelves. Mirror in the back. 
Same set as the preceding. (William L. Rich coll.) 
Height, 62 inches; length, 48 inches; depth, 16% inches 
MAHOGANY CHINA CLOSET 
Companion piece to the preceding. Without damage. (William L. 
Rich coll.) 
MAHOGANY SERVING TABLE 
Modern Hepplewhite style. Mahogany with inlay of floral scrolls. 
One large drawer in front.. Four square, tapering legs which are 
connected by two superimposed, rectangular shelves. Brass han- 
dles. Same set as the preceding. (William L. Rich coll.) 
Height, 43 inches; length, 45 inches; depth, 21 inches 
MAHOGANY DINING TABLE 


Round table with 5 extensions. Square tapering legs. Mahogany, : 


with inlay of floral pattern. Same set as the preceding. (William 
L. Rich coll.) Diameter, 54 inches 


MAHOGANY SERVING TRAY 
With inlay of floral palmettees. Brass handles. Same set as the 
preceding. (William L. Rich coll.) 2614 x 184 inches 


72 


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515 SET OF DINING ROOM CHAIRS 


521 


SIDE CHAIR 


i a Sheraton style. Mahogany inlaid with thin yellow lines. Straight 
ea _ backs and straight legs with side and front rails. Ten side chairs, 


two arm chairs. Modern English make. (William L. Rich coll.) 


516 SET OF DRAWING ROOM CURTAINS 


Crimson red velvet, slightly faded, with galoons. Three pairs of 
curtains and three valences mounted on frames. (William L. Rich 


— coll.) Size of curtains: 8 feet 10 inches x 3 feet 10 inches 
_ The valences: height, 3 ft. 11 in.; width, one, 13 ft.; two, 57) in. 


DRAWING ROOM CURTAIN 


Crimson red velvet on one side, golden brown velvet on the reverse. 


With galoons. (William L. Rich coll.) 


‘Size, 7 feet 3 inches x 3 feet 10 inches 


- SMALL SIDE TABLE 


Mahogany. Modern copy of early American Empire style. Rec- 


_ tangular top, plain apron, four-column shaped ERs! Foot board. On 
ball feet. (William L. Rich coll.) 


Height, 2514 inches, top, 19 x 16%4 inches 


Mahogany. Straight lines, front and side rails; leather seat. 
(William L. Rich coll.) 


MAHOGANY WRITING DESK 
Modern copy of early American model. Drop leaf, the inside fitted 
with pigeonholes. One drawer. Straight, square legs. (William 
L. Rich coll.) 

Height, 3714 inches; width, 32 inches; depth, 18 inches 
SET OF BEDROOM CURTAINS, ETC. 
Pair of curtains, center curtain and one valence. Light blue silk 
damask, Louis XVI style. Galoon with tassels. (William L. Rich 
coll.) Size of the curtains, 6 feet 7 inches x 3 feet 10 inches; 


width of the valence, 11 feet 4 inches 
TWIN BEDS 


Modern copy of early American. Plain mahogany. Voluted: head 
and foot end, lion claw feet. Spring boxes, mattresses; bedspreads 
and pillow rolls of light blue silk damask. (William L. Rich coll.) 


73 


523 


524 


525 


526 


527 


528 


529 


| SRS (William L. Rich coll.) 


Mie te yoa ay, wee ek 1S] Geet teat On hee fae eae 


MAHOGANY SIDE CHAIR 


Copy of carly American model Straight lines. ~ Cane’ seat, : are 


MAHOGANY ROCKING CHAIR ee 
Straight lines. Cane seat with cushion and valence of light blue a 
damask. Same set as the preceding. (William L. Rich coll.) 
MAHOGANY EASY ARMCHAIR ; ” 
Curved arm rests and legs, lion claw feet. Adjustable back. Tufted 
upholstery covered with light blue satin. Same set as the preceding. © . 
(William L. Rich coll.) 
MAHOGANY TABLE | a 
Modern copy of early American Empire style. Rectangular top with — 


rounded edges, standing on two columns supported by a footboard _ 


on four brackets. Same set as the preceding (William L. Rich 
coll.) Top, 47 x 29 inches — q 
MAHOGANY BENCH | 

Simple shape with railing between the legs. (William L. Rich coll.) 


MAHOGANY COMMODE 
Modern copy of early American Empire style. Surmounted by a 
large swinging mirror. Four large drawers. ‘Lion claw feet. Same 
set as the preceding. (William L. Rich coll.) 
Height (with mirror), 70 inches; width, 54 inches; depth, 25 inches 
MAHOGANY HIGHBOY : 
Modern copy of early American Empire style. Straight front. Two 
top shelves; double front doors; lion claw feet. The inside with 
elaborate shelving of excellent workmanship. Same set as the pre- 
ceding. (William L. Rich coll.). 

Height, 64 inches; width, 45 inches; age 27 inches 


FOURTH SESSION 


SATURDAY AFTERNOON, NOVEMBER 8, 1919 


AT TWO-THIRTY O’CLOCK 


Lots 580 to 684 


_ TABATIERES, PORCELAINS, GLASS AND OBJECTS OF ART 
a om E. , Lots 580 to 562 
A - 580 TWO PORCELAIN TABATIERES MEISSEN 
(a) Shell-shaped, with decorations in pink and gilt and two amo- 
ee rini on the cover. 

(b) Heart-shaped, with gilt decorations and two figures in the man- 

mer of Watteau on the cover. (Reinette L. McCrea estate.) 

jp are Height, 134 inches and 2% inches 


(a) Heart-shaped, with painted flower and fruit decorations. 
(b) Voluted shape, with rural scenes on the side, and a painting in 
the manner of Watteau on the cover. (Reinette L. McCrea 


581 TWO TABATIERES ei pi 
a Box shapes with decorations in the manner of Watteau. (Reinette 
| L. McCrea estate.) Height, 234 and 2% inches 
_ 582 THREE PORCELAIN TABATIERES FRENCH 
mee Various styles with painted decorations. (Reinette L. McCrea 
a estate.) , Length not exceeding 3% inches 
583 TWO PORCELAIN TABATIERES FRENCH 


estate.) Length, 144 and 14 inches 
534 THREE TABATIERES FRENCH 


ae ? 
Pa 
. 

: 

j 

t 

} 

- 

f ‘ 
a 
hia 


Two porcelain, one enamel. Different shapes and decorations. 
(Reinette L. McCrea estate.) 

535 TWO FRENCH PORCELAIN BOXES 
One large with signed painting on the cover, the other with humor- | 
ous decoration and verse. (Reinette L. McCrea estate.) | 


536 THREE PORCELAIN TABATIERES Belen 


a Various shapes with gilt mountings and painted decorations in the 
ta manner of Watteau. (Reinette L. McCrea estate.) 


. a 15 


537 FOUR BOXES OF VARIOUS KINDS 


538 


539 


540 


541 


542 


(a) Gilt jewel box with medallion on cover. 
(b) Marble box with double compartments. a an 
(c) Round porcelain box with bird and flower decoration. Hinge — 


broken. a 
(d) Small round box of “emaille & jour.” (Reinette L. McCrea — 

estate.) oa 
TWO PORCELAIN TABATIERES FRENCH 
(a) Oval shape with quaint painted figures in the manner of 4 

Watteau. ee 


(b) Larger size than above with cover decoration of Diana at rest. 4 
Hinge broken. (Reinette L. McCrea estate.) 


TWO SEWING BOXES AND A TABATIERE FRENCH 4 
(a) Carved mother-of-pearl with jewel-like encrustations. Fitted 
with compartments containing scissors, bodkins and other a 
sewing materials. Damaged. ay 4 
(b) Ivory with decorations of cut steel. Same type as above but 4 
with implements missing. Damaged. | 
(c) Round metal box with enamelled decorations. (Reinetie L. 
McCrea estate.) : 
TWO ENAMEL BOXES JAPAN, MODERN 
(a) Oval shape, cloisonné. Group of flowers and butterfly on top. 
(b) Rectangular shape. Translucent cloisonné enamel. Dragon 
and clouds on green background. (Retmette L. McCrea 
estate.) Length, 23 and 3 inches 
FOUR TABATIERES FRENCH 
Three enamel, one marble. Different styles and shapes. ‘Two 
damaged. (Reinette L. McCrea estate.) 
ROUND PORCELAIN BOX DRESDEN 
Flattened circular shape with the cover bearing a central colored 
decoration in the manner of Watteau, and bordered with a conven- 
tionalized design in cobalt blue and gold. The box bordered with 
a floral wreath pattern. (Reinette L. McCrea estate.) 


Diameter, 514 inches 


76 


+ beta a he Tie Alora 
°¢ A it 


548 "HEART. SHAPED PORCELAIN BOX VIENNA 
_ Elaborately glazed in red-brown, blue and gold, with a _ painting in 
_ the manner of Watteau on the cover. With Vienna mark. (Reinette 
_L. McCrea estate.) - Diameter, 5 inches 


u 2 / CARD TRAY DRESDEN 


2 RARE Car ects MEST RO ELE oneney 


550 


Circular shape standing on four low feet. The body of gold and 
white in basket-work pattern, the bottom decorated with a painted 


floral spray. Narrow floral border about the edge. (Reinette L. 
4 - _ McCrea estate.) Diameter, 614 inches 


CARD TRAY DRESDEN 


Realistically colored floral spray in the center of the tray, bor- 
dered by a floral pattern in which sprays of open work are intro- 


duced. The footrim with similar decoration. (Reinette L. McCrea 
_ estate.) | Height, 3% inches 


PORCELAIN BASKET — ROYAL BERLIN 
Blue and white glaze simulating basketry weave with a relief dec- © 
oration of realistically colored strawberries. Bears the Berlin mark 
“K PM”. (Reinette L. McCrea estate.) Height, 414 inches 
BOX FOR POT POURRI DRESDEN 
Box of circular shape with rounded cover. Open work pattern with 
colored floral sprays alternating with an open work design in gold 
and white. ‘The handle in the form of a rose bud. (Reinette L. 
McCrea estate.) Height, 434 inches 


PORCELAIN STATUETTE MODERN FRENCH 


Grotesque figure, half woman, half lion, driven by an amorine with 


_a bridle of roses. (Reinette L. McCrea estate.) 


Height, 514 inches 
SMALL GILT HAND MIRROR 
Oval, beveled mirror on long, carved handle. The outer border of 
the mirror encircled by a gilt wreath surmounted by a shield. The 
back elaborately decorated with wreath designs encircling a central 
framed portrait of a woman signed “F. Telemy.” (feinette L. 
McCrea estate.) Length, 1034 inches 
SMALL GILT HAND MIRROR 
Round beveled mirror with the back and handle of composition metal 


elaborately decorated in gilt with a Renaissance pattern of figures 
and flowers. (Reinette L. McCrea estate.) Length, 634 inches 


77 


552 


553 


554 


555 


556 


557 


_de Ja Fontaine.” The inside lined with gold and gr - 
(Reinette L. McCrea estate.) Size, 614 x 


CHINA BOX IN THE SHAPE OF A BOOK 
Brown glazed pottery with brass clasps. Painted dec 
and color on the back and cover. The binding with th 


LARGE PORCELAIN VASE WITH ORMOLU MO: 


Urn Hee on low base. Bose with elaborate painted ac 
of amorini catching butterflies. Neck and base with orm 
gilt decoration. (Reinette L. McCrea erate Bak sey 20 “ 
SILVER LUSTER TEA boca 


pont. L. McCrea estate.) Height, 636 3 in 
PAIR OF CHINA VASES = ae 


painted on a gilt Carey Signed “Moreau.” 
McCrea estate.) Height, 9 inch 
VASE ROYAL WORCESTE 
Globular shape with liong, ey naa neck, 
with relief decorations in gold. 


LARGE PORCELAIN JAR 


and repaired. (Ieinette L. McCrea estate.) 
MANTEL CLOCK 
Pottery clock with white lead glaze, elaborately painted. 
standing body, voluted, and curving outward toward the base. Rucall q 
scenes depicted on the front and sides, framed by voluted relief 
work in gold. Dial with black figures and gold hands. “Fait par 
Moy, Francois Denis” inscribed on the back. (Reinette L. McCrea — 
estate.) Height, 12% el 
PORCELAIN VASE FRENCH © a 
Urn shaped vase set upon a square base. Conventionalized dec- q 
orations in gold with a single rose spray painted in realistic colors. sf 
One handle damaged. Shee ci the L. McCrea estate.) ay 
Height, 1014 inches a 


78 


ra t ee 

9 SET OF BOHEMIAN GLASS © ABOUT 1850 

: Crystal glass, coated with ruby red, the pattern produced by cut- 
. ting. Set such as was used on the night table about 1850, consist- 
i ng of plain circular tray, water bottle, sugar bowl with cover, two 
pi! smaller bottles and glass, all with decorations of a stag running 
pie through a wooded landscape. Charming set in perfect condition 
; ties for chip on the smallest bottle. 


60 PAIR OF PORCELAIN CUPS AND SAUCERS | 

Porcelain of the Royal manufacture of Berlin, with the mark used 
"tow yards 1850. Ornate cups with relief decoration. The handle in 
the shape of a page holding a shield. Two mythological reliefs 
entirely gilded, surround a central field painted with a scene in 
Watteau style on one cup, a falconer on the other. The saucers of 
aes” P iinple shape with red and gold decoration. 


561 SET OF TEN PORCELAIN CUPS AND SAUCERS 

—- Sévres porcelain with the mark of the Imperial manufacture and 
Oi date letters 1868-1870. The cups show on a background of 
Shere du Barry red ten medallions with portraits of famous ladies 
mot the court of Louis XIV, XV and XVI. The saucers with du 
- Barry red borders “decorated with laurel leaves in gold. Cups 


| 


repaired. 


POKER BOX 5 | 

Polished hard wood. Inside with tray and four boxes for the cards. 
‘ _ The box contains over 300 chips of mother-of-pearl, a great number 
a | of which are engraved with Chinese scenes. Slightly damaged. 


FANS 
Lots 563 to 587 
THREE PAINTED FANS 


(a) Cream-colored satin with realistically colored OC See clus- 
ters. Brown wood frame with carved end. 

(b) Black silk with vividly colored rose sprays. Black wood frame 
with carving. 

(c) Lavender satin with brocaded purple border. Flower and bird 
decoration in lavender and white. Black wood frame carved 
and gilded. (Meiette L. McCrea estate.) 


79 


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564 


565 


566 


567 


568 


569 


Fey ee nas) Ns Sen SMa Wailea Us hs a 


TWO CARVED SANDALWOOD FANS ‘MODERN CHI 
Decorated with scenes from Japanese life. The ends with clabor 
relief carvings. (Reinette L. McCrea estate.) 
TWO FANS 
(a) Bamboo fiber cloth, painted with roses. Mounted on a carv: 
wooden frame. | 
(b) Pale blue satin with goose girl and fox scene painted in vi 
colors. Wooden frame. (Reinette L. McCrea estate.) 
TWO PAINTED SILK FANS 
(a) Large size. White satin with elaborate decoration of red 
peonies in realistic coloring. Ivory frame. ee 
(b) White moiré silk with vividly painted peony blossoms. Carved - g 
ivory frame. (einette L. McCrea estate.) , . ae - 
Length when folded, 15 and 13 inches: i 
TWO HAND PAINTED FANS | a 
(a) Tan sateen with Hecorntione of flying swallows and the fiscriee i 
tion “Nous revenons.” Olive wood frame, highly polished. — 
Lined with red. [eke 
(b) White satin with vividly colored rose and bird decorations, ex- _ 
tending in part over the ivory frame. (Reinette L. McCrea 
estate.) Length when folded, 13%4 and 1334 inches 
THREE FANS | ae 
(a) Glazed paper with vividly painted floral decorations. Wooden 
frame. See a 
(b) Thin birch bark with painted floral sprays. Wooden frame 
with heavy cork ends. . | 
(c) Printed decoration on paper. Mounted on wood. 
(Reinette L. McCrea estate.) 
Length when folded not exceeding 11%4 inches 
THREE BLACK CHIFFON FANS ‘ 
(a) With black lace inserts and sequin-studded floral sprays in ~ 
white. Black wood frame. Sold as is. 
(b) Decorated with vertical rows of silver sequins. Carved black 
wood frame. Sold as is. | if 
(c) Decorated with irregular rows of silver sequins. Carved black 
wood frame. (Reinette L. McCrea estate.) 
Length when folded, 914, 13% and 9% inches 


80 


’ was (a) Uncarved, ribbon strung sticks, the ends tinted light brown. 
_ —~—.s With silk cord and tassel. 
re ad _(b) Carved ivory sticks with inserts of small mirrors. Bordered by 
_--—s aa deep band of sequin trimmed silk. Sold as is. (Reinette L. 
McCrea estate.) Length when folded, 814 and 934 inches 
TWO FANS 
(a) Bamboo cloth on wooden frame with open work carving. The 
back with signatures in pencil. 
(b) Thin, natural colored wood with flower bowl decoration. 
(Reinette L. McCrea estate.) 
| Length when folded, 934 and 7 inches 
HAND PAINTED CHIFFON FAN 
Pale blue on pale blue mother-of-pearl frame. Decorated with 
apple blossom and daisy sprays in pastel coloring. (Reinette L. 
McCrea estate.) Length when folded, 12% inches 
PAINTED IVORY FAN 
Miniature size. Small medallion with painted figures in the center, 
surrounded by floral sprays in pastel shades and elaborate gilt scroll 
work, Louis XV style. (Reinette L. McCrea estate.) 
Length when folded, 434 inches 
PAINTED FAN CHINA, ABOUT 1850 
Silver paper with perforated pattern and Chinese scene painted in 
color. Ivory frame, the end with floral carving. Sold as is. 


(Reinette L. McCrea estate.) Length when folded, 11 inches 
TORTOISE SHELL FAN WITH ENAMELLED ENDS 
SPANISH 


Leaves of plain tortoise shell, strung together with ribbon. The 
ends decorated with elaborate enamelling, and set with imitation 
fs rubies and turquoise. Sold as is. (Heinette L. McCrea estate.) 
| 576 CEREMONIAL FAN JAPAN, 19TH CENTURY 
Wooden frame with decoration in brilliant colors of clouds, pine 3 
trees, cranes, cherry trees and tortoises, all symbols of happiness. 
With elaborate tassels of vari-colored silk. Such fans are repre- 


tf ; sented on Japanese costume prints showing the court dresses of H 
ty Japanese ladies. (Reinette L. McCrea estate.) | 
i! | Length when folded, 1414 inches ; 
¥) | 
a 
e 81 | 


579 


582 


583 


584 


frame. With elaborate silk tassel. 


OSTRICH FEATHER FAN th : Ss | 
Medium size. Natural color feathers: with | tortoise 


Quaint fad colored Ethopraph in eon and white 


ine: Mechlin) whee eacied ‘on 


(Reinette L. McCrea estate.) 
OSTRICH FEATHER FAN 
Large size, with tortoise shell frame. 
maroon. The end finished with ostrich ve 
feathers in cerise and maroon. (Reinette ie : 


re de IVORY FAN . FRE 


L. McCrea estate.) 
PRINTED FAN ON uOTHE On aan : 


ure decoration in color. 


Reverse side of fan also decorated. One end with ormolu m 
mirror, the other with a cameo. Sold as is. (Reinette L. M 
estate.) | Length when folded, 1 ¥% in 
PRINTED FAN : FRENCH, ae eee 
Front depicts Judith with the head of Holofernes. rev 
ae decoration in the ipsa fy Watteau. Mother of pena fi fr 


(Reineive L. McCrea estate.) _ Length when fold 10Y4 i inche 
PRINTED FAN : : FRENCH, ABOUT 
Heavy paper, both sides with decorations in the manner of W 
teau. Mounted on mother-of-pearl frame with open work carvin 
and gilding. Sold as is. (Reinette L. McCrea estate.) ara 

ena when folded, 1034 in 
PRINTED FAN FRENCH, ABOUT 18 
Quaint, hand-colored lithograph with figures in the manner of Wz 
teau on front and reverse sides, each with a different desig 


sprays and gilding. In satin box. Sold as is. (Reinette L. McCre ‘ 
estate. ) Length when folded, 1034 inches — 


82 


PORTRAIT OF A NOBLEMAN 
[NUMBER 589] 


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TED SILK FAN FRENCH, ABOUT 1780 
| decoration of a pair of lovers in costumes of Louis XVI 
|, with painted urns on either side. Bordered by elaborate 
: work and gilt sequins. Ivory frame with open work carving 
5 | en Fine and rare specimen. Sold as is. 
i2 L. McCrea estate.) | Length when folded, 1034 inches 
TED FAN FRENCH, ABouT 1780 
: mounted on carved and gilded ivory frame. Deli- 
decoration in the manner of Watteau of a pair of 
wers and fruit by amorini. Small painting on the 
es: “Sold asis. (Reinette L. McCrea estate.) . 
_-—-—s Length when folded, 10 34 inches 


FRENCH, ABOUT 1750 


: floral ean: Remounted on old ivory. 
ese carving and painting. Both ends decorated. 
specit (Reinette L. McCrea estate.) | 

Length when folded, 1214 inches 


es CENTURY FLEMISH TAPESTRY 
Lots 588 to 594 
g lots, numbers 588 to 594 inclusive are sold for the 


ok kee ie. two (a uchalves, Aton Him are Joseph of 
| a helping to support the weight of the cross, the three 
Marys and a group of friends. The right foreground is occupied 
_ by Roman horsemen and two guards with the thief. Jerusalem and 

yt hill of Golgotha in the background, with figures of Roman sol- 
cyJdiers and spectators. Composition: simple lines and harmonious 
‘coloring reflecting the spirit of Perugino and Pinturicchio. Panel 
(cracked). Height, 14 inches; width, 20 inches 


[See Illustration | 


83 


589 


SCHOOL OF FRANCOIS. CLOUET 


PORTRAIT OF A NOBLEMAN . 
FRENCH SCHOOL, MIDDLE OF 16TH cE v7 
Half-length portrait, front view. The man represented is bea 
and of middle age. He wears a black cap with gold embroidery ae 
a slashed black coat, gold-embroidered and fur-trimmed, with eg 
undergarment of fine white linen. A heavy gold chain is wou | 
three times about his neck. The artist’s use of the front view, wit 
the straight and penetrating gaze, is an effective means ‘of deli: 
ating the quiet strength of the man’s character. pani 
Panel. Height, -16 inches ; width, 12 2 inches 
[See Illustration | | 


GERARD TERBURG 


590* PORTRAIT ie A soe eee DUTCH SCHOOL, 1617-168 


591 


_ of his master. A younger boy stands by with the dog. In the right sa ; 


* This picture was catalogued according to the description given by the 
owner. 


draped over a full brown underskirt. She wears a fine linen oe 
and a cap of the same material over her closely drawn hair. Gloves 
are in her hand. In expression and bearing she not only predicts 
her future destiny as a conscientious housewife, but typifies some- a 
thing of the settled serenity of Dutch life. Background of olive 
green with a green and white marble floor. The artist has achieved — y 
a subtle rendering of detail without a sacrifice to the unity of im; 
pression which characterizes the portrait. Excellent, early work of — 
the artist. Inscription in upper right: Aetatis 16, 1643. tH z 
Oval Panel. Height, 25 inches; width, 18 ” inches a 


[See Illustration | 


ALBERT CUYP | 


STARTING FOR THE HUNT DUTCH scHooL, 1605-1691 
In the foreground a white horse, held by a boy, awaits the arrival 


foreground a retainer upon a black horse waits just outside the gate. — 

Background of clouded sky, a lake and hills. Excellent broad treat- 

ment characteristic of the master. | 
Panel. Height, 18 inches; width, 22 inches 


84 


GERARD TERBURG 
PORTRAIT OF A YOUNG GIRL 


[NUMBER 590] 


ty ek , 
y a A afl S ulin ald a ear. 

we AS fat aes Lon * 25> J Ms nae 

: ee iP Baroy BE. =e ‘ies. 

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‘ie FLEMISH SCHOOL, ABOUT 1490-1524 JR 
he Bielegrontd St. Francis, kneeling in religious ecstacy, sees iy) ae 
he vision of Christ crucified, and receives the stigmata on breast, ee 
ha ands, and feet. Another monk, in the same robe as St. F rancis, es. 
: s to the left sleeping. The middle and background of the paint- ~. bes ; 4 
shows one of those lovely, poetic landscapes with dark green a * 
wide perspectives over hilly country, phantastic rocks and 
y villages which weave the atmosphere of a fairy tale around 
gend of the founder of the great mystic order. On panel. 
que eae and gilt frame. 


Height, 14 inches; width, 10 inches 


QUTRIN: BREKELENKAM 
IGEON 4 AND WOMAN PATIENT 


yg - puTcH scHooL, 1648-1669 

irgeon, Gauding over an old peasant woman in an armchair, is | 
g her forehead. The lifted position of the foot, and that of | Pe 

e hands—one clutching the chair, the other uplifted and clenched, 3 2 J a 

indicate restrained bearing of pain. The interior of the cottage 

om with its cupboard and dishes, the vine-grown window, the bird & QA y 

asket and bird in the foreground, as well as numerous household 

utensils, are all executed with infinite attention to detail. The blue 

apron of the old peasant woman strikes a vivid note of color in the 

midst of the browns and reds of the rest of the composition. Wooden 

_ panel (cracked). 


Height, 18 inches; width, 14 inches 


TAPESTRY 
594° SILK AND WOOLEN TAPESTRY 


ROYAL MANUFACTURE OF THE GOBELINS, PARIS, ABOUT 1685 C eB 
_ The battle of Arbela. From the famous series of the “History of I boo 
Alexander the Great” by Charles Lebrun, court painter of King 

Louis XIV and Director of the Royal manufacture of the Gobelins Ea Acne 

ev in Paris. The original paintings by Lebrun, which served as car- 4 
a at 
7 "* This tapestry was expertized and catalogued by Dr. R. Meyer- Riefstahl. 


i 
“ 


ae 85 


toons for this series of taestienh are in the on Museum in 
Paris. 

The series of the “History of Alexander the Great” was begun a 
Charles Lebrun before he became Director of the Royal Manufac- 
ture (1663) and the completion of this set was one of the first works 
of the new establishment. Eight sets are recorded to have been 
woven during the lifetime of Louis XIV., all of them, with one 
exception, woven with gold thread. The majority of these sets are 
still nowadays in the possession of the French Republic: in the 
Garde meuble National in Paris and in the castles of Fontainebleau 
and Compiegne. The seventh series, a little smaller in size, was 
given in 1682 by Louis XIV to a Danish ambassador. The eighth 
set, woven in 1685-6 is the only one recorded without gold threads. 
It was presented by the King to Madamoiselle de Montpensier. 
The set consists of five large tapestries and several minor pieces. 
The main scenes are: The battle of the Garnicus, the battle of 
Arbela (the present one), the defeat of Porus, the family of Darius 
or the clemency of Alexander (the best known of the set) and the 
triumph of Alexander. 


The present tapestry represents the battle of Arbela, the final 
defeat of the Persian King Darius. It is the same subject as that 
of the famous antique mosaic, now in the Museum of Naples, repro- 
ducing a famous Greek painting. ‘The present composition is one 
of the masterpieces by Lebrun, showing the influence of Rubens 
tapestry cartoons, combining Flemish broadness of conception with 
French refinement in the execution. 


The left side of the composition shows the Macedonian army led by 


Alexander, mounted on a conspicuous white charger. The attack- 
ing Macedonians break the ranks of the Persians, an eagle is flying 
above the head of the youthful king. To the right are Persian war- 
riors in rich Oriental array, fleeing. In the right upper corner a 
war elephant, carrying a turret with Persian fighters and a golden 
chariot on which the Persian king is seated, terrified by the ap- 
proaching enemy. He holds shield and bow and wears a pointed 
crown, attributes, with which we see him still today represented on 
the gold coins which he issued. 

The tapestry shows a rich harmony of colors, the sonority of hich 
is accentuated by deep red, brownish and purple shades. The fig- 


86 


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__ures and the sky are practically entirely woven in silk. The tapestry. 


| es shows the technique of Bie Noha ss at its best. There is no gold 
__ thread employed. 
_ The border of the tapestry is Peters missing. It was dec- 
es orated with female caryatides and the inscription: “Digna virtus 
a : imperio orbis.”” “Virtue deserves to dominate the world.” 
__ As no other set of this series is recorded without gold thread, it is 
more than probable that the present tapestry belongs to set woven 
____ in 1685-6 and given by the King to Madamoiselle de Montpensier. 
haa It is consequently not only one of the great masterpieces of tap- 
_ estry weaving, it possesses also after all probability a great historic 
} interest. — 
A For further details compare: Maurice Fenaille, Etat général des 
es ae de la Manufacture des Gobelins. Vol. I, p. 167. 
4 | Size: height, 11 feet; width, 16 feet 


Nee Illustration] 


1» DRAWING ROOM SET : FRENCH, aBouT 1860 
\ ~ Consisting of a settee and four arm chairs. Louis XVI style. The 
wooden frames gilt and carved. Oval backs with acanthus leaf 
carving and rose buds on top. The arm rests with curved supports. 
Column shaped, fluted legs, the seat with swell front. Covered with 
Aubusson tapestry showing flower bouquets on cream background, 
in the style of the 18th Century. 


AUBUSSON CARPET FRENCH, ABouT 1850 
Two phantastic animals sitting opposite each other; in the center a 
motif of acanthus scroll work and lotus buds. 

Height, 51 inches; wyaeltl 64 inches 


ORIENTAL RUGS 


* Lots 595 to 614 

595 KAZAK RUG CAUCASIAN 
Main border of a repeated motif, degenerated from Cufic inscrip- 
tions. In the center field on a light blue background three octag- 


bright colors. (Jessica L. McMullen coll.) 
3 feet 7 inches x 7 feet 


87 


onal medallions with central octagonal stars and hook motifs. Very 


596 


597 


598 


599 


600 


601 


602 


oy eal MN a OD eT EP hy PR tee een 
for myn! ia, an MOS We, ees reli ty eta y, <1 
: BANANA ai 


SHIRVAN RUG 
Main border of serrated zigzag eaves on white back scat 
tral field with four octagonal medallions with broken contour a 
hooks. Bright, vivid colors. (Jessica L. McMullen coll.) : ( 

3 feet 2 inches x 7 feet 9i incl h es 


SENNAH RUG 
Very fine knotting. Herati border on red background. Coe field 
with all-over pattern of Persian palmettoes and small floral motives 
on greenish-yellow background. Influence of brocade patterns 
(Jessica L. McMullen coll.) 4. feet 2 inches x 6 feet fo inches 


ANATOLIAN MAT 3 | | 
Conventionalized floral border. Center field of natural eich Bee 
wool with central medallion and floral stems. (Jessica L. McMullen ah 
coll.) 1 foot 11 inches x 3 f ‘ 


SENNA FERAGHAN RUG | 
Main border with repeated flower pattern in red, orange and gre 
on white. Center field with red background and all-over Feragh 
pattern of flower stems and Persian palmettoes. (Jessica L. Mc- 
Mullen coll.) 3 feet 10 inches x 7 feet 2 inches 
ANATOLIAN PRAYER RUG a 
Main border of conventionalized flower pattern on light blue backs ; 
ground, In the center field the prayer niche (Mihrab) with ight 
green corner fields and deep red field below. Strong colors. / 
(Jessica L. McMullen coll.) 3 feet 3 inches x 5 feet 7 inches 


KARAJAH RUNNER EASTERN TURKE _ 
Border of rows of square fields with two alternating conventional- * 
ized floral designs. Center field with an all-over pattern of lozenges : 
filled with a small floral pattern in which the influence of Persian — 
brocades may be noticed. (Jessica L. McMullen coll.) ce = 


3 feet x 10 feet 4 inches 3 


KARAJAH RUNNER EASTERN TURKEY — 
Elaborate border with floral and medallion design. Center field with — 4 
white background and small all-over pattern of conventionalized — Re 
flowers in orange and red with indigo blue scroll work forming — 
lozenges. (Jessica L. McMullen coll.) - | 


f. 


3 feet x 14 feet 2 inches 


88 


MOSUL RUNNER CAUCASIAN 
Main border of conventionalized flower and stem pattern, vari- 
colored on white background; center strip with vari-colored Mina 
Khani pattern on black background. (Jessica L. McMullen coll.) 
| 3 feet 4 inches x 13 feet 2 inches 
SUMAK RUG CAUCASIAN 
Embroidered or woven rug of the well known type. Elaborate bor- 
der with various geometrical designs showing Caucasian evolutions 
of earlier Persian floral patterns. Center field with four large 
_ lozenge-shaped medallions surrounded by numerous radiating 
stripes with hooked and serrated motives. These lozenges are evo- 
___ lutions of the huge flowers of earlier Armenian rugs. (Jessica L. 
- McMullen coll.) 5 feet 7 inches x 10 feet 6 inches 
MIR SERABEND RUG PERSIA 
Elaborate border with main border of red floral scrolls on white 
background. Center field with all-over pattern of small Persian 
gs palmetto or pear pattern on deep red background. Slight repairs. 
— (Jessica L. McMullen coll.) 
eo ae, ae: . 6 feet 9 inches x 16 feet 4 inches 
606 KAZAK RUG | CAUCASIAN 
Border of vari-colored squares and lozenges. In the center field 
two large medallions, blue and green with geometrical ornaments on 
deep red ground. (Jessica L. McMullen coll.) 
3 feet 9 inches x 5 feet 9 inches 
607 CABISTAN MAT CAUCASIAN 
' Border shows a pattern of conventionalized Cufic inscription, 
alternating with floral rosaces on a white background. Centre field 
shows a deep red background with two large cross-shaped centre 
motifs with light blue background and geometrical ornaments. The 
space between the centre motifs filled with serrated and hooked 
lozenges, small animals and rosaces. (Jessica L. McMullen coll.) 
| 3 feet 11 inches x 6 feet 7 inches 
608 LARGE SMYRNA RUG ASIA MINOR 
Border of delicate shades, bluish gray and light pink prevailing, 
with border of conventionalized stems and flowers. The centre field 
with conventionalized stems, flowers and cypress trees on white 
background. (Jessica L. McMullen coll.) 
9 feet 2 inches x 11 feet 10 inches 


89 


ee 
tir _ 


Se ee 


Boies with floral Seal we Bg white and bie 
red background. Centre field of lozenges decors 


McMullen col ne 
610 LARGE SMYRNA RUG 


oy Ab Border and centre field with conventionalized flowe 
orange yellow, and white. The border with white, the e 

with orange background. rcs essica L. McMullen coll.) 

8 feet 9 inches = 1 fe 


“} 


611 MUSKABAD RUG 


blue on deep red ground framed inside and outside b 
borders on white background. The centre field vay 


blue background. leans L. McMullen coll.) . 
12 feet 2 inches x 16 feet 


6lla AUBUSSON RUG FRENCH, ABOUT 1830 
Well-known tapestry technique. Border in Louis XV. style. 
borders similar to the 18th Century tapestry borders in Bou he 
style. Cartouches in the corners and the middle of the: bor ; 
stripes. All-over pattern of buff lozenges and rosaces on a mu 
berry background. The centre field with a large centre medallio 
border by old baroque scroll work. In the middle a basket wit ei 
naturalistic flowers in vivid colors on a cream ground, the centr i 


field itself showing garlands of morning glories, roses, asters an 
| other flowers in delicate coloring upon a background of dark mul-_ 
4 berry red. Sold as is. Specimen of unusually good coloring. HS 
| ! Length, 13 feet 2 inches; width, 10 feet 9 inche 


i 611b LARGE HAMADAN RUG PERSIA, 19TH CENTURY 
| Elaborate border. Main border with design of curved stems wit 
. conventionalized flowers and leaves in green, pink and brown on a 
white background, with inner and outer small borders of red scroll 
work on a green background. The centre field with a repeated — 
| motif of cypress trees surrounded by conventionalized floral stems 
| in buff, pink and light blue with touches of white on a dark blue . 
background. Length, 24 feet; width, 14 feet 
| : 


90 


<3 pied sed PERSIA 
eae curved stems encircling large flowers in white, 
ee on dark green background. Centre field with a 


11 ie 4 inches x 13 feet 5 inches 
SERA END RUG . PERSIA 


e aa Ae main border of serrated aig mae and ee 


rg 


esriva L. McMullen coll.) 
6 feet '7 inches x 11 feet 1 inch 


PERSIA 


rade the. eae border with conventionalized stems and 
ers of Feraghan type. The centre covered with a system of 
: filled with flowers on salmon-red background. 

} 10 feet 5 inches x 8 feet 


vans, VASES, CLOCKS, STATUES, CANDELABRA 
ij Lots’ 615 to 638 


§15 TABLE LAMP 
ines of gilt composition metal. Shade of stained glass, floral 
ea ad _ pattern. _ Three lights, electricity. (William L. Rich coll.) 

ee : Height, 2244 inches 


TABLE LAMP 

Stand in the shape of a tall shaft on round base; composition 
metal with green patina.. The shade of stained Favrille glass in 
oe beautiful dark blue and purplish shades. Elegant proportion. 
‘Three lights, electricity. (William L. Rich coll.) 
MG . Height, 25 inches 


7 TABLE LAMP 
Composition metal with artificial green patina. The shade conical 
with Favrille glass mounted in lead. Fitted for electricity, two 

lights. (William L. Rich coll.) Height, 2134 inches 


91 


618 


619 


620 


621 


622 


623 


TWO PORCELAIN VASES MODERN VIENNA PORCE 


Elongated ovoidal shape, with spreading neck and round ba: 
Base and Bere Mazarin blue ae rich gold ornsen ee in reli 


side an allegorical composition of a female genius distributing a 
food to amorini, on the other side a female genius playing a mu a 
sical instrument. (William L. Rich coll.) ; . 
Height, with cover, 42 incl 
ORMOLU WALL CLOCK FRENCH, ABOUT 18 
Louis XVI. style. So-called “cartel.” In the form of a cartouche 
surmounted by an urn terminal, with handles in the shape of goats 
heads. From this terminal depend garlands of leaves. The a ) 
a voluted cartouche flanked by tapering pilasters with urns on top. 
The base in the shape of a godrooned bracket with friezes of a 
laurel leaves on the bottom. The dial white enamel with io q 
“Masson a Paris.” (Julia E. Green coll.) Height, 2614 inches 4 
BRONZE VASE JAPAN, MODERN q 
Trumpet-shaped base and mouth. Two lion mask handles. — 
Bronze of fine warm tone. Decoration of lancet leaves filled with a | 
archaistic Tao tieh pattern in polychrome enamel. Japanese “ 
mark on bottom. (William L. Rich coll.) Height, 2314 inches 
BRONZE GROUP, BY C. KAUBA MODERN AMERICAN a 
“The Rescue.” An Indian chief on horseback, rescuing one of his 
tribesmen, whose horse is dying on the ground. Bronze of vari- : 
ous shades. Excellent workmanship. Signed’ by the artist. 4 
(William L. Rich coll.) Height, 22 inches 
BRONZE GROUP, BY C. KAUBA MODERN AMERICAN 
“The Capture.” A scout on horseback raising his gun, and forcing _ 
the surrender of the enemy. Excellent interpretation of the move- 
ment. Bronze in various shades. Signed by the artist. Compan- 
ion piece to the following. (William L. Rich coll.) 
Height, 2214 inches a 
BRONZE GROUP, BY C. KAUBA MODERN AMERICAN — 
“The Surrender.”’ An Indian chief on horseback, raising his left 
arm in a gesture of surrender. Bronze of various shades. Signed 


by the artist. Excellent workmanship. Companion piece to the ~ 
preceding. (William L. Rich coll.) Height, 19 inches 3 


92 


o . BRONZE GROUP, BY L. CHALON MODERN FRENCH 
i “The Valkyrie.” Her horse in wild movement begins the ride 
~ towards heaven, the Goddess swinging the spear in her right hand. 
- Bronze and ormolu. Signed by the artist. On green marble base. 
| William L. Rich coil.) Height, with base, 45 inches 
625. tle: GREGOIRE FRENCH sCHOOL 
am Plastic: group, “Perseus and Andromeda,” composition metal sil- 
Sa red and gilded. Perseus leading Andromeda, after having killed 
t e Medusa. Signed by the artist. Veined red marble. 
"square stand of ebonized wood. 


| 9 ae aa _ Height of the group, 29% inches; of the stand, 38 Y inches 


, 


6 4 : 3 JUAN FERRILLE FRENCH sCHOOL 
ie “Bianca Capello.” Bronze with brown patina. Details of the 
oa dress with gilding. Exhibited in the “Salon” of 1883. With 
_ carved mahogany stand. (Reinette L. McCrea estate.) 
x Ae e: (oeegs Height of the bust, 28 inches; of the pedestal, 41 inches 
7 ORMOLU AND MARBLE CLOCK - MODERN FRENCH 
aM: By E. Boisseau, in the style of Frangois Boucher. Two amorini 
; og holding a drapery above a white marble globe with ormolu sun- 
___ burst forming the dial. The same drapery fails to hide a group of 
amorini in love, who seem to forget all about the time. With sig- 
_ nature of the artist. Sold as is. (Reinette L. McCrea estate.) 

| Height, 2714 inches 

3 PAIR OF ORMOLU AND MARBLE CANDELABRA 


MODERN FRENCH 


i: 
ile 


Ornate 


Bs. _ Two charming groups in the style of Francois Boucher. Amorini, 
_-—s representing summer and winter, hold cornucopias which form the 
. A base of the candelabra, consisting of a central shaft with ten lights 
(candles), supported by ornate acanthus scroll work. The bases 
in Louis XVI. style of white marble with ormolu ornaments. 
(Reinette L. McCrea estate.) Height, 26 inches 
629 ORMOLU CANDELABRUM 

p: Three lights. Tall shaft of Bohemian glass coated with opaque 
white glass. Tripod base with lion feet and palmettoes. Sold as 
is. (Reinette L. McCrea estate.) Height, 37 inches 


= we 
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. 


93 


630 


631 


632 


633 


634 


MOREAU-VAUTHIER (AUGUSTIN JEAN) : 
BORN IN PARIS, FRENCH SCHOOL 
Bronze figure, “Fortuna,” standing in a graceful pose on a run- 
ning wheel with a rudder and a cornucopia in her hands. This 
figure was Moreau-Vauthier’s great success at the “Salon” of 
1878. Signed by the artist and dated 1878. With pedestal of 
black marble. (einette L. McCrea estate.) 
Height of the figure, 5014 inches; of the pedestal, 43 inches 
BARYE (ANTOINE LOUIS) 1795-1875, FRENCH sCHOOL 
Bronze group, “Fight Between a Centaur and a Lapithe.” Ex- 


? 


cellent composition of splendid movement and expression; one of | 


the masterpieces of the artist. Bronze with dark green patina. 


With signature of the artist and the founder’s mark, “Collection 


Barbedienne.” Base of black marble. (Reinette L. McCrea estate) 
Height, 3514 inches, including the base 
MERCIE (MARQUIS JEAN ANTOINE) 
BORN AT TOULOUSE, FRENCH SCHOOL 
Bronze group, “Gloria Victis’” (“Glory to the Vanquished.”) The 
genius of glory carrying the body of the vanquished warrior to- 
wards immortality. Bronze with brown patina. With signature of 
the artist and founder’s mark “Barbedienne.” Ebonized pedetsal. 
(Reinette L. McCrea estate.) 

Height of the group, 55 inches; of the pedestal, 45 inches 
BRONZE GROUP MODERN JAPANESE 
“Tigress with Cub.’ Remarkable naturalistic style, dark brown 
bronze. (William L. Rich coll.) 

Height, 18 inches; length, 33 inches 
MARBLE AND BRONZE CLOCK MODERN FRENCH 
“The Chariot of Cupid.” Two amorini draw the chariot of Cupid 
on two chains of roses, one amorino directing their effort as 


charioteer. Three others adorn the chariot with garlands of roses, — 


but, alas, one of them in an exaggerated effort, falls from the 
chariot, while Cupid himself on top of the chariot holding the 
eternal torch, raises his arms, frightened by the sad accident of 
his brother. Bronze and ormolu group in the style of Frangois 
Boucher, on an elaborate base of marble and ormolu in Louis XVI. 
style. Clockwork by Black, Starr & Frost. (William L. Rich 
coll.) Height, 26 inches; length, 36 inches 


94 


: 


SO 


635 PAIR OF CANDELABRA MODERN FRENCH 
- Amorini holding cornucopias with four flowering rose stems. 
ane and ormolu in the style of Francois Boucher, on a round 
~ Louis XVI. base of white marble and ormolu. Four lights, elec- 
tricity. Companion pieces to the preceding. (William L. Rich 
a coll.) Height, 3134 inches 
636 ORMOLU AND ONYX TABLE 

ey _ Round base, the round top standing on three slender columns. 
ps o Rich decoration of elaborate arabesques in Alhambra style. Re- 
oo top. (Reinette L. McCrea estate.) Height 36% inches 


cs - MARBLE STATUE 
Copy of the “Apollo of Belvedere” in white marble. 
Height, 3 feet 10 inches 


638 


1 


GRANITE PEDESTAL 

Granite, mottled in white, gray and black. Square base, round pillar 
and top. Bhs pillar with a relief decoration, showing three fish. 
ise 2 feet 8 inches 


CURTAINS 
s Lots 689 to 644 
we SET OF DRAWING ROOM CURTAINS 


Two pairs of curtains. Green velvet on the one side, golden brown 
on the reverse. With galoons. (William A. Rich coll.) 
‘a Size of the curtains, 7 feet 3 inches x 3 feet 10 inches 


! 

; 

__ 640 SET OF DRAWING ROOM CURTAINS 

Zz Pair of curtains with centre curtain. Golden brown velvet on both 

. sides. With galoons. (William L. Rich coll.) 

. ; Size, '7 feet 2 inches x 3 feet 10 inches 

_ 641 SET OF DRAWING ROOM CURTAINS 

1 | Green velvet with galoons in the same color. Three pairs of cur- 
| tains and three valences mounted on frames. Slightly faded. 

, a (William L. Rich coll.) 

g Size of the curtains: 6 feet 8 inches x 3 feet 7 inches 

iz - Size of the valences: 2 feet 1 inch; length, 5 feet 1 inch 


95 


642 


643 


644 


644a, 


645 


646 


PAIR OF DRAWING ROOM CURTAINS WITH VALENCE | : 


Green velvet with galoons in the same color. Same set as the pes 


ceding. Slightly faded. (William L. Rich coll.) a 
Size of the curtains: 8 feet 11 inches x 3 feet 8 inehen’ 

‘The valence: height, 2 feet; width, 10 feet 7 inches . 

PAIR OF DRAWING ROOM CURTAINS . | : F 
Green velvet with galoons of the same color. Same velvet as the 
Senn Velvet on both sides. (William L. Rich coll.) 4 
Size: 7 feet 3 inches x 4 feet 

SINGLE DRAWING ROOM CURTAIN | 


Green velvet with galoon in the same color. Same velvet as aN a 


preceding. Slightly faded. (William L. Rich coll.) = 
Size: 8 feet 11 inches x 4 feet - 
LACE TABLE COVER | MODERN ITALIAN _ 


Composed of twenty-five alternating squares of filet lace and cut a 


work, the filet lace with portraits of the Doges of Venice, and an 


edging of bobbin lace. The linen squares with cut work corners _ 


and centres and embroidery in punto reale and punto riccio work. 
The entire table cover with an insertion of filet lace and an edging 
of the same pattern. (Jessica L. McMullen coll.) 


FURNITURE 

Lots 645 to 684 
WALNUT ARMCHAIR SPANISH, 16TH CENTURY 
Straight back with acanthus leaf finials. Arm. rests curved, with 
turned, baluster shaped supports. Straight square legs with side 
rails and shaped and pierced front and back rails. Seat and back 
in incised leather, studded with brass nails. The leather of later 
period. Good specimen. (Julia E. Green coll.) 
SMALL EBONY CABINET FLEMISH, MIDDLE 17TH CENTURY > 
Rectangular shape, standing on four ball feet, and surmounted 
by a perforated railing in brass and wood. Mouldings on top and 
base. The frame of the two pairs of drawers in bone, engraved 
with curved floral scrolls in black. Each of the four drawers bor- 
dered by a wave chanfrein. On both sides of the keyhole a rect- 
angular field, with a border of engraved bone, and a tortoise shell 
centre decorated with a raised rosace. (Julia E. Green coll.) 

Height, 1734 inches; width, 2334 inches 


96 


our ‘ERONIZED CABINET ON TABLE 


FLEMISH, MIDDLE 17TH CENTURY 
Bee Cabinet of rectangular shape, with eleven drawers inlaid in ivory 

opt: and tortoise shell, depicting hunting scenes. Large middle com- 
i he partment fashioned like a doorway with an oil painted portrait of a 
hee woman, Within the middle compartment four ivory and tortoise 
pee shell drawers inlaid with animal scenes. Surmounted by a metal 
y o Se ‘railing with a coat-of-arms in the centre framed in ebony and tor- 
; % p _toise shell. Restored. The table of considerably later date. Rect- 
us angular shape with twisted columns, front and side rails. Renais- 
a ance carvings in floral designs on aprons at front and sides. 


Z “(Julia E. Green coll.) 
nia of cabinet, 81 3 x 431% inches; of table 33 x 5734 inches 


648 CARVED OAK CUPBOARD ENGLISH, 17-18TH CENTURY 


Rectangular shape. The upper part of the body with an over- 
hanging top panel supported by two turned and heavily carved 
pilasters. The top ) rail carved with rosetted guilloché pattern. 

The upper part enclosed by two doors and a central field, all three 

with sunken, moulded panels carved in the centre with rosaces. 

The lower part with two hinged and paneled doors, each door con- 
‘taining four sunken panels with folded linen pattern. Standing on 
low ball feet. Restored. (Julia E. Green coll.) 


Height, 65 inches; width, 66 inches; depth, 26 inches 


METAL CURIO CASE 
With metal ornaments and blue plush lining. Mahogany carved 
stand, griffin shaped legs. 

ey Height, 48 inches; length, 29 inches; depth, 12 inches 


q 650 SET OF BEDROOM CURTAINS, ETC. 


Ae Two pairs of curtains, one.centre curtain and two valences. Pink 
q silk damask, Louis XVI. style. Galoon with tassels. (William L. 
q Rich coll.) Size per curtain: 6 feet 6 inches x 3 feet 11 inches 
Width of the valences, 11 feet 6 inches and 6 feet 3 inches 


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651 


652 


653 


654 


655 


656 


656 


TWIN BEDS I ge 
Modern Louis XVI. style. French walnut with elaborate bronze 
decoration. Fluted pillars on both sides with bronze finials. The @ 
centre paneled with bronze moulding and elaborate flower garlands . ; 


in bronze, surmounted by a bronze motif of torch, arrows and 


laurel wreath. With box spring, mattress, bedspreads and pillow ¥ 
rolls of pink Louis XVI. damask. (William L. Rich coll.) 
ROCKING CHAIR ae 
Modern Louis XVI. style. French walnut with elaborate bronze 
ornaments. Pink slip seat. Same set as the preceding. (William 
L. Rich coll.) q 
TWO CHAIRS piers 
Modern Louis XVI. style. French walnut with elaborate bronze q 


ornaments. Pink slip seats. Same set as the preceding. 
(William L. Rich coll.) 


TABORET FOR DRESSING TABLE : 
Modern Louis XVI. style. French walnut with elaborate bronze — 
ornaments. Same set as the preceding. (William L. Rich coll.) 
SMALL CENTRE TABLE 4 
Modern Louis XVI. style. French walnut with elaborate bronze — 


ornaments. Rectangular top. No drawers. Same set as the q 
preceding. (William L. Rich coll.) Size: 30 x 22 inches | 


LADY’S WRITING DESK 
Modern Louis XVI. style. French walnut with elaborate bronze — 
ornaments. Two small drawers. The top surmounted by open — 
shelving for paper, etc. Same set as the preceding. (William L. 
Rich coll.) 


Height, with shelving, 36 inches; width, 42 inches; depth, 24 inches ~ | 


LADY’S WRITING DESK x 
Modern Louis XVI. style. French walnut with elaborate bronze a 
ornaments. ‘Two small drawers. The top surmounted by open 
shelving for paper, etc. Same set as the preceding. (William L. 
Rich coll.) | f 
Height, with shelving, 36 inches; width, 42 inches; depth, 24 inches _ 


98 


7 
ian 


* 


57 DRESSING TABLE 
Modern Louis XVI. style. French walnut with elaborate bronze 


ornaments. Surmounted by a beveled triptych mirror. Same set 
as the preceding. (William L. Rich coll.) 


Height, with mirror, 64 inches; width, 43 inches; depth, 23 inches 


58 COMMODE 


Modern Louis XVI. style. French walnut, with elaborate bronze 
ornaments. Three top drawers, two large drawers below. Sur- 


a _ mounted by a large swinging mirror. Same set as the preceding. 
(William L. Rich coll.) 


Height, with mirror, 71 inches; length, 5414 inches; depth, 26 inches 
NIGHT TABLE 


Modern Louis XVI. style. French walnut, elaborate bronze orna- 
ments. Same set as the preceding. (William L. Rich coll.) 
CHIFFONIERE > 

Modern Louis XVI. style. French walnut; elaborate bronze orna- 
ments. Two small drawers on top, four larger ones below. Swing- 
ing mirror with heavy bronzes on top. Same set as the preceding. 


(William L. Rich coll.) 
Height, with mirror, 77 inches, width, 39% inches; depth, 37 inches 


661 MAHOGANY DINING ROOM TABLE 


Round top, which can be extended, with two large leaves and one 
small leaf. Plain apron with groved moulding. Supported by a 
pillar in the shape of four conjoined columns with four bracket 
feet. Slightly damaged. | 


_ Diameter of the top, 4 feet 5 inches x 3 feet 11 inches 
SET OF EIGHT MAHOGANY CHIPPENDALE CHAIRS 


Two arm chairs, six side chairs. Rectangular slip seats covered 
with green damask (except one side chair covered with green and 
white velvet). Cabriole legs with acanthus leaf volutes and claw 
and ball feet. The back with bow shaped and voluted top rail. 
Violin shaped splat decorated with elaborate carving (volutes and 
floating ribbons). The arm rests rolled, voluted and moulded. 


99 


663 MAHOGANY SIDEBOARD EARLY AMERICAN, ABOUT 1800 
Good specimen of American Sheraton mahogany. Drawers and 
doors outlined by a simple moulding. Handles and escutcheons of 4 
heavy brass. Standing on six turned and fluted, slightly tapering : 
legs. Made in three parts, the larger central part with swell | 
front. One large drawer on top, the space below closed by a ; 
double door. The sides straight, with one drawer on top and com- ; 
partments with single doors. The tops surrounded on three aide 
by a backboard and side rails of curved outline. — a 
Hee 4 feet 4 inches; width, 5 feet 10 inches; depth, 2 feet Q touches a 


664 MAHOGANY CHIMES CLOCK oa 
Modern Chippendale style in mahogany. Tall clock of straight, a 
simple lines. Body and top flanked by tall fluted columns. The a 
top with broken arch cornice and a small urn in the centre. The a 
face of the clock steel and gilt brass. Manufactured by Elliott, — - 
London, and imported by Black, Starr & Frost, New York. | 
(William L. Rich coll.) - Height, 7 feet 3 inches: 


665 DROP-LEAF AND GATE-LEG TEA TABLE 
MODERN AMERICAN 
Mahogany table with brass handles, two drop-leafs on each side, 
Mahogany with inlay of flower bouquets in Dutch 18th Century 
style. (William L. Rich coll.) Height, 2514 inches 


666 LARGE MARQUETRY DRAWING ROOM TABLE 
MODERN AMERICAN 

Rectangular shape. Four square legs with ball and claw feet. — 
Large bottom shelf connecting the four legs. Mahogany decorated 
with ornate inlay of light wood in various colors, in the Dutch 
style of the 17-18th century. Floral scroll work with central 
medallions and corner ornaments. Similar decorations all over the 
apron, the legs and the bottom shelf. Three drawers. The claws 
slightly chipped. (William L. Rich coll.) 

Height, 31 inches; length, 7 feet; width, 42 inches 


100 


| 

66" or MARQUETRY ARM CHAIR MODERN AMERICAN 
Chair of simple lines, with short, slanting arm rests, somewhat 
4 “~ eh similar to the American Empire style. Low cabriole legs with ball 
i: fai and claw feet. Mahogany with inlay of floral scroll work in Dutch 
| Mees style. Covered with plain green velvet. Same set as the preceding. 
res William L. Rich coll.) 


668 MARQUETERY SIDE CHAIR © sryte or putcu 18TH CENTURY 
: pei High, shaped back with curved top and violin shaped splat. Shaped 

AF _ seat of plain green velvet. Cabriole legs with ball and claw feet. 
. + _ Mahogany with inlay in Dutch style. Same set as the preceding. 
(William L. Rich coll.) 


{ 9 MARQUETRY WING CHAIR MODERN AMERICAN 
Wing chair of simple lines. Ball and claw feet. Upholstered with 
plain green velvet. The woodwork mahogany with inlay of floral 


_ scrolls in Dutch style. Same set as the preceding. (William L. 
_ Rich coll.) 


-MARQUETRY ROCKING CHAIR MODERN AMERICAN 
Back of straight lines; curved arm rests. Seat of plain green 


velvet. Mahogany with inlay in Dutch style. Same set as the pre- 
ceding. (William L. Rich coll.) 


MARQUETRY ARM CHAIR MODERN AMERICAN 
Arm chair of simple lines with slanting, curved arm rests. Shape 
similar to American Empire style. Low cabriole legs with claw 
and ball feet. Mahogany with inlay of floral scroll work in Dutch 

style. Covered with plain green velvet. Feet slightly chipped. 
Same set as the fe ne: (William L. Rich coll.) 


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7 Settee of simple lines. Slanting curved arm rests. Shaped some- 
ha what similar to American Empire style. Low cabriole legs with ball 
. and claw feet. Mahogany with inlay in Dutch style. Covered with 
| 7a plain green velvet. Feet slightly chipped. Companion piece to pre- 
: ceding. (William L. Rich coll.) 

Height, 37 inches; length, 67 inches; depth, 28 inches 


101 


673 


674 


675 


676 


677 


678 


679 


chipped. Same set as the preceding. (William L. Rich coll.) — 4 


MARQUETRY SIDE CHAIR 
Of simple lines combining Empire and Ciippesdste syle ae ait 
back with rectangular leaf on top. Cabriole legs with ball 2 
claw feet and front and side railings. Seat upholstered with | . 
green velvet. Same set as the preceding. (William L. Rich oll.) 


MARQUETRY WRITING DESK MODERN AMERICAN 
Straight shape with slanting drop-leaf and three drawers with ba s 
knobs. Short cabriole legs with ball and claw feet. The top is ‘is 
fitted on the inside with five drawers. Mahogany with rich inlay 
in Dutch style. Same set as the preceding. (William L. Rich coll.) ) 

Height, 45 inches; width, 41 inches; depth, 21 inches 


MARQUETRY BOOKCASE MODERN AMERICAD 
Straight lines, ball and claw feet. Three glass front doors. Ma- 
hogany with inlay in Dutch style. The sides with ornate inlay of 
floral scrolls grouped around a central medallion. The feet slightly 


Height, 5514 inches; length, 5 feet; depth, 13% inches 


MARQUETRY BOOK CASE MODERN AMERICA = 
Straight lines, ball and claw feet. Three glass front doors. Ma- 
hogany with inlay in Dutch style. The feet slightly chippeam 
Same set as the preceding. (William L. Rich coll.) 

Height, 5514 inches; length, 5 feet; ee 13% inches. 


ms), 


MARQUETRY BOOK CASE MODERN AMERICAN © 
Same set and size as No. 676. (William L. Rich coll.) a 
Height, 5514 inches; length, 5 feet; depth, 1314 inchell 


MARQUETRY BOOK CASE MODERN AMERICAN 
Same set and size as No. 676. This case has no feet and is padded 
below. It would fit on top of No. 676 or No. 677. (William L. 
Rich coll.) Height, 391% inches; length, 5 feet; depth, 1314 inches 
MARQUETRY BOOK CASE MODERN AMERICAN - e 


Same set as No. 676. Mahogany with inlay in Dutch style. Ball 
and claw feet. Four glass doors. (William L. Rich coll.) | 
Height, 5514 inches; length, 6 feet 8 inches; depth, 1414 inches 


102 


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LARGE DRAWING ROOM MARQUETRY SETTEE 

: j MODERN AMERICAN 
Straight, simple lines. Straight back railing and front. The arm 
rests in a simple curve; ball and claw feet. Mahogany decorated 
with Dutch marquetry like the preceding. Covered with plain 
green velvet. The lines similar to those of American furniture of 
the Empire period. Feet slightly damaged. Same set as the 
preceding. (William L. Rich coll.) 

Height, 3614 inches; length, 7 feet; depth, 35 inches 


MARQUETRY PIANO STOOL MODERN AMERICAN 
Green velvet seat. The legs with double curves ornamented with 
turned rosettes at intersection. Mahogany with inlay in Dutch 
style. Same set as the preceding (William L. Rich coll.) 


UPRIGHT PLAYER PIANO 
Mahogany with inlay in Dutch style. Steinway pianola piano, the 
player mechanism of the Aeolian Company, N. Y. No. 156343. 
(William L. Rich colt.) 

, Height, 5 feet 5 inches; length, 6 feet 2 inches 


RECORD ROLLS 
For the player piano. Mainly modern dance music. (William L. 
Rich coll.) 90 pieces 


DUTCH MARQUETRY TABLE 
Handsomely inlaid with flowers and birds. Pillar column set on 
base terminating in hoof-shaped feet. With dining size top, re- 
versible, and fitted for gaming. Reverse revealing compartments 
for cards, chips, etc. A handsome and unique piece. 

Diameter, 50 inches 


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